Or How All Good Things Come to an End

John Howe writes: I confess to being a creature of habit. Good and bad, of course, but nevertheless…

Closing weekend this weekend in Saint-Ursanne. The banners and statues will remain in place until the end of September, but the rest will be packed away.

Also, given that Alan Lee will be there on the Sunday, a certain amount of congestion is definitely going to occur. I think he will remember his first visit to Switzerland as being… very busy.

The organizers have edited a lovely series of postcards (yes, I know it makes little sense to have these at the END of the exhibition, but put it down to my pain-in-the-neck attitude concerning quality and atmosphere.) They can be ordered via the official site. Most of the photos are courtesy of (the very talented) professional photographer Darrin Vanselow.

Click here to view the postcards
At any rate, as a creature of habit, I initially found difficult the requirements of weekly driving to Saint-Ursanne as the statues were taking shape. Now that I no longer need to, I awake before dawn Tuesday mornings wondering just what it is that’s missing. Initially I looked with some dismay at my “days-John-Howe-present” calendar, now that my presence is not required, I find that I miss being dragged out of my lair. (On the other hand, I’ve finally realized why I don’t teach or give courses on a regular basis.)

I was intending to write something witty and philosophical about how all good things must have an ending, but a certain precipitation of things-to-do has left me high and dry, well above the tideline of idle creativity. Also, with the two books appearing this fall, the curiously dismaying lull that follows delivery and proofreading is now nearly over as the publishing dates draw closer and most spare moments are consumed by details-to-supply, resized-images-to-send and articles-to-go-over just in case I-didn’t-mean-to-say-exactly-that.

Actually, just now I am struggling with essential trivia like just how much was the fine that the Greek court condemned Heinrich Schliemann to pay to the Turkish authorities for smuggling Priam’s Treasure out of Troy under his wife’s red shawl. One source says 5000 dollars, another says 50,000 francs (but WHICH “francs”, or are these the piasters that Turkey used prior to switching to lira, about the same time the judgement was made) or 10,000 francs (or dollars, it depends). And how much is that worth in today’s currency?
Or what year was it in A.D. 1?

Or why do historians call the Phoenicians a “merchant race”? (Is that ALL they did? Are we a “computer race”?) or seem to think the inhabitants of Mohenjo-daro were dull because their bricks are all the same size?

Or more practical matters, such as how much of the face of the northernmost colossus of Memnon was intact before Napoleon’s troops decided it would be perfect for target practice? (As for the one Severus Septimus so summarily stacked up again, which of the blocks are made of sandstone and which of quartzite? And will my editor pay my trip to go see if I asked politely?) Or what might the ceremonial fire-bowl of a high priest of Cahokia have really looked like, or a view of Ultima Thule? How do you walk a songline? What colour was Eve’s hair, and how many legs did that pesky serpent have? Could anyone read rongorongo? Who wrote the letter from Prester John? How many towers in storied Camelot, and how far by boat to Avalon?
Where have all the unicorns gone?

So, with all these interrogations buzzing like pesky bees around (and in) my little head, this witty and philosophical newsletter will not be written. (If I can remember one-tenth of what I’ll have written for the book at hand, I’ll be amply satisfied.)

Thankfully, there are other distractions.

Saint-Ursanne will be auctioning off the sculptures and the banners, as well as the ink-jet prints from the Cloister. A 25-foot fern was JUST what your garden needed? There still might be room in the garage for a 75-foot dragon? That banner of Gollum would be just perfect in the stairwell? Now’s your chance, the auction is here. Starting once the show closes, and ending on September 30th. (The auction pages will be in English, French and German. If they are not quite ready by the time this goes on line, they will be very shortly.)

See you in a few weeks.

Director Peter Jackson has announced that two young local girls will star in his up-coming feature film The Lovely Bones. The movie is due to start shooting later this year, when the two Kiwi unknowns will be rubbing shoulders with an impressive list of Hollywood’s elite already cast for Jackson’s next big movie. The Lovely Bones is the story of a young girl who is murdered, then watches her family grieve from heaven. [More]

Multiple Oscar-winner Weta Workshop will be key to Tourism New Zealand’s new campaign to promote the country to overseas tourists. Animated images of Maui hauling the North Island from the sea have been devised by Richard Taylor’s creative artists to re-launch the 100% New Zealand campaign. [More]

Christopher Coleman from tracksounds.com writes: Just thought you’d like to mobilize the LOTR fans to help vote Howard Shore’s LOTR scores as the “best of all time.” Of course the competition is tough: Star Wars, Braveheart, Lawrence of Arabia, The Magnificent Seven, The Godfather…and many other classic film scores. The voting is happening at tracksounds.com.

For years speculation has raged that director Peter Jackson was making a World War I movie. Then secretly, in April this year, he did. The film, Crossing the Line, features biplane dogfights, bayonet charges and 30 cast and crew. It was filmed in Jackson’s second home-town of Masterton – home to his palatial mansion and estate – and has had rave reviews at audience screenings. It’s length? Fifteen minutes. Time taken to shoot? Just a few days. [More]

Alan Lee a hit in San Francisco
Today is Alan Lee’s Birthday! Alan Lee (born August 20, 1947) is an English book illustrator and movie conceptual designer.

He has illustrated several fantasy books such as the centenary edition of The Lord of the Rings, The Children of Húrin, Faeries (with Brian Froud), Lavondyss by Robert Holdstock (as well as the cover of an early print of this book), The Mabinogion, Castles and Merlin Dreams. He won the Kate Greenaway Medal for illustration in 1993 for Black Ships Before Troy and the Best Artist Award at the World Fantasy Awards of 1998.

Lee and John Howe were the lead concept artists of Peter Jackson’s The Lord of the Rings movies. He illustrated many of the scenarios for the movies, including objects and weapons for the actors. In 2004, he won an Academy Award for Best Art Direction for his work on the third film in the trilogy, The Return of the King. Lee has also worked as a conceptual designer on the films Legend, Erik the Viking, King Kong and The Chronicles of Narnia: The Lion, the Witch and the Wardrobe and the television mini-series Merlin. Lee recently released a portfolio of his conceptual artwork for the Lord of the Rings film trilogy, entitled The Lord of the Rings Sketchbook.