Whether a candle falls over and lights the curtains on fire, or a Dragon with a grudge decides to wreck some havoc, the people of Laketown depend on the brave men and women of the Laketown Fire Department to save their homes and businesses. You can now be an honorary member of this elite team by owning your very own ‘Laketown Fire Department’ t-shirt! Made of 100% cotton and featuring the official seal, this shirt will make a great addition to your collection or an unforgettable gift for the Tolkien fan in your life. Place your pre-order today! [Order Today] [Emporium of Goods]Posted in Clothing, Hobbit Book, Hobbit Movie, J.R.R. Tolkien, Locations Sets, Merchandise, The Hobbit, Tolkien
Archive for the ‘The Hobbit’ Category
We know; the compulsion people feel to compare works of fantasy – and in particular, A Song of Ice and Fire with Tolkien’s Middle-earth tales – can get annoying. As writer Anne Hobson herself admits, ‘comparing the two masterpieces is in many ways “as useless as nipples on a breastplate,” as Tyrion Lannister would say…’ Nonetheless, many readers are fans of both George R R Martin and J R R Tolkien, and as both worlds are being brought to life at the moment - in the realms of television and cinema respectively – it is inevitable that comparisons will be drawn.
Hobson’s blog in ‘The American Spectator’ is an interesting piece, giving the subject careful thought. She suggests that there are core differences between the two writers, both in the origins of their creations and in their perceptions of morality. You can see what she had to say – and perhaps draw your own conclusions – here.Posted in Hobbit Book, J.R.R. Tolkien, Lord of the Rings, LotR Books, Miscellaneous, The Hobbit, Tolkien
It may only be the end of May, but many of us have already been thinking ahead to the end of the year, as we speculate about The Desolation of Smaug and wonder just how that dragon will look. Publishers HarperCollins are clearly thinking ahead too – it’s already possible to preorder their Tolkien Calendar 2014! This year the calendar features illustrations by British artist Jemima Catlin, and the ‘wicked worm’ himself takes pride of place on the cover. It’s great to see another take on the magnificent fellow!
Catlin is also the artist for a brand new illustrated edition of The Hobbit, which will be released this Fall and will contain 150 new, colour illustrations. More visual goodies from Middle-earth! You can preorder both the book and the calendar at Amazon – click on the links below!
Thanks to ringer spy Bomby for the heads up!Posted in Books, Books Publications, Calendars, Calendars, Hobbit Book, Merchandise, Shop, The Hobbit, Tolkien
There is a large company of dwarves and a jittery wizard marching down on Wellington weekend June 1 – 3 at the Armageddon Expo. (It just so happens to be the Queen’s Birthday as well!) By purchasing an exclusive “Hobbit Upgrade” ticket you can meet the following Hobbit Cast:
Jed Brophy (Nori), Adam Brown (Ori) Mark Hadlow (Dori), Dean O’Gorman (Fili) Aidan Turner (Kili) John Callen (Oin), Peter Hambleton (Gloin), Stephen Hunter (Bombur), William Kircher (Bifur), James Nesbitt (Bofur), Graham McTavish (Dwalin).
Also Sylvester McCoy (Radagast the Brown) will be there doing a panel and is signing autographs all 3 days.
Resident hot dwarves Aidan Turner (Kili) and Dean O’Gorman (Fili) will be signing and hosting photo sessions individually on Sunday only.Posted in Casting Rumors, Conventions, Events, Exhibits, Fans, Hobbit Cast News, Hobbit Movie, Other Events, The Hobbit, Wellington
Reports are everywhere today that Viggo Mortensen turned down a role in Peter Jackson’s ‘The Hobbit.’ The headline implication being he was specifically asked to reprise the role and turned it down. The reports are wrong (in fact, most are removing a critical word in the quote). Here’s the exact excerpt from The Guardian’s interview with Viggo Mortensen:
In Peter Jackson’s Hobbit film, several of the Rings cast reprised their roles. Was he asked to take part? “No. Before they started shooting, back in 2008, one of the producers did ask if I would be interested. I said, ‘You do know, don’t you, that Aragorn isn’t in The Hobbit? That there is a 60-year gap between the books?’”
