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Call to arms! Tell Twitter & world to #VoteBilbo

Gandalf wants youENCORE QUEST: The first hour was massively successful. So much so, we’re going to do it again at showtime, 8:30 pm Eastern, until the winner is named. Get ready to tweet!.

You’ve voted. And voted. And voted! But you haven’t given up, because Hobbit fans are heroes!

We’re down to the final hours of MTV’s “Best Hero” contest and we’re pulling out all the stops to put our favorite hobbit on top! How? We’re launching a VoteQuest!

Short explanation: From 12 noon to 1pm Eastern, we’re going to hit Twitter with a volley of tweets answering the important question: “Why is Bilbo the Best Hero?”

Why a VoteQuest? Because not only is it a great time for Hobbit fans to pull together, but a concentrated hour of tweeting will hopefully land #VoteBilbo in the trending list, getting the important message out to all Hobbit fans everywhere. Which will hopefully mean even more votes!

And it’s so much fun to see what fellow fans tweet.

Follow @theoneringnet and its great staff for updates and announcements.

How is Bilbo doing? Track the voting totals

Read on for all the information on this important event. Also what to do if you don’t have a Twitter account, how to schedule tweets, “Vote Bilbo” avatars & meme images to post to Twitter, Facebook, Tumblr and other social media places. AND MORE.


Beginning at 12 noon Eastern, start tweeting your reasons why Bilbo is the Best Hero, plus #VoteBilbo

Example: Can Snow White rescue 13 dwarves? I don’t think so! #VoteBilbo

Important tips

  • Use no more than one hashtag per tweet. Only one #VoteBilbo per tweet will count; Using multiple hashtags affects Trending algorithms.
  • Avoid aggressively disparaging Snow White or K-Stew fans. It reflects poorly on the Tolkien fandom.
  • Respect your followers. We want to tweet a lot, but you also don’t want to turn people off. Use your best judgment. See below for information about dealing with complaints from followers.
  • Avoid “Twitter Jail!” If you tweet too much too quickly, Twitter will lock you out for an hour. Also if you write the same things over and over. Pace yourself.
  • Can’t think off-the-cuff? Pre-write your Tweets in a text editor & copy/paste during the event.
  • Won’t be around during that hour? Write your tweets in advance and schedule them! That’s another friendly feature in Tweetdeck and Hootsuite. More info on scheduling tweets below.



If you don’t currently use Twitter, it’s easy enough to sign up for an account.



#VoteBilbo AvatarsAlso, we have great images to use as Twitter avatars! Get the Bilbo message out there right now! Click here to view & save.

Download the “Gandalf Wants You to #VoteBilbo macro

Many more images to view & download are found here



Would you like to see what other fans are posting? Simply click on the hashtag #VoteBilbo and check them out. Or, click here:

If you use the Twitter web page, it will load the tweets in that window. Click “All” at the top to see everything, rather than “Top”
If you use a desktop Twitter client such as Tweetdeck or Hootsuite, you can create a new column following that hashtag.



How to schedule tweets in Tweetdeck

1) Download Tweetdeck for Windows or Mac, or use the web version:

2) To compose a tweet, click on blue box icon in top right corner of Tweetdeck.

3) Write your text and then click on the Clock icon at the bottom of the text box. In the calendar/time drop down, select the time you want to the tweet to publish, then click TWEET. The Tweet is now scheduled.

How to schedule tweets in Hootsuite:

1) Click on compose tweet icon

2) Write your text and click on “Schedule.” Select the date and time for the tweet to publish.

Important tips:

  • Use no more than one hashtag per tweet, or it will affect trending algorithms.
  • Respect your followers and don’t schedule hundreds of tweets.
  • Don’t write the same thing over and over again — get as creative as you can!



As much as we want to reach the widest audience possible, we don’t want to turn people against the #VoteBilbo campaign or . if you get complaints from followers, please suggest they mute our hashtag. It is important to respect your followers.

CHROME EXTENSION (works with Twitter web page):

TWEETDECK: Use the “Global Filter” feature found under “Settings”


TWEETBOT: You can mute specific services or keywords by going to the mute tab and hitting Edit, then the plus button. you can mute hashtags by holding down on a hashtag and selecting the mute option

Posted in Uncategorized

#VoteBilbo Macro images to tweet & share

#VoteBilbo may feel serious, but it’s also fun! Download and share these pictures with your followers on Twitter when tweeting your votes!


