Greyseasunder writes: I just got back from spending the weekend with my in-laws, just so that I could see the Hartford Symphony’s rendition of the Lord of the Rings Symphony. I live in New Hampshire, while my in-laws live in southern Connecticut. I drove over 3 hours to get to their home, and then another hour and half to get to Hartford. While I had to suffer through Friday and Saturday with my in-laws, waiting until that magical time of 3pm on Sunday, I did it and made the trek to the Bushnell Theatre for the afternoon concert.

Well, let me tell you, I’ve been waiting since late spring to experience the LOTR Symphony, after I first heard of it taking place (off the onering.net) and ordered my tickets. I’ve been sitting at my computer at work listening to the soundtrack over and over again for nigh on 5 months in anticipation of Sundays event. While Howard Shore canceled on the concert due to workload, it was still well worth the long wait. My friend nick who returned his tickets upon hearing that Mr. Shore was no longer conducting, does not know what he missed. It was truly a once in a lifetime event and I will remember it forever. I’ve just come into work this morning and have fired up the soundtrack again and I’m getting goosebumps remembering what I heard/saw/felt experienced.

My wife and I arrived in Hartford at about 2:30pm- a beautiful and crisp autumn day. Was a bit chilly so my wife had to put on a sweater. The sky was cloudless and sunny as the crowds gathered at the Bushnell. We walked into the hall and what a beautiful theatre! Cream colored walls with gold accents. We quickly surrendered our tickets and were seated. The theatre was spectacular! Overhead the ceiling was decorated with scenes of the zodiac and complex geometric patterns that reminded me of the inner workings of a clock or old watch. Gorgeous.

Our seats were right up front, E section of the Orchestra stage left a little off center. We could’ve reached up and touched the performers. Though I’d have liked to been a bit more to center and further back, as we could not see the entire orchestra, it was still wonderful. Several kids went up to talk to the performers throughout breaks in the concert. The artists seemed to be very enthusiastic to talk to with them.

Up on stage there must have been close to 200 performers. I’m not sure of the exact numbers, but it was incredible. Besides the musicians, three solo vocalists there were a male, female and children’s choruses. In back of them all was a large screen. I’d heard there was to be a multimedia show along with the music. I’d assumed it was going to be stills from the films- however I was wrong and pleasantly surprised. Alongside the music, images of Alan Lee & John Howe’s sketchwork were displayed. Though rough, it was beautiful- full of feeling and raw power- and the images chosen were just cryptic enough to not giveaway some plot elements. My wife has not read the books and has only gotten through the first dvd of the second film as yet, so that was good.

Now, I have to tell you, I’m a bit of a sap where LOTR is concerned. I first read the hobbit in 2nd grade- I think I was maybe 7 years old. And I read the LOTR trilogy immediately after. I’m 35 now, and I’ve read those 4 books once a year since then. When I think of the LOTR, it brings back a lot of happy memories of childhood and fantasy. When I first heard that the films were going to be made, I cringed. I seriously doubted that anyone could ever come close to the magic of the books and I was truly frightened that someone would mess them up. I still have nightmares about when someone with the initials R.B. created an animated version of the first two books back in the late 70’s. Anyways, so when I finally did see the new films, well, I have to tell you- I cried. Several times throughout each film to tell you the truth. I’m a 35 year old male and I’m not afraid to admit that I openly wept at points throughout all three films. Mr. Jackson hit the mark spot on with each. Yeah, he did a little tinkering, but it was for dramatic purposes and I’m not so big a fanatic that I cannot admit that he made some improvements. Anyways…back to the symphony.

Alastair Willis was conducting, standing in for Mr. Shore who is currently working on another project. The theatre darkened, and Mr. Willis stepped up on stage.

The next two hours were pure magic and fantasy. I’ve listened to the soundtracks over and over again probably several hundred times by now. The performance was absolutely flawless!

The concert was divided into 6 sections (sorry, I’m no musician, so the specific wording sometimes escapes me)- the first 4 were devoted to the Fellowship alone. Along with the music, the lights adjusted to go with whatever the theme of music was at the moment- red for war/battle, green for elves. The performance started with “The Prophecy”. Up on the screen we were shown images of the map of middle earth, alternating in english and runic script. The Prophecy quickly moved into “Concerning Hobbits”.

