Down the pub with Tolkien and C. S. Lewis There is magic in the last line of The Lord of the Rings. To recap: the stolidly courageous Sam Gamgee, having watched his best friend, Frodo Baggins, sail towards the Grey Havens and into a kind of death, is left to walk back to the Shire where he finds his wife and children waiting with the promise of a quiet life far from the slaughter of the War of the Ring. J. R. R. Tolkien finishes with the sentence: “‘Well, I’m back,’ he said”. It is a touchingly understated conclusion which returns the prose to the homely simplicity of the inaugural chapters after the archaic epic mode of The Return of the King. However, as Diana Pavlac Glyer tells us in her scholarly and perceptive study The Company They Keep, this is not how Tolkien originally intended to finish his trilogy. He had in mind a further epilogue, set sixteen years after the events of the rest of the book, which would have provided another, superfluous glimpse into Gamgee’s domesticity. In this ultimately excised version, a grey-haired Sam reads stories of his adventures to his children, spinning them tales of wizards and orcs and walking trees. There is even the faint suggestion that Sam has been narrating the story of The Lord of the Rings itself, before, at last, we depart the Shire for good, leaving Sam and Rose in a state of connubial bliss, tale-telling by the fireside.

Down the pub with Tolkien and C. S. Lewis

A Poole bungalow once the home of JRR Tolkien is to be demolished. The bungalow in Lakeside Road was where Tolkien retired with his wife Edith in 1968 after his two best-known works, The Hobbit and the Lord of the Rings trilogy, had already made him famous. An application by Cranbrook Homes (Southern) Ltd for outline planning permission for two four-bed family homes on the site breezed through planning at Poole council on Monday. James Dean, director of Cranbrook Homes said he was not aware of the building’s history. He said: “It’s going to be replaced with two superb contemporary houses. In the light of what you’ve just told me, perhaps one of them should be called Tolkien.” [More]

GJOGV, Faeroe Islands (AP) — It’s just after 9 p.m. when the magic begins. The late-setting sun breaks through purple rain clouds to drape the rugged island of Eysturoy in a golden shimmer. A perfect rainbow arches over the Slaettaratindur mountain. Offshore, a wild ocean launches ferocious swells against the Giant and the Witch, two spectacular rock pillars that protrude from the surf like craggy teeth. All that’s missing from the storybook setting is a band of orchs or goblins crawling out from behind a rock, or a pipe-smoking hobbit emerging from one of the turf-roofed houses. The Lord of the Rings analogy is never far away in the Faeroe Islands, a barren and wind-swept archipelago whose volcanic peaks shoot out of the Atlantic Ocean halfway between Iceland and Norway. Local legend even claims the ring of power is hidden here. [More]

Matt Blessing, head of The Department of Special Collections and University Archives, writes: June 7th marks the 50th anniversary of Marquette University acquiring the literary manuscripts of J.R.R. Tolkien. More information about the anniversary, new materials in the collection, and details about an upcoming presentation by John Rateliff, may be accessed online here.

Don’t believe the mockers. The latest posthumous work of Tolkien is a masterpiece around the Wagnerian or Sophoclean theme of unconscious incest. Dragon slayers are of perennial fascination, whether they be Saint Michael the Archangel, Bel, Saint George or Perseus killing the sea monster that holds Andromeda prisoner. Modern literature has Ged, the Wizard of Earthsea, banishing the Dragon of Pendor from Ursula le Guin’s Archipelago; or even Harry Potter thrusting his sword through the mouth of the Basilisk. Yet there is no dragon of whom I have read, or whom I have seen on stage – not Fafner himself in Siegfried – who is quite so frightening as Glaurung, the dragon in JRR Tolkien’s The Children of Hurim. [More]