Viggo’s immediate answer to the question is ‘No.’ He was NOT asked to take part. Secondly, he was asked in 2008, when The Hobbit screenplay and pre-production was in its most early stages. The producer who asked the question probably asked the same to every single LOTR cast member to gage the writing team’s options for the script.Posted in Director news, Hobbit Movie, Lord of the Rings, LotR Cast News, LotR Movies, New Zealand, Peter Jackson, The Hobbit, Viggo Mortensen
October 1999 had some interesting questions from the Tolkien universe…
Q: Hello. I have one, but I’m sure that you’ll get it easy enough. It has become evident to me that me George Lucas used two names for two of the places in Star Wars movies (the first three released). Also, I have a question that I’m hoping you might be able to answer. I have read The Lord of the Rings (sadly) only once. I am 15 and currently working on The Silmarillion, while my friends read my copies of LOTR. I’m having problems with names and locations in The Silmarillion. Is Beleriand the same as Middle-earth? I know that that is a simple question for you, but I frankly have no clue. Any and all help is greatly appreciated. Thank you in advance,
–Niles “Dargon” Armstrong
A: Yes, Beleriand was originally created as part of Middle-earth. Technically speaking, the lands of the Valar, or Valinor (a.k.a. “The Undying Lands”), are all found across the sea to the west. Any landmasses on the east of Belegaer, The Great Sea, are considered part of Middle-earth.
In the First Age, the earliest settlements of Elves, Dwarves, Ents, and Men were in Beleriand, which stretched from the coast as far east as the Blue Mountains (Ered Luin). If you look at the map in The Silmarillion you’ll see this mountain range on the furthest east. Now look at any edition of The Lord of the Rings and you’ll see the Ered Luin on the far western edge of the land, bordering the coast.
This is due to the events that brought about the end of the First Age and irrevocably changed the face of the land. During the War of Wrath a great host of Valinor approached the stronghold of Morgoth to destroy him in a final confrontation. When the great towers of Thangorodrim were smashed, the entire continent was thrown into a cataclysm. The breaking of Thangorodrim laid bare the pits of Angband, and the Great Sea engulfed everything. Nearly one million square miles of land were submerged. A new coastline appeared at the Blue Mountains, becoming the more familiar area just west of the Shire where the Grey Havens would be founded centuries later.
So there you are. Beleriand was once truly part of Middle-earth, but the epic and certainly tragic events imagined by Tolkien changed all of it. Belegaer would later be called “The Sundering Sea.”
A while back one reader asked about finding a good map of Númenor. We strongly recommend “The Atlas of Middle-Earth” (1991, Houghton Mifflin) by Karen Wynn Fonstad. For those readers trying to wrap their brain around the many places mentioned in The Silmarillion, take heart! Tremendous light is shed on the material recounted there, and many nebulous things are made clear.
As for your query about George Lucas… who’s he? Never heard of him. The only filmmaker I know of is Peter Jackson.
Q: I’m Portuguese, so I’ve read the Portuguese version of O Hobbit (The Hobbit). In my version, in Chapter 3, on the third page, just before the song, it is written:
‘Cheira a Elfos,’ pensou Bilbo. —
‘It’s elf smell,’ thought Bilbo, (or something like that).
If Gandalf, or the Dwarves, never mentioned the elves, and when Gandalf, after the troll event, talked about Rivendell and Elrond never saying that there were elves: how did Bilbo know that there were elves? Could he really smell or detect their presence? It’s just an error?
A: Well, if there’s one thing you really can’t miss a mile off it’s the smell of Elves in the morning. One good whiff will clear up any sinus problem, I guarantee it. But seriously, Ângelo, the translation of your version of The Hobbit is not mistaken. In the original Allen & Unwin edition, the English text says:
‘Hmmm! it smells like elves!’ thought Bilbo, and he looked up at the stars.
And no, there is no earlier mention that Rivendell was a community of elves, or that Bilbo had ever met them. You could easily assume that, like Samwise, our dear Bilbo had never laid eyes on an elf his whole life. But if you look at the next page after the elves complete their song, it says:
He loved elves, though he seldom met them; but he was a little frightened of them too.
Elves know a lot and are wondrous folk for news, and know what is going on among the peoples of the land, as quick as water flows, or quicker.