When listening to the soundtrack before going to the concert, I’ve always loved the darker & triumphant pieces- such as “The Bridge of Khazad Dum” or “The White Tree” or “The Ride of the Rohirrim” –more than the nostalgic pieces- such as “Concerning Hobbits”. No more. When the Hartford Symphony started in with “Concerning Hobbits” and I saw images of Hobbiton up on the screen, well- bring on waterworks number one. I wept. I’m such a wuss. Absolutely beautiful- nostalgia, love for home, childhood all things hobbitish. A truly beautiful piece of music, played flawlessly. I marvel more and more at Mr. Shore’s craftwork. My wife thinks I’m such a dork…

The concert progressed through the first film- high points (well the whole thing was one wonderful, continuous highpoint) for me being “The Bridge of Khazad Dum” – wonderful male vocals and images of the balrog up on the screen. Simply astounding. Lovely dark red lighting bathed the performers along with gobos (covers over the lights) that simulated fire.

The last highlight before the end of the first film and intermission was a spectacular rendition of “The Breaking of the Fellowship”. A small boy sang part of this in english, unfortunately I do not remember the words, but it was beautiful and as with the entire performance, flawless. Waterworks #2.

A short intermission followed. Several adults and children went to the stage to talk with the performers who seemed very enthusiastic to talk with them. I stayed right in my seat and tried to soak in what I’d just heard/experienced. On to the 2nd and 3rd films music.

I understand the need to emphasize the first film/book/part of the symphony- its background and the backbone to the entire story. Unfortunately, in my opinion, a lot of the best, most dramatic music, is in the 2nd and 3rd films. Half the performance was devoted to the first film, was a shame- lots of good music in the other films that never made an appearance. What can you do though? Only two hours to cram it all into…

After the intermission, two lovely ladies walked onto the stage alongside the conductor and sat down. Their voices were to be heard later on with INCREDIBLE renditions of “Gollum’s Song” and “Into the West” as well as “Evenstar”. Once again, yep, tears on all three songs. I was pretty wrung out by the end.

‘The Riders of Rohan’ left me a wreck- so dramatic, so tragic and beautifully performed. All I could picture in my head was the golden hall and the lands of the horsemen depicted in the film. The violin soloist delivered a PERFECT performance during this part. Amazing.

‘Forth Eorlingas’- my god, stirred the blood! I’m getting goosepimples just thinking about it 24 hours later. My wife, who is a reluctant LOTR novice at best, nudged me during this part and mouthed “WOW!”. I couldn’t say it better myself.

We moved forward to the end of the second film ending with “Gollum’s Song” – I love Emiliana Torrini’s rendition on the soundtrack, and didn’t know what to expect from someone else performing it. I love Emiliana’s voice- so liquid and sinister yet tragic at the same time. The woman who performed it yesterday (unfortunately I do not have my program with me to look up her name) was astounding. Though much lighter in feel, and less smoothly sinister like Ms. Torrini’s, it still retained the tragedy and lurking evil appropriate for the song that gives voice to my most favorite villain.

On to the final two parts of the score- divided into before the destruction of the ring, and after.

‘Hope and Memory’ well, yep, yet again, tears on my part. Beautiful and epic. “Minas Tirith”- instead of a boy soprano vocal, one of the women sang the part (you know- where faramir and his troop are chased from Osgiliath by the Nazgul and Gandalf comes to their rescue). Astounding!

Moving into “The White Tree” (one of my utter favorites from the soundtrack) and “The Steward of Gondor”. So glorious and epic in feel! Can’t say enough how PERFECT their performance was!

The set was then bathed in blood-red light, for the final two parts before the fall of the ring- “Minas Morgul” & “The Ride of the Rohirrim”. War, bloodshed fire and ultimate triumph! Goosepimples again as I type. Segueing directly into the final movement of the afternoon’s performance.

