On Saturday night Sir Ian McKellen entered the stage at Auckland’s ASB Theatre as a regal king draped in ceremonial costume. He left as a broken man, in an unequivocal and heart rendering performance as King Lear, a monarch whose course of suffering is sparked by his blind, proud affection for his three daughters. From the elaborate opening scene, McKellen and his velvet-gravel voice carry the audience through Lear’s journey of sadness and disbelief at the betrayal of his two eldest daughters, through the haze of madness, to new hope in his youngest child, then down to the deep pit of eventual despair. It was a gripping ride. [More]

Mary writes: Ian McKellen will be interviewed on September 17 in New York at the Times Center. The interview will be followed by a wine reception & tickets are only $25. [More]

telegraph.co.uk recently ran this small article, which should be taken with a large grain of salt: Sir Ian McKellen’s dream of reprising the role of Gandalf – the role that turned the stage actor into an international film star – looks like being realized after all. Last year, it had looked a distinctly forlorn hope after Sir Ian’s friend Peter Jackson, the director of the The Lord of the Rings trilogy, said he wanted nothing to do with turning Tolkien’s other great work, The Hobbit, into a film after a row about money with the production company New Line Cinema. Now, however, Jackson appears to have patched things up with New Line’s founder, Bob Shaye, and the film looks back on course.

By a happy coincidence, Sir Ian is currently in New Zealand performing in King Lear and plans to dine with New Line’s bosses shortly when he will make it clear how keen he is to play Gandalf in the new film.

Starting your own record company would never rank in any financial adviser’s top 10 investment tips: in fact, it would be in the high-risk category, along with buying a racehorse and backing an independent movie. But that has not deterred Elijah Wood. Nor is Simian Records some sort of vanity project for the record mogul formerly known as Frodo. If it were, he would hardly be signing as his first act a cult band who have been slogging away for the best part of 15 years without managing a single hit. It must, therefore, be his genuine love of their resolutely uncommercial psych-pop music that prompted Wood to make his debut as a label boss this summer by releasing, to a largely indifferent world, New Magnetic Wonder, the sixth studio album by the Apples in Stereo. Wood signed the Apples not so much because of his belief in their untapped commercial potential as from a simple desire to share his love of their music. [More]

Mark, both observant and wise, writes in with a nugget about Ian McKellen in New Zealand and his comment on a possible Jackson “The Hobbit” movie. No news, but as Mark commented, “I’m just hoping this is more of “things are progressing behind the scenes but we can’t talk about it” and that the apparent thaw in relations is continuing. Not a bad read on how things might be going, especially when combined with other similar signs. Read the full story here.

Sir Ian McKellen has returned to Wellington with plans to drop in on an old stomping ground – the hobbit hole at Bag End. The revered British actor, who played the wise wizard Gandalf in the Lord of the Rings trilogy, is in New Zealand with the Royal Shakespeare Company to play the title role in King Lear. He intends to catch up with old friends while in Wellington, and Peter Jackson has invited him to stay at his home in Wairarapa. “He kept the set of Bag End, which was Frodo’s house, and set it up for guests with running water, so I’m going to spend the night there,” Sir Ian said yesterday. “It’ll be the one the hobbits were in which made them look small, so it’ll be big enough for humans.” [More]