So he had seen them in the Shire, probably in the vicinity of Bywater, I would guess, especially if the elven-folk were traveling through on their way to the Havens. We can glean from the above that Bilbo must have had an actual conversation with an Elf, at least once, to learn news of other happenings beyond the Shire’s borders:
As to what they actually smell like? Well, I don’t know. But there are several places in Professor Tolkien’s work where elves and all things elvish are strongly connected to flora and fauna. There are passages that lovingly describe the valley of Rivendell, its fragrant woods and “green pleasant places.” And when the Fellowship arrives in Lórien, great attention is paid to the vibrant plant-life and especially the mallorn trees. Remember Cerin Amroth?
‘Here ever bloom the winter flowers in the unfading grass: the yellow elanor, and the pale niphredil.’
With this literary device, the reader makes a connection with elves and the symbolism of green, living, growing things. Maybe it’s not actually the elves that Bilbo smells, but his memory of fragrant valleys and pine trees is recurrently matched with the fair elven race… and our memory is too.
Q: If Sauron can defeat all his enemies if he has the power of the Ring, why on earth did he make such a blatant tactical error and put a lot of that power into something which can be taken from him?
A: The most obvious answer is that without the existence of the Ring, Sauron would not have a reliable method of controlling the other rings (especially the Elven rings) and, through them, their wearers and their actions. Sauron’s power in the Ring is different from what it would be outside the Ring. Outside the Ring (with his full power restored to himself), Sauron is a mighty spirit with far sight and great power, but he still has to defeat his enemies the old-fashioned ways: trickery and war. He tricked the Men of Númenor into listening to him until they were under his sway; then later, he tricked the Elves of Hollin into listening to him until they showed him all they knew about ring-making. You can’t control other people unless you have soldiers with weapons around to kill or make an example of any that don’t obey, so despite the power of a Maiar, Sauron would have had no actual control over others without war. It’s a chain: Sauron controls a few by threats or promises of reward, who then turn around and do Sauron’s dirty work in controlling others for him. Same thing with Saruman: he had the power of a Maiar, but had to have a bunch of other creatures around to do his dirty work. But Sauron coveted not only control over other peoples but over their works and powers and lands, as well. Tolkien never spells out what all the Three Rings were capable of, but he gives the impression that many of the special qualities of Rivendell and Lothlórien were created and maintained by the power of the Elven rings. Sauron never touched those, but he learned all about their forging and actually helped in the forging of the Seven and the Nine, so that he learned all about the power that was imbued in all the rings, giving him the knowledge needed to make a Ring that would control all the others, control their wearers and their creations. However, the power in this Ring, the power to control the others, had to come from somewhere. So Sauron put a great deal of his own will and power into the forging, transforming his power into a specific channel: that of controlling the other Rings. He assumed he could always keep this Ring with him, thereby having access to all of his power AND controlling the other rings. I guess he didn’t reckon on the Last Alliance. =)
Q: What are the Barrow Wights? We are never really given a clear description of them (at least as far as I could figure out). It almost seems like the sort of thing that we should have prior knowledge of, but this is the only place I’ve ever seen them.
This was the major mystery that I was left with after finishing the series.
A: First let us examine the etymology of the actual word, Barrow Wight. My fellow Green Books staffperson Turgon (who is held high among the Wise) shared the following with me:
A barrow is an earthmound marking a grave (from Middle English “berw,” Anglo-Saxon “beorg”). But “wight” is also an archaic word, meaning 1) a human being, or 2) a preternatural or supernatural being. It derives from Middle English “wight” and Anglo-Saxon “wiht,” meaning “creature, animal, person, thing.” So of course the terms have a perfect resonance for Tolkien’s use of them…
Put the two together and you have “supernatural creature of the grave.” This is a shining example of Professor Tolkien’s erudition with these ancient languages.
The Barrow-downs were, as you know, dome-shaped hills crowned with monoliths and ringed with white stones. But we need to look closely at the history of the surrounding lands, as it yields more lucid information about the nefarious Barrow Wights. I will try to keep this “history lesson” as succinct as possible, for there is much to tell. What follows is most germane to your question:
Early in the Third Age, the race of Men (the Dúnedain) held power in two main Kingdoms, Arnor and Gondor. In the north, Arnor was split into three principalities: 1) Arthedain, 2) Rhudaur, and 3) Cardolan. This triad of the Dúnedain had a capital city at Annúminas (and later Fornost). There was constant strife between them and the Witch-King of Angmar, who reigned from his cold seat in Carn Dûm.
