TheOneRing.net has a bit of a secret – and well, we need to keep it safe, but we are looking for your help. No, no, no… we are not asking you for a donation, just your voluntary help seeking out information on some interesting Tolkien related topics. Today’s topic is Fan Art. We are looking to compile the World’s Best Tolkien Fan Art pieces of all time. Here’s how we define fan art: Artwork that is based on a character, costume, item, or story that was created by someone other than the original artist/creator. It can be physical or digital. If you have you see some amazing examples of Tolkien fan art in your lifetime, we want to know about it. Use the form at the bottom of this post to send us a much information about the artwork as possible. At this point, we do need to ‘see’ the artwork, so hopefully it is represented by an photo or image online somewhere. There is also an option to upload a small version of it. Thanks for your help in advance and we look forward to seeing the best Tolkien fan art of all time! [Submission Form] (On the right is ‘Turin’ by Liga-Marta)
The landlady of The Hobbit pub in Portswood is raising money to help pay legal fees as wrangling over the small print of a deal made over copyright with Hollywood’s Saul Zaentz Company (SZC) continues.
Pub landlady Stella Roberts said she could not discuss the negotiations as she had signed a confidentiality agreement but said “We are very frustrated. We’re living in limbo here. We just want the whole thing finished. We just don’t know what to do. We’ve been advised to carry on trading as we were, because we haven’t got a lot of choice.”
A letter from SZC in March had asked the pub to remove all JRR Tolkien branding. The company later agreed to license Tolkien brands in order to resolve the dispute over the pub’s name.
Thanks to Ringer David H from Auckland NZ, we have this link to a wonderfully revealing and in-depth PDF from The Department of Welfare and Housing Te Tari Kaupapa Whare. The document is titled: Compliance of barriers to a bridge located on a former film set at 501 Buckland Road, Matamata. You see, the bridge made famous in The Lord of the Rings and The Hobbit was considered to be not complying with Clause F4 Safety from falling of the Building Code, and and as a result seemed to ultimately be required to make some adjustments to allow public use. However, after a lot of discussion, notes and analysis, you’ll see that Manager Determinations John Gardiner has reversed a previous decision and decided the bridge, in its current form, qualifies for code compliance! Hobbits of Hobbiton rejoice! The bridge will remain open! [PDF]
In this One News reportRichard Taylor, Pietro Marson and Rod Sheeny (Weta Workshop Animatronics) talk about how Weta Workshop is using 3D printers to make weapons and props for The Hobbit and the Lord of The Rings trilogy.
Animatronics engineer, Rod Sheehy, says that the printing technology is an advantage because it keeps costs down with the items made in-house, saving a lot of time and Taylor says that they’ve used the tech to make helmets, sword hilts and axes. Thanks to Ringer Marc for the heads-up!
In an interview with Entertainment Weekly the film director of the Batman trilogy Christopher Nolan, reveals how The Lord of the Rings trilogy helped him to wrap up the epic series with ‘The Dark Knight Rises’. He stated how difficult film trilogies tend to be, saying:
“There are very few very great third films, I think in some cases dissatisfaction with third films comes from the sheer exhaustion of the people making it”. He then went on to tell how Peter Jackson’s work on The Lord of the Rings acted as inspiration for his own crew “I will cop to this: ‘The Lord of the Rings’ trilogy was in the back of our minds the entire time we were making these.”
Jared Connon is the supervising location manager for The Hobbit, and worked on The Lord Of The Rings.
The eagle-eyed film locations expert has worked in the film industry since he was 19, knows New Zealand like the back of his hand and is considered one of the best in the business. Connon has seen more remote parts of New Zealand than most fellow kiwis. He’s also very dedicated to the Māori ethos of kaitiakitanga — treading lightly on the land, treating it with respect and leaving it unspoiled for future generations.
In this feature, Connon speaks about location scouting, the logistical challenge of organising filming permissions and what makes a good location scout.