Posted in Uncategorized

#VoteBilbo Twitter Avatars

Spread the #VoteBilbo excitement & use these avatars on your social media accounts – Twitter, Tumblr, Facebook, or anywhere you regularly post!

Right-Click and save to your own computer, then upload to your Twitter profile editor.

Posted in Uncategorized

Today: TORn’s LOTR-EE Trilogy Marathon!

Deeeeaaaaattttthhhhh!!!!The Eighth Sort-of-Annual Lord of the Rings Extended Edition Trilogy Marathon takes place today, staring 9am Eastern. Feel free to join us any time during the day – we’re happy to tell you what part of the movies we’re at.

People from around the world are online with one common goal: to virtually gather with other fans to watch all three films straight through. Geeky? Yes. Fun? Absolutely.

Please browse through our FAQ below, you’ll find the answers to many of your questions.


Posted in Barliman News, Barlimans, Events, Hobbit Movie, LotR Movies, Movie Fellowship of the Ring, Movie Return of the King, Movie The Two Towers, Other Events, The Hobbit, Announcements, Community

Join us Saturday for our LOTR-EE Trilogy Marathon!

Deeeeaaaaattttthhhhh!!!!**RESCHEDULED FOR 3/30** —The Eighth Sort-of-Annual Lord of the Rings Extended Edition Trilogy Marathon takes place in TORn’s chat room on Saturday, March 16 (Now March 30) , beginning at 9 a.m. Eastern. Read on for more details!

That morning people from around the world will sit down at their computers with one common goal: to virtually gather with other fans to watch all three films straight through. Geeky? Yes. Fun? Absolutely.

Posted in Barliman News, Barlimans, Events, Hobbit Movie, LotR Movies, Movie Fellowship of the Ring, Movie Return of the King, Movie The Two Towers, Other Events, The Hobbit, Announcements, Community

Hall of Fire today: Tolkien’s lesser-read works!

Today in the Hall of Fire we will be devoting time to some of the Professor’s lesser-read works. Come along at 5pm EST to join in some intriguing exploration of pieces which you may, or may not, be familiar with (if not, then you’ll be able to learn a lot, and enjoy some great company!).


Posted in Barlimans, Hall of Fire

In their own words: Peter, Philippa & Joe

Last week the filmmakers and cast of The Hobbit took over the Waldorf Astoria in New York to talk about the much-expected film. For your enjoyment, here is a selection of questions and answers from the conversation with Peter Jackson, Philippa Boyens and Senior Visual Effects Supervisor Joe Letteri.[Portuguese Translation]


On casting Martin Freeman:

Peter Jackson: Martin was the only person we ever wanted for that role. And that was before we ever really met Martin – we knew him from “The Office” and “Hitchhikers Guide” and we just felt he had qualities that would be perfect for Bilbo. That essential kind of fussy, English, slightly repressed quality. He’s a dramatic actor, he’s not a comedian, but he’s a dramatic actor who has a very rare comedic skill.

… With the delays that happened, we couldn’t offer the role to anybody contractually. And by the time we were able to offer Martin the role, he had committed to the “Sherlock” TV series. And he shot the first season, but the second season of “Sherlock” was going to fall right into the middle of our shoot so he said “Listen, I can’t do it.” So we were in trouble. I was really panicking, we all were. … We literally couldn’t think of anyone else we thought would be as good as Martin.

I was having sleepless nights. We were probably about six weeks away from the beginning of the shoot and still hadn’t settled on anyone else. I was tormenting myself by watching “Sherlock” on an iPad at 4 o’clock in the morning. The second episode of the first season had just come out in iTunes and I downloaded it – because I love the show – and I was sitting there looking at Martin and thinking “there is nobody better, this is insane.” When I got up that morning I called Martin’s agent in London and I asked if we could find a way to accommodate Martin’s schedule would Martin be prepared to still come down to New Zealand to do Bilbo? And fortunately the answer was yes, he’d love that.


On the reasoning behind three movies:

Philippa: If we hadn’t made the “Lord of the Rings first, if this wasn’t set against that, this probably would have been a very different story. But we had. The Gandalf turning up in these films was the Gandalf portrayed in “Lord of the Rings,” but if we wanted to tell that part of Gandalf’s story, we got to bring in people as Saruman and the brilliant Cate Blanchett coming back as Galadriel.