The power of the Witch-King was undoubtedly great–he was chief of the Nazgûl, after all. He took into his service Hillmen of the North, and a variety of Orcs and other foul creatures. Not the least of which were the demonic spirits that would eventually become the Barrow Wights, but I’ll get to that in a minute.
Many battles were fought over the centuries between the Dúnedain and the Witch-King, and Elrond himself makes mention of them during the high Council in The Fellowship of the Ring:
“In the North … the Men of Westernesse were diminished, and their city of Annúminas beside Lake Evendim fell into ruin; and the heirs of Valandil removed and dwelt at Fornost on the high North Downs, and that now too is desolate. … For the folk of Arnor dwindled, and their foes devoured them, and their lordship passed, leaving only green mounds in the grassy hills.”
Those ‘green mounds’ he speaks of are the burial mounds the four hobbits passed through only a few chapters earlier. The men of Cardolan used the fields of Tyrn Gorthad (the Barrow-downs) as a refuge and also as a burial field for their fallen kings and warriors. The white monoliths marked the gravesites of many of the fallen.
When the Witch-King was ultimately defeated, he fled into the shadows of dusk and vanished from the north. Many tortured servants and spirits also fled from Angmar after his power was broken, no longer having their lord to rule them (or enslave them, if you prefer).
There were also demons, now disembodied and wandering aimlessly, looking for other bodies in which their evil spirits could dwell. And so that’s how I speculate the Wights came into being, as they traveled southward from Angmar to the Barrow-downs and inhabited the bones and jeweled armour of the ancient dead.
The Wights could crush the will of an unwary traveler. Apparently they wielded spells that hypnotized the victim, rendering him mindless, and luring him into the treasure tombs below ground. As you’ll recall from “Fog on the Barrow-downs,” the Barrow Wight laid the hobbits on a stone altar and bound them with gold chains. He draped them in the pale cloth and precious jewelry of the long-dead kings, then readied to take their lives with a sacrificial sword.
It certainly was a good thing Frodo did not succumb to the spell as readily as Sam, Merry, and Pippin. He found his courage and his bearing, asserting himself without the aid of the Ring.
As Tom Bombadil knew all too well, daylight would be the undoing of the Barrow Wight. Once a stone chamber was broken open, light would pour in and the Wight would fade, perishing before the sun. Gandalf would later say of these events:
“That was touch and go: perhaps the most dangerous moment of all.”
And indeed that much is true. With no Wizard or Ranger to help them, the hobbits were in their greatest peril at the hands of such an ancient evil. In the moment where Merry returns to consciousness, the golden circlet around his head falls over his face, and it somehow brings out the voice of the dead man who was originally buried with it:
“Of course, I remember!” he said. “The Men of Carn Dûm came on us at night, and we were worsted. Ah! the spear in my heart!”
Having a good understanding of Arnor and the history of the Dúnedain makes many of these small details more vibrant as you read. For the best information, you should turn to the Professor himself. Read Appendix A, “Annals of the Kings and Rulers,” especially Section I, “The Númenorean Kings,” Subsection (iii), “Eriador, Arnor, and the Heirs of Isildur.” As you pore over these pages you’ll gain a greater understanding of the scope of Tolkien’s world. I’m also certain that you’ll appreciate Aragorn much more, as his background and lineage is made clear.
Q: Could Gandalf have slain the Witch-king? The reason I ask is because when Gandalf is discussing the Witch-king with Denethor, Denethor asks Gandalf if he met a foe he could not match. To which Gandalf replied, Well if the old prophecy be true then he will not fall by the hand of Man. Now Gandalf was a Maiar and not a man. He may have been in the form of a man but he could use spells and he had a hidden power it says. Or maybe Gandalf just meant male. But if that were the case how did Merry help slay the Witch-king and Merry was a hobbit? I know he didn’t deal the deathblow, but his strike is said to have unknit the Witch-king’s flesh. So was this a blunder? Thanks for your time.
ALSO: related to the above question:
Here’s one that’s bothered me for a while: How is it, if only specially-wrought Elvish and Westernesse blades are any use against the Nazgul, t hat Eowyn was able to kill one (the Witch-King, no less) with her plain old Rohan sword? And with a blow to a “spiritual” area no less, the unseen head. Thanks for your time.
