As Peter Jackson told us earlier, his vision for Susie Salmon’s afterlife in The Lovely Bones (which Paramount Pictures opened wide last weekend) was a surreal, in-between journey to heaven predicated dreams and metaphoric symbols. A house in the dead cornfield represents her murderer, Mr. Harvey; the blooming flower suggests Susie’s life force and her ability to communicate with her father; the Gazebo in the barley field signifies unfulfilled love, with the field turning to mush as she runs toward it.

Interestingly, the vfx challenges for Weta Digital were more artistic than technical, even though the CG imagery of the In-Between world necessitated abandoning the laws of physics. More..

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