So, as soon as we knew we would tell that part of the tale, what happens when Gandalf disappears – because we know what happens when Gandalf disappears because Professor Tolkien kept writing the Hobbit – and we made that decision to tell that part of the tale, you start to draw in that bigger mythology that this is set against.

Also, when we began to go in there… it’s so easy to forget the depth that is in the story telling and how dark this children’s book turns at the end. It doesn’t end with Smaug, when it should end, when any normal children’s story ends, and kids love it. I know I loved it when I read it, because it was unusual, it took you further.

There were strong elements of tragedy in there, revolving around a particular character, Thorin. They’re extraordinary and when you go into the appendices you realize how extraordinary and what has been placed on him.

It wasn’t hard to see what’s in there. One of the things that’s in there is greed. So as soon as you start taking on the notion of “how much wealth is too much wealth?” and “how much gold is too much gold? “ Something that is literally a sickness of the mind, a sickness of too much wealth.

The other thing is, you start to work with great actors, and great actors come to you because of the material. If you give them slight material you’re just not going to get them and we wanted to write for some of these incredible actors that we had.

On the lack of female characters in “The Hobbit”:

Philippa: You do feel the weight of it, the lack of feminine energy. And it’s interesting because Professor Tolkien actually wrote brilliantly for women. He had a real respect for women. The most powerful being in Middle Earth at this time as he wrote was Galadriel. And so, we have her story as it develops, as he wrote it. It informs “The Hobbit” – it’s actually quite powerful and it’s going to get good for the girls, I think.


On the addition of Galadriel and material from the appendices:

Peter: It goes back to the appendices. We can adapt “The Hobbit” and we can take these appendices, which appear in “Return of the King,” which has material I think he was developing as an expanded version of “The Hobbit.”

He wrote “The Hobbit” in 1937 and then the “Lord of the Rings” came out in the 1950s – which was supposedly supposed to be a sequel to “The Hobbit” but obviously developed and expanded into something much much more apocalyptic and the tone was different.

So I think he was intending to go back and revise “The Hobbit” or write a companion novel that was going to sort of tie it all together. He never did publish that book or even finish it, but a lot of the material his son published in the back of “Return of the King.”

So they talk about the White Council and the Necromancer, and she’s part of the White Council and they refer to the attack on Dol Guldur, and it’s that type of plot that we’re developing. So, it’s still part of the Tolkien myth.


On reality and fantasy films:

Peter: The levels of detail in the movie are similar to “Lord of the Rings.” With the high definition cameras you see more, so you may have the sense of more detail but fortunately the team that we have in New Zealand, WETA Workshop, who design a lot of the makeup and effects, and our wardrobe department, our art department – we’ve always wanted to put a lot of detail, and a lot of details that never get seen by the cameras.

To me, fantasy should be as real as possible. I don’t subscribe to the notion that because it’s fantastical it should be unrealistic. I think you have to have a sense of belief in the world that you’re going into, and the levels of detail are very important.


On why he originally chose not to direct, but then stepping back into role:

Peter: I guess I thought I wouldn’t enjoy it is the truth, because I thought I would be competing against myself to some degree ,and that it would be interesting to have another director. …. Guillermo Del Toro was involved for a while, for over a year probably, but after he left because of the delays, it was still another six months or so before we had a green light and during that length of time I just thought, well I am actually enjoying this a lot more.

I came to realize there’s a lot of charm and humor in “The Hobbit” that the “Lord of the Rings” didn’t have. And I thought that returning to Middle Earth with a entirely different story and a different tone – I thought “this is not the Lord of the Rings” and I’m not going to try to make another film that’s exactly like that. This gives me an opportunity to do something a little different. … and the first day of shooting I was incredibly happy I was there. It was a great deal of fun to shoot.


On added or expanded scenes:

Peter: Well, one expanded, the stone giants – that’s like a paragraph in the book when they’re going through the Misty Mountains and Tolkien refers to a thunderstorm created by this fight between giants. He doesn’t really dwell on it particularly, so those sorts of things were fun, a visual scene out of the book that we could develop and expand on. So, we did sort of expand it … the Goblin tunnels?