‘The End of All Things’- THE pinnacle to our adventure. And the Hartford Symphony let you feel it. Heart thumping bass, drums and the full choir unleashed. With the one female singer giving voice to the final moments of the one ring before its destruction. Haunting, beautiful and it set me to tearing up again. Honestly I’m really not THAT big a wimp, but somethings in life you feel passionately about, and all things LOTR-related and this music, this perfect music to accompany this epic tale, well, that’s one of them.

The afternoons performance settled in with the finale- “The Return of the King”, “The Gray Havens” and “Into the West”. All wonderfully done and giving you that final feeling, like the feeling you get when you finish reading The Trilogy- like you just lost your best friend in the entire world. Its over, the end of the adventure. I sat their stunned listening to “Into the West”, performed with as much grace and beauty as Annie Lennox did. Wonderful, epic piece of work and music. Up on the screen we were greeted with images of the Gray Havens and a lone ship sailing off into the sunset.

As the final strains of music stopped, and the house lights came up, the Hartford Symphony received a well-deserved 10-minute standing ovation. I do not know how long those folks have practiced for those two performances (there was one Saturday as well) but its probably been as long as I’ve had tickets waiting to use to see them.

I’m spent folks, still basking in the memory of the music from yesterday. I feel today like I feel everytime I read the books and come to the conclusion of them- words cannot express how I feel. If you get the chance to experience one of these performances where you are, DO IT! It only comes around once, and its not to be missed. Its like stepping into the books for 2 hours of your life. Once there, you are never the same again…

Shayna C writes:

Hello everyone, I went to the Symphony last night down in Albuquerque. It was fantastic. The space was very nice and the acoustics were wonderful. I attended the Houston Symphony back in July, which was fabulous as well.

At this performance I think that the choirs were much better, particularly because they were louder or the mics were closer to them. The boy soloist was very good. He sang all the high notes perfectly.

His part immediately after Gandalf falls at The Bridge of Khazad Dum was so beautiful it brought tears to my eyes. The boys’ choir with him was wonderful and the little ones were so cute. The female soloist here was, in my opinion, much better then Sissel. While Sissel was very good, she didn’t sing with the feeling that this woman did. Unfortunately I do not know her name because for some reason it was not in the program. My mother and I both cried during her performance of Into the West. Gollum’s song, one of my favorites, was also very well done.

The symphony of course was great and the conductor, Alexander Mickelhwate, was as fun to watch this time as he was in Houston. The lights added great effects and the drawings of Alan’s and John’s were great once again!

If any of you have not already seen this show, I highly recommend it if it is anywhere close to you. If you are in New Mexico, there is another showing on Sunday September 19, 2004!

Supernova 2004 Convention in Brisbane

Goddessofthering writes: I spent yesterday at Supernova, a convention in Brisbane Australia, where Sean Astin, John Rhys Davies and John Noble were guests. I have some digital photos (attached) that you are welcome to use. Also, a little of what happened on the day.

Although it took a long time to gain the autographs (three hours) it was worth it. John Noble commented on my t-shirt, theonering.net ‘Don’t make me get my ring’ and that he used theonering.net to keep up to date on what was happening through the major events of the past few years. Sean Astin was signing for a fan in front of me and started singing ‘Come On Eileen’ to her and she had no notion of the song. He was surprised and I think a little shocked that she had never heard of it as it had her name in the song. I joined in (and now tell the story to my friends with the opening line – I sang a duet with Sean Astin 😉 and he seemed very pleased that someone else knew it. John Rhys Davies very kindly let me have my photo taken with me and tickled me while it was being taken. Both JRD and John Noble spoke on Saturday and for the most part let the audience ask questions to keep them reminiscing.

John Noble asked us what we thought the saddest moment of the Return of the King was. His moment was where Sam carries Frodo up Mount Doom when he is no longer able to carry on. The depth of friendship was what touched John’s heart at this point in the movie. There were some interesting discussions around John’s character of Denethor and the descent into madness, the way the character isolated himself and so rarely spoke to anyone, often avoiding eye contact when speaking to them. He also spoke about how grief can change someone so much and that he could not imagine how he would react if his son died or how he would feel if, like Denethor, he felt that he was to blame for his son’s death. It was lovely how both actors would suddenly speak in their character voices to make a point.