- Todd M. Aglialoro
A: I don’t think there was any blundering involved here. The quotations go like this: “Or can it be that you have withdrawn because you are overmatched?” “It might be,” Gandalf answered softly. “But our trial of strength is not yet come. And if words spoken of old be true, not by the hand of man shall he fall, and hidden from the Wise is the doom that awaits him.” (RotK.) First of all, this means that Gandalf himself did not know whether or not he could have slain the Witch-king in a one-on-one. “Hidden from the Wise” includes “hidden from Gandalf,” and Gandalf did not know. He did not know if he was overmatched, because it was not his time to face the Witch-king. That comes later, in the gate of Minas Tirith, and although they do not fight, Gandalf is able to drive him away because the wraith cannot claim victory yet; Rohan shows up to contest the field. As we see later, of course, “not by the hand of man” simply means “by the hand of woman and hobbit.” For myself, I believe that a one-on-one contest between Gandalf and the Witch-king would have been almost as iffy as the battle between Gandalf and the Balrog. Gandalf and the Balrog are both Maiar, and the Witch-king began as a normal human, but the ring he wore, one of the Nine, gave him power approaching the spiritual realm. So there is really no telling. I believe Gandalf was aware that the fate of the Witch-king did not rest with him, and that’s why he responded to Denethor as he did. But also he didn’t know with whom the fate actually *did* rest. As we see later, the Witch-king was so off his guard that there was no actual fight. He believed he was invincible to anything currently on the field, and probably did not realize there were those on the other side who were not men, but hobbits and women.
“‘Do what you will; but I will hinder it, if I may.’
‘Hinder me? Thou fool. No living man may hinder me!’
Then Merry heard of all sounds in that hour the strangest. It seemed that Dernhelm laughed, and the clear voice was like the ring of steel. ‘But no living man am I! You look upon a woman. Eowyn I am, Eomund’s daughter. You stand between me and my lord and kin. Begone, if you be not deathless! For living or dark undead, I will smite you, if you touch him.’
… but the Ringwraith made no answer, and was silent, as if in sudden doubt.”
We all know what happened next. After Eowyn manages to dispatch the beast, Merry gets in one for the Shire at the wraith’s knee, and the very unexpectedness of the stroke breaks the wraith’s concentration to the point where his will no longer holds as steady, and Eowyn is able to drive her sword into what’s left of his power, shattering it. So, I believe that A) Gandalf did not know at whose door the death of the Witch-king would be laid, and he didn’t know if he would be the winner in a fight with him. B) Eowyn’s sword, so far as we know, was a “plain old Rohan sword,” but don’t forget that Merry’s blade was “forged many long years ago by the Men of Westernesse: they were foes of the Dark Lord” (FotR.) It is clear to me that Merry’s stroke shattered the spells that allowed the Black Rider his cohesiveness of form and his concentration of will, and allowed Eowyn’s sword to demolish the center of his power, the spiritual head.
Q: Exactly who is Morgoth? How did he influence the would-be Dark Lord, Sauron?
A: Morgoth is another name for Melkor, mightiest among the Ainur before his fall. In the creation of the world by Eru, the One, Melkor was chief among his servants, the Ainur, but his mind began to stray out of the will of Iluvatar. He wished to control the free peoples for his own ends, and wanted to create beings who would serve and be controlled by him, and not be free to serve Iluvatar or to pursue their own wills. His lust for domination became so great that eventually his former brothers and sisters, the Valar, Ainur that had taken up residence in the world to look over it, made war upon him, chained him in the Void, and named him Morgoth, so that he would no longer be a danger to the Children of Iluvatar. Sauron was a Maiar and the servant of Melkor. His evil influence contributed to Sauron’s downfall until he was no more than a shadow-copy of Morgoth, seeking to dominate others for his own ends.
Several people have written in to clarify an error on my part, when I stated that the Valar fought and chained Melkor in the Void, naming him Morgoth. I basically lumped all the actions against Melkor together under the banner of the Valar, but in actuality… well, read my astute readers’ comments below!
Hi. Sorry to bother you with such a silly trifle, but I wanted to clear something up for my own edification. You said in your response to “Cold Blue” that:
“the Valar…made war upon him [Melkor], chained him in the Void, and named him Morgoth.”
I thought that after Melkor killed Finwë and made off with the Silmarils, Fëanor in his rage named him Morgoth. I don’t have access to my copy of The Silmarillion as it’s on loan, so I can’t check this out. I just wondered what you thought.
If you’ve been bombarded with messages from snotty know-it-alls, please just consider me another and accept my apologies. I very much appreciate the breadth and depth of knowledge at the Green Books and always find the site enlightening.
Thanks for your efforts,
Sorry to nitpick, but it was Fëanor who named him Morgoth, and not the Valar.
Just an amendment. Melkor was named Morgoth (“Black Enemy of the World”) not by the Valar but by Fëanor after Melkor slew his father Finwë and stole the Silmarils.
–TormenderkPosted in Characters, Christopher Tolkien, Hobbit Book, Hobbit Movie, J.R.R. Tolkien, Lord of the Rings, LotR Books, LotR Movies, The Hobbit, Tolkien
Here at TheOneRing.net we are of course huge Tolkien fans. We’re also fans of FANS – we really enjoy sharing the passion of other Middle-earth lovers! Recently we heard from film fan Brian Callahan, who, at his blog PSH for President, shared his thoughts about (as he puts it), ’Jackson’s role as a cinematic steward of J.R.R. Tolkien’s works.’ Here (after the break) is what he had to say:Posted in Creations, Fans, Hobbit Movie, Lord of the Rings, LotR Movies, The Hobbit
We may be too late for his birthday in New Zealand, but it’s still his day in some parts of the world! Amidst all the hard work going on in New Zealand just now, the Hobbit gang found time to celebrate Ori’s birthday – and co-star Stephen Hunter tweeted this great photo of some of the cast gathered for birthday fun! (After TORn retweeted Stephen’s pic, James Nesbitt and John Callen retweeted us! We’re all connected on one great big web; just like the dwarves in Mirkwood…)
Happy birthday to the dwarf who makes braids and chunky knits look good!
(Photo shows, left to right: Stephen Hunter (Bombur), James Nesbitt (Bofur), Dean O’Gorman (Fili), Mark Hadlow (Dori), Adam Brown (Ori) and Aidan Turner (Kili).)Posted in Adam Brown, Aidan Turner, Dean O'Gorman, Hobbit Cast News, Hobbit Movie, James Nesbitt, Mark Hadlow, Stephen Hunter, The Hobbit
RingerSpy Bruta from The Netherlands shares with us his theory on the appearance of Smaug.
Just like everyone else I’ve been wondering what Peter Jackson’s version of Smaug will look like. There have been a couple of interesting articles by TORn about the appearance and size of the dragon. In TORn’s article ‘Analysis: just how big is Jackson’s Smaug?‘, Demosthenes calculated the size of the drake and Smaug appears to be immense. This is a compelling fact few can deny. Further evidence can be found in the following image of the gate of Erebor .
In comparison with Smaug’s tail, the dwarves are about the size of ants. From this it isn’t surprising that in the movie the dwarves are being crushed when Smaug enters through the front gate. In the second TORn article; “Could this be Smaug?!”, Smaug’s head is shown, but to me this is definitely not Smaug, I’ll explain why below.
The Kite theory
In my kite theory, Smaug will have some basic attributes in common with the dragonkite we see the children of Dale flying in the Prologue .
- First: the dragon will indeed be red, his eyes will be yellow, and he will have sharp large front teeth and smaller back teeth.
- Second: the scales on his skin will also be of the same shape and size, as seen on the ‘skin’ of the kite.
- Last and most interestingly: are the similarities that I believe will be shown in the shape of his nose and the number of horns on his head and chin.
If we look at the image, where Smaug pulverizes the dwarves, you can clearly see Smaug’s head. Under the nose and on the sides of his head, you can see his horns. At least, I assume they are horns because that would be the most satisfying explanation for these ‘sticks’. The stick on his nose could also be a tooth, or maybe the end of his kitedragon-like nose. But this isn’t the best picture in which we can see his horned head. When Smaug is swimming in Thror’s gold he dives up, at that moment, in a brief second, the other horns on the top of his head are visible.
According to my kite theory, Smaug will look something like the kite dragon. When Smaug’s eye is shown we can see some small horns on his head. Based on the picture above we can estimate how many horns this magnificent dragon has. The number of big horns on his head could vary from 5 to 8 or something like that. With this information I searched the web to get the most accurate and satisfying picture of Smaug’s head, as it would look in accordance with my kitedragon theory.
Peter Jackson’s first hint of the dragon?
I think there are similarities between the dragon and the kite, mainly because they came from the same people or group, with the same style, who are creating the look of this creature. So, working on this theory, it can’t be a coincidence that the dragon and the kite would be similar. Alongside of this, the kite may have been made as some sort of illustration of the real dragon as a “visual backstory”, to show that its existence has been handed down in legend amongst the people of Dale and as such would be another reason why there are so many similarities between the two.
The kite can, in this way, serve as a hint for the viewer because they do not get to see the real dragon yet. The audience only gets quick glimpses of the dragon, small signs of the creature, like wings, claws, feet and then at the end of the movie a potentially large spoiler: Smaug’s eye. From this perspective it isn’t unreasonable to surmise that Peter Jackson chose to show the kite in the Prologue of the movie as another type of teaser/spoiler. Because in the Prologue, we haven’t really seen anything of the dragon yet! It could be the first sign.
Of course, until the release of Desolation of Smaug, this will only be a theory, time will tell. One thing is certain though, Smaug is going to be awesome!
Bruta is a psychology student from The Netherlands, who first discovered Tolkien in 2000 and has been hooked ever since. The views in this article are his own, and do not necessarily represent those of TheOneRing.net or its staff.Posted in Characters, Fans, Hobbit Book, Hobbit Movie, The Hobbit, The Hobbit: The Desolation of Smaug
Welcome to our weekly live webcast — TORn TUESDAY — now on the 5th part of our ongoing series of discussions on the History of the Dwarves who undertake the Quest of Erebor. Today we talk about BIFUR, BOFUR and the immensely overweight and endearing BOMBUR (Go #TeamBombur on Twitter!). Bring your questions and join us LIVE for a fascinating chat about how these characters are all intertwined.
Join us for TORn TUESDAY every week at 5:00PM Pacific: brought to you by host Clifford “Quickbeam” Broadway and producer Justin “No Podraces in Eriador” Sewell — as we discuss the unique characteristics of each Dwarf. We shall learn how they fit into the larger history of Tolkien’s legends — and what Peter Jackson & WETA did to help us distinguish these rough and tumble travelers from each other (using more than just colored hoods). Our innovative live show includes worldwide fans who join us on the Live Event page with a built-in IRC chat (affectionately known as Barliman’s Chat room). Be part of the fun and mischief every week as we broadcast *live* from Meltdown Comics in the heart of Hollywood, U.S.A.!
NEXT WEEK: the grand finale of our series — THORIN OAKENSHIELD!
Follow Cliff ‘Quickbeam’ Broadway on Twitter: @quickbeam2000Posted in Barlimans, Characters, Fans, Green Books, Headlines, Hobbit Book, Hobbit Cast News, Hobbit Movie, James Nesbitt, Miscellaneous, Stephen Hunter, The Hobbit, The Hobbit: The Desolation of Smaug, TheOneRing.net Community, TORn TUESDAYS Live!, William Kircher
In his third article for our worldwide community, Tedoras, long-time audience participant on our TORn TUESDAY webcast, shares unique insights on the strange demarcation found in The Hobbit but not mentioned in LOTR: the “Edge of the Wild.” Wondering as we often do what exactly Professor Tolkien meant by this invisible line that other characters refer to in the story, Tedoras has a fresh take on cartography influenced by imagination. Take it away, Tedoras….
Beyond the “Edge of the Wild”
By Tedoras — special to TheOneRing.net
One of the most interesting aspects of the Map of Wilderland included in The Hobbit is that very odd, rather portentous demarcation denoting the “Edge of the Wild.” Perhaps many of us, as kids, did not really note the significance of this line: it remained, to us, an added piece of mystery and awe. Certainly, the line retains those qualities today. However, now that I am older, the real meaning of this line is clearer (and, yes, although the Professor may not have wanted us to search for any “meaning” in this line—but to take at its “face value,” rather—there is yet merit in analyzing it. It was drawn for a reason on the map, mind you). Well, perhaps it is not “meaning” for which we look in this line, but rather its purpose to us, the readers, as we follow Bilbo into the Wild.
My interest in the Edge of the Wild peaked when I discovered a fantastic article by Patrick Brückner. In “Until the Dragon Comes,” Brückner focuses on the “real” and “fantastic,” and the reader’s perception of each, in Tolkien’s works; he notes that the mythopoeic role of dragons adds a “world-view that refers to an epic historic quality far beyond and different from the fairy tale elements of [Tolkien's] texts” (Brückner 101). In the vernacular, Brückner merely posits that the concept of a dragon inherently adds realism to the text because of the historic properties we prescribe to dragons. I am not going to go on much more about archetypal dragons and their roles in mythopoeic fantasy; rather, I would like to focus on how Brückner applies this principle to uncover the true nature of the “Edge of the Wild” line.
Brückner notes, wisely, that it was Tolkien himself who, by virtue of adding this demarcation to the map, declared the point of transition from the “real” to the “fantastic” in The Hobbit. While it may seem a daunting task to argue against the Professor’s ostensible intent, Brückner provides a good case against this line being the actual point of transition. There are two reasons why this line does not mark a shift: first, because Rivendell (i.e., “the boundary of the perilous realm”) is clearly to the right of the line and, second, because the incident with the trolls occurs to the line’s left (109). Brückner’s thesis is, therefore, that we can assign the right side of the Edge of the Wild to the realistic sphere, and that we can do so because of the role of a dragon, Smaug (118). As a dragon, Brückner says, Smaug adds a “relevant epic-historical context that grounds The Hobbit“—the concept of the dragon inherently makes The Hobbit “a text that refers to older texts and traditions… that possess historical significance” (117). Thus, because Smaug exists to the right of the Edge of the Wild—and because his existence as a dragon carries with it the realistic sphere—this demarcation cannot be a point of transition from “real” to “fantastic.”
While I agree with Brückner’s conclusion, I cannot say it is only the dragon that adds realism to the story. Just as Smaug brings with him the “epic-historical” notions of dragons which ground him in the “real” sphere (think of dragons throughout Western literature, from Beowulf on), so too do the other “mythological” creatures in the text. Because of our now long exposure to Orcs, Elves, Wargs, and other rather fantastical inhabitants of Middle-earth, we attribute to them, too, the very same historical context as Brückner says we do to Smaug. One of the reasons we attribute such realism to the dragon is, as Brückner notes, that it references other texts. Well, with the wealth of literature written by Tolkien himself or about his works, the same references are possible with Orcs or any other creature. To fans of Tolkien’s works, Orcs and Dwarves are as “real” as Smaug; we simply use Tolkien’s legendarium as the historiographic source. Thus, to a fan to whom the question of Smaug’s existence is not an issue, neither is the assumption that the other ostensibly “fantastic” creatures to the right of the Edge of the Wild are actually real. It is, in my opinion, the collective picture painted by the inclusion of all these now familiar “fantastic” aspects (to which we ourselves assign historic—albeit not explicitly “real” historic—weight), that result in our placing the right side of the line in the sphere of realism.
The most common sense case can be made for a demarcation placed East of Rivendell. The Misty Mountains mark the Western border of Rhovanion (Wilderland), so in that sense, such a line would really be the Edge of the Wild. However, that is of course not the case. So why, then, is the line placed where it is? The best scenario would be to ask the Professor himself (certainly this is one of those rather puzzling Middle-earth conundrums). Yet, I think I can fathom a guess, or at least one hypothesis. If you look at the Map of Wilderland, you’ll note that to the left of the demarcation, at the top, is written “Western Lands”, with an arrow naturally pointing West. If we hold Tolkien’s views on direction as canonical, then it makes sense for the East to be characterized as the “wild”, and altogether less fair than the West. Looking at a map of Eriador, such a conclusion seems plausible for, certainly, Wilderland lies far to the East.
Though simple, such a hypothesis is sound; anyone familiar with Middle-earth knows that to the East lies danger. And the aforementioned simplicity is also key. When deciding to draw this now infamous line, Tolkien would probably not have been debating the convoluted significance of such an action—rather, he would have been thinking of geography, as any cartographer is wont to do. Unfortunately, we may never know.
(All references to the text from: Brückner, Patrick. ” ‘…Until the Dragon Comes’: Tolkien’s Dragon-Motif as a Poetological Concept.” Tolkien’s Shorter Works: Essays of the Jena Conference 2007 (2008): 101-35. Walking Tree Publishers. Print.)
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