Philippa: I love Azog, Azog the Defiler. Because we just loved that name and he is a character that we just loved that back story and thought we can’t have him be dead, we’re going to keep him alive. So we enjoyed that… bringing him back. And I think we do that quite powerfully, he’s got a good journey to go on.


On making connections between “The Hobbit” and “Lord of the Rings”

Peter: This is what made the film enjoyable for me, being able to connect little pieces from “Lord of the Rings” to “The Hobbit.” There was a scene in the “Fellowship of the Ring” when they’re stuck in the crossroads in Moria, and there’s a quiet moment between Gandalf and Frodo… and he’s talking about the events in “The Hobbit,” that the pity of Bilbo rules the fate of us all. Meaning that Bilbo had a chance to kill Gollum but he didn’t. And the fact that he didn’t is now directing the story, it’s now created the story of the “Lord of the Rings” – for good or for bad. So it was really interesting to twelve years after we shot that scene originally to come back and actually show the moment where Bilbo stays his hand.

And also, the reason why he doesn’t kill Gollum at that stage when he’s got the opportunity, when he’s invisible and standing over Gollum … and Gandalf had said to him that true courage is deciding when not to kill rather than to kill.

So, completing those little loops and circles was one of the really interesting things whilst you’re dealing with a different story, a different tone. And if we had shot the films in a different order, we might not have been able to do that as effectively. Because really, once these movies are done and have had their theatrical life, we’re really looking at a six movie set – which is the way it will exist from that point on. And so I’m very conscious and wanting to make it feel like an organic story with synergy.

It wouldn’t have been that easy if we’d shot “The Hobbit” first, because it is such a different tone of a book. We might have just leapt into that much more fairy-tale tone, which would have made the “Lord of the Rings” a much more difficult adaptation in a way, because it would have been hard for the two to talk to each other.


On the shift in Thorin’s character from bombastic to warrior, and the casting of Richard Armitage:

Philippa: That’s really simple actually. When we were writing it we understood – writing backwards – how much the audience needs to care about this character. In a way it’s almost his story – a lot of it is his story. When we were tackling this character – because he’s much older in the book – it becomes very hard to invest in a character that you want to reclaim a homeland and rebuild a city when he’s in his eighties.

So when we were looking, when we began the casting process, we were looking between 45, 55. Someone who had life left in him, who could be that heroic character, who could be a great fighter. Again, harder to do with a character who, as Professor Tolkien wrote him, was an old warrior.

So we made that decision that we were going to go younger, and then from that point in terms of Richard Armitage, he was the youngest actor to audition for that role. It had nothing to do with the fact that he is gorgeous (laughs), it had to do with the fact that he did a phenomenal audition and the notion that you had this dark conflicted character, but was also quite grunty, Northern, English – like a dwarf. Strangely enough, he’s six foot four, but he’s still a dwarf. He had that whole thing of being miner, of that grittiness, gruntiness, but who probably plays a good game of rugby, which felt as Professor Tolkien described the dwarves.


On 3D and the approach to visual effects and directing

Peter: It didn’t change my style of directing, I didn’t want it to. And that was the beauty. I didn’t want to convert it, we wanted to shoot it in 3D. I think that is much more realistic. Fortunately we had great support from the companies who worked with us (on the cameras and rigs) and they made the equipment as light and as small as they possibly could. The rigs were originally made in steel, yet they made them for us out of carbon fiber so that we could put them on steady cams and use hand held cameras. Because I really wanted to be the same filmmaker going back into Middle Earth. I didn’t want to, because it was 3D, to shoot it in a different style.

I don’t believe in the concept that 3D should be shot differently. Every director has his own style, sure, but I don’t think that any of that is an issue with 3D. For me it was important to not even worry about 3D and I didn’t, I didn’t even think about it half the time. I was just directing as I would normally do and the cameras could do what they normally do. For me it was a comfortable experience.

Joe: There’s one case where it did matter, though. Back with the “Lord of the Rings,” we could do force-perspective tricks – bring Gandalf closer to the camera and put Frodo farther away, and one could look bigger and one could look smaller. When you put the glasses on you realize how far apart they are, that trick no longer works.

So we came up with this idea – especially because we wanted to keep the cameras moving – to actually synchronize two cameras together on two separate stages. So Gandalf was on one stage, the dwarves on another stage and Peter can see them both in his monitor together and direct both of them. But they both had to keep in their heads where the other virtual person was going to be that was wandering through Bag End.