JRD spoke of how his costume kept him warm in the snow scenes but how little bits of him would always be flying off and need re-attachment. Overall it was a pretty good day and I certainly came away with great memories and autographs.

By TORn Staffer Tehanu

About a month ago something rather strange started to take shape on the edge of West Auckland, where The Lion, The Witch, and The Wardrobe is being filmed. A number of shipping containers were stacked into a large U-shape with gaps that formed monumental openings like gateways in each side.

I’d seen shipping containers used to form sets before at the Stone St. lot in Wellington, so I was not surprised when workmen started to add plywood facings to the containers.

The structure quickly became more complex, with stairways and a kind of gallery or balcony along one side.

The stairs form an elaborate approach to a large stage or dais in front of the central archway.

This is clearly one of the sets for The Lion, The Witch, and The Wardrobe. Hard to tell what until they render the plywood with whatever finish they plan to use – then we’ll see whether it’s meant to look like dank, evil , ice-covered stone, in which case we could assume it’s the courtyard of the Witch’s House, where Edmund finds the petrified Narnians. Later in the story, once the spell of Winter is removed, the Witch’s House would probably be recognisable by some kind of threatening architecture.

Because this place looks more open and straightforward in design, I’m thinking it could be the courtyard at Cair Paravel. Perhaps we’ll see the four Sons of Adam and Daughters of Eve crowned here.

Asphodel the PR Hobbit writes: The Ohio Ring Council (ORC) is proud to announce that we will be celebrating the birthdays of our favorite hobbits, Bilbo and Frodo Baggins, at our version of the Long Expected Party in Canal Winchester, Ohio on Saturday, September 18th. Details and directions are available at ohioringcouncil.com.

“The Long-Expected Party” will be the first annual party in central Ohio hosted by the Ohio Ring Council in celebration of all things Tolkien, Middle Earth and Lord of the Rings. There will be feasting, games and activities, live celtic music, dancing, and general partying and fun to be had. The spirit of Middle Earth and Hobbiton will be brought to life with decorations galore, much of which was hand-made by ORC members. All in all, this will indeed be ‘a night to remember’, and we hope all fellow fans attending the party will agree!

“The dragon is coming or I am a fool!” he cried. “Cut the bridges! To arms! To arms!” Thus the people of the lake-town, Esgaroth, are warned of their approaching doom. As Smaug vents his fury on these innocent villagers, it seems that nothing can save them from the Chiefest and Greatest of Calamities. But things are never quite as bad as they seem.

Tolkien’s children’s tale finally grows up. Gone are the foolish trolls, goblin songs and doggie waiters. Now the themes of life and death, honour and courage, trust and revenge get full sway. Was Bilbo responsible for the tragedy at Esgaroth? Is the mysterious thrush just an ordinary bird, or is there more to it than meets the eye? And what of Bard? Was this grim-faced man an early version of the warrior heroes later met more fully in Aragorn, Faramir and Boromir?

These questions may be asked and answered, but after all, what we have here is one of the most exciting parts of a most exciting tale! So, if you wish, like the dwarves, to hear news of Smaug, you must join us this week in #thehalloffire as we discuss The Hobbit: Chapter 14: Fire and Water

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Upcoming topics:

9/25/04, 9/26/04: The Downfall of Numenor
10/2/04, 10/3/04: The Hobbit: Chapter 15: The Gathering of the Clouds

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Place:

#thehalloffire on theonering.net IRC server. Need instructions? Go here:
http://www.theonering.net/barlimans/instructions.html

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Chat Times:

Saturday Chat:
5:30pm EST (17:30)
[also 11:30pm (23:30) CET and 7:30am Sunday morning AEST]

Sunday Chat:
8:00 pm (20:00) CET
[also 2:00pm (14:00) EST and 4:00am Monday morning AEST]

EST = Eastern Time, USA’s East Coast
CET = Central European Time, Central Europe
AEST = Australian East Coast

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