Chemical Engineering student Emil Johansson has an amazing passion project he developed mapping out the genealogy of everybody in J.R.R. Tolkien’s Middle-earth. Called the LOTR project, it provides a great big family tree for Tolkiendom. Its scope is amazing as is the effort and organization, although it is still a work in progress. We asked Johansson to tell us more about his project and this is what he had to say:

“I first read the Lord of the Rings when I was eleven years old, just in time for the first movie to come out. At that point it’s not fair to say I was passionate about it but rather that I found it a good way of escaping reality for a while. I was the kind of kid who lived a lot in my imagination.

The first family tree I made was probably six years ago and consisted of two huge papers, 1 by 1 meters. I quickly realized this was something I wanted to share, but my knowledge of the web was too poor to allow it. I was not until November last year that I decided to give it a try. Even though much of the research already had been done, programming the site and adding the characters into the database have taken a lot of time. Too much for me to want to think about it.

I still have a massive amount of work left before I’m finished and I will not give up until it is perfect.”

The site is a MUST VISIT.

We’d like to wish the entire world a very happy Chinese New Year! I’m not sure if PJ and crew had it in mind…but do you think it is any coincidence ‘The Hobbit: An Unexpected Journey‘ will be released in the year of the Dragon?

Film and celebrity media flock to Park City, Utah for the Sundance Film Festival so the Peter Jackson-produced West Memphis Three is grabbing a lot of media attention. Staffer Maegwen sends in two clips from E! with video of director Amy Berg, Jackson and Damien Echols, one of the West Memphis Three. They slip in some Hobbit content too. You can view it if you click here.
The next video has some Hobbit content from the first link but starts with Elijah Wood saying that returning to New Zealand was like a family reunion in a Hobbity context. You can view that one here, with extra Sundance content after Middle-earth chat is over.

PARK CITY — There were tears and cheers and moans and even laughs at absurd real-life characters in the new Peter Jackson-produced documentary, West Memphis Three, at its world premiere at the Sundance Film Festival.

Directed by Amy Berg, the movie was commissioned by Jackson and wife Fran Walsh after the pair saw the first HBO documentary that spread the story of the West Memphis Three. The trio was convicted in 1994 of murdering three eight-year-old boys in West Memphis, Arkansas and has long been an the subject of intense media scrutiny. Damien Echols, Jason Baldwin and Jessie Misskelley were, according to many, completely innocent and clearly wrongly convicted. The justice system of Arkansas does not agree.

Jackson and Walsh watched the original HBO documentary, Paradise Lost, that focuses on the case and the doubts that surround it. That original film has grown into three.

“It made us angry and it made us sad and we called Lori (Davis, Echol’s wife) and asked if there was anything we could do,” Jackson said. Continue reading “Peter Jackson brings Damien Echols from prison to Sundance, ‘West of Memphis’ points fingers”

Why did Bloomsbury U.K. eventually decide to offer “Harry Potter” books in disguised covers? Because people were ashamed to be seen reading about witches and wizards on the train. Fantasy had been made into a guilty pleasure, like pornography. It was immature, juvenile, escapist. As for all those Tolkien fans who liked to dress up as elves and orcs, the only explanation, spluttered Edmund Wilson in 1956, was that “Certain people . . . have a lifelong appetite for juvenile trash.” This, Michael Saler remarks, “from a man who liked to be called ‘Bunny.’ ”

In “As If: Modern Enchantment and the Literary Prehistory of Virtual Reality,” a historical and cultural study of fiction fandom, Mr. Saler counterpunches vigorously against the whole edifice of literary snobbery. What he has to say is so self-evidently right that the fact he has to say it makes one wonder how the critical profession has managed, for so long, to cultivate such a large blind spot. His book should be essential reading in every graduate school of the humanities. But it’s much more fun than that recommendation suggests. More..