You’ll see in the film, if you haven’t seen already, that there’s a minute-long shot of them walking through each other and handing things off – that was all done by the actors for the large part, just having to keep in their heads where each other was in this very cool space.


On converting “Lord of the Rings” to 3D

Peter: It’s not really a question for me because it’s a studio issue because they would have to pay for it and it’s expensive. So, I’d be happy to do it if they decide, but that’s really a marketplace thing. I think the whole idea of dimensioning older films is something that the studios are still unsure of. I know that Jim did it on “Titanic’ and it was very successful, and then George Lucas did it with “Star Wars” and it was not so successful financially.

So, I think the studios are not quite sure at the moment where that market is going to finally land. I guess as time goes on and 3D establishes itself more in people’s homes and the cost of conversion comes down, I think things have to move on but at the moment it’s not being discussed.

Posted in Events, Headlines, Hobbit Movie, Joe Letteri, Peter Jackson, Philippa Boyens, Press Conferences, The Hobbit

Peter Jackson and his ‘Hobbit’ cameo

Peter Jackson in "Fellowship of the Rings"Peter Jackson talks to about his mysterious cameo. Needless to say, this is a spoiler for those of you who haven’t yet seen the film — and maybe even for those who have. So how about it — did you spot Peter? (more…)

Posted in Hobbit Movie, Peter Jackson, The Hobbit Weta returns to Middle-earth

Jackson and Lesnie with the RED EPICs and 3Ality stereo rig. (Courtesy:“Weta Digital has grown to now define state of the art in visual effects worldwide. Its dedication to storytelling and realizing director’s visions has lead to the company working with some of the best directors in the world. For The Hobbit: An Unexpected Journey, Weta Digital continued to employ its exquisite attention to detail into helping to tell the story of the fantastical world of Middle-earth.” [Read More]

Posted in Hobbit Movie, Media Reviews, Production, The Hobbit, WETA Digital, WETA Workshop

Washington Post: Is ‘The Hobbit’ a ‘Christian’ film? Yes and no.

“Travel along, if you dare, with Bilbo Baggins in “The Hobbit” — either in J.R.R.Tolkien’s beloved 1937 novel, or through the first installment of Peter Jackson’s film trilogy based on the book. If you do, you will, essentially, be traveling in a world constructed on Christian principles, says Devin Brown, a professor of English at Asbury University, a Christian liberal arts college near Lexington, Ky.” [Read More]

Posted in Hobbit Movie, Media Reviews, The Hobbit

The Hobbit’s dwarves: Too hot to handle?

Two years ago I wrote a story asking the question, “To be Hot or Not? That is the Dwarf Question.”

While essentially a joke — one which spread like wildfire – a real concern for some fans prior to casting “The Hobbit” was whether or not a film featuring a supporting cast of 13 short hairy men would be interesting to studios and audiences unless those short hairy men were transformed into attractive short-statured hunks, the likes of which would send diehards into fits of horror.

The question was, would the filmmakers be forced to go that route, and also – did we want them to? Should there be Hot Dwarves?

(From here on this will contain minor spoilers, so those of you who wish to remain “pure,” turn back now.)


With the casting of Richard Armitage as Thorin, the leader of the dwarves, we couldn’t help but admit that we were conflicted. Supremely talented actor. But could he look dwarflike? Did he have to? Wait, yes, he has to. But should he? Head said yes, hormones said no. Shut up hormones.

As the other actors were added, fans’ questions grew. And as stills of costumed dwarves began rolling out, the discussions raged on in fandom – Were the dwarves too cute? Too bad-assed? Too dwarvish? Not dwarvish enough? Too KLINGON? Second guessing gave way to infinity-guessing.

The movie a year or more off, poring over images and studying production diaries provided much fodder for speculators. Beyond Thorin, beyond Aidan Turner’s Kili and Dean O’Gorman’s Fili, the whole company was under intense scrutiny.

With the exception of Thorin, dwarves aren’t the leading characters in “The Hobbit” and yet the film would live or die on them. Too comical and audiences wouldn’t buy into the story. Too Hollywood-handsome and audiences wouldn’t buy into the story. Should they fade into the background entirely then it simply wouldn’t be “The Hobbit.” Nor if they