Or Empires Within, Empires Without
Yes, I realize the title sounds like the name of a lacrosse team (but it’s only to insure that my compatriots read this.) Nevertheless…
A summer ago, I spent a few days in Toronto giving a little talk at IdeaCity and shooting a television program. Being in Toronto was akin to going back to a place one has never been before, one of those reassuring and slightly troubling moments where you realize that (of course) the superficiality of familiarity is enough to enhance any strange city, as long as you have some tenuous link (in this case, the entire population fiddling with their BlackBerries while walking.) So, in a way, back in a Canada to which I’d never been. Which, as it turns out, was very a propos…
In Queen’s Park*, on the way from the hotel farther downtown towards the Royal Ontario Museum, stand the Ontario Parliament Buildings. My hurried strides, and the most promising-looking shortcut on my free city map, carried me past there. Something about them was so unsettling, otherworldly and fascinating that I returned and spent two afternoons in their company. John Howe’s Journal: CANADIAN CELTICS
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Telperion writes: This year marks the 4th International Art Competition of ST Wieza City Culture and Art Centre of Bielawa in association with City Promotion and Strategy Department of Bielawa (Poland). The theme of this year’s competition is Battles and Combats of the First Age and there is much freedom allowed in the artistic style and technique chosen by competitors. The First Prize is €250 and there are two Second Prizes of €100 each. The panel of judges will be chosen from a wide range of sources and will include the world famous Tolkien artist, John Howe, whom it is an honour to have as a judge. The competition is now open and the closing date for submissions is March 31st, 2008. Tolkien Themed Art Competition in Poland
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(Or One Author’s Trip to the Woods)
John Howe writes: To me, writers are mysterious creatures. They make things with words. Pictures are easy, kids do them without thinking. Words are harder, as it implies keeping that gift of spontanteous espression, but using a sophisticated and precise tool most of us can never firmly grasp in out clumsy hands. So, when I meet an Author, I’m always faintly surprised that they seem affable and quite normal, nay, even human. Continue reading “John Howe’s Journal: BUNNIES, WORLDBUILDING & CAPITAL-P PLOTS”
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Or the Perilous Pertinence of Perspicacity Premeditated
(Or Exercises in Applied Floccinaucinihilipilificatiousness)
John Howe writes: I’m often told I’ve got my “head in the clouds”. While that’s clearly metaphorical, or at least I dearly hope so, I recently had the opportunity to get a little closer to said clouds for a television interview.
“Têtes en l’Air” is a French-Swiss program half way between interview and conversation. The creator of the show, Manuella Maury, seems to prepare extensive notes, read up diligently on her subject, and then play everything by ear, counting on an agile mind rather than a plodding list of questions. Which is fair enough, though it does mean trying to keep your wits about you.
I always try to keep them about me when doing interviews, but given the surroundings, my wits were off running up scree slopes or poking around under rocks. I’m always distabilised by interviews, just the fact that someone is actually listening throws me off (even if it’s professional listening) and I spend my time like a tightrope walker in a tempest, buffeted by contrary winds. Continue reading “John Howe’s Journal: HEADS, CLOUDS AND CONVERSATIONS”
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John Howe writes: I will be signing the FANTASY ART WORKSHOP (and whatever else is placed in front of me) at Forbidden Planet in London on November 17th from 12:30 to 2 pm. Store address and information: Forbidden Planet Megastore (179 Shaftesbury Ave, London, WC2H 8JR).
Order ‘John Howe Fantasy Art Workshop’ at Amazon.com Today!
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Or Talking About Somebody ELSE’S Work for a Change: Occasionally I am given the opportunity to write a preface for a book of another artist’s work. It’s an exercise I thoroughly enjoy, an opportunity to pry up the cowling and peek in at the inner workings of another image-maker’s mind. (You just have to keep ypur hands clear of the gears.) When Paul Bonner asked if I’d be willing to do a few words for a volume of his collected work that was in preparation, I immediately agreed quicker than you can say “And about bloody time too!”. Paul’s work is simply amazing, and just knowing folks like him are out there in the wildwood of the mind in which all fantasy illustrators wander is a comfort and an encouragement. Continue reading “John Howe’s Journal: PICTURA AND GNARUS”
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