It clocks in at only 15 seconds, but as these things go this TV spot for the home…
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It clocks in at only 15 seconds, but as these things go this TV spot for the home video release of The Hobbit: The Desolation of Smaug is pretty good. Very punchy.
Lots of Smaug and fire, as you’d expect. Check it out below. Continue reading “Watch TV Spot #1 for the home video release of The Hobbit: The Desolation of Smaug ”
Courtesy of the efforts of Ringer mukankakuna on the TORn forums, here’s a video that reveals the differences between the trailer and the theatrical release of The Hobbit: The Desolation of Smaug.
As others have noted, perhaps the most significant change is to the colour-grading. The colours in the theatrical release are much more muted, and as one commenter put it, bleak. In particular, gone are the super-saturated blues that many objected to when the trailer was released. As someone who has railed against the teal and orange trend, I think the more natural colour palette is definitely better Continue reading “See the differences between the trailer and the theatrical release of The Hobbit: The Desolation of Smaug”
Warner Bros. has posted a number of additional wallpapers from The Hobbit: The Desolation of Smaug to plug the April 7/8 release of the theatrical edition on DVD and Blu-ray. If you haven’t already seen them on TheHobbitCountdown check them out below. Continue reading “Eight more Hobbit wallpapers from TheHobbitCountdown.com”
Here’s the third of our four semi-final contestants in our 2014 Middle-earth March Madness contest — Aragorn, descendent of the line of Isildur and Elendil, heir to the throne of Gondor and Arnor. In this piece, our own Quickbeam examines just what makes this character tick, and the traits that truly make him … king.
by Cliff “Quickbeam” Broadway
Strider, Aragorn, Longshanks, Telcontar, Elessar, and several other names come to mind for this particular character. But the first impression a non-Tolkien outsider would get from a man who has a dozen aliases is that he was probably a criminal. Maybe they’d think he was constantly moving from place to place, switching names because he was the equivalent of a modern-day “identity thief” who was on the lam! Funny how things in our modern world don’t always reflect clearly on mythology.
We didn’t see a lot of Mikael Persbrandt’s Beorn in the end in The Hobbit: The Desolation of Smaug, and arguably he remained all the more intriguing for it.
Here, Persbrandt chats extensively with AB Svensk Filmindustris about the big skinchanger. A choice quote where he talks about the vocal effects:
When it comes to portraying something that big — he is like, Beorn is, like, three-and-a-half metres long or something. Four metres, maybe. His lungs are like 18 litres [in capacity]. So what they do — they run it through programs I think. I have quite a deep voice myself, but they still they enchanted it a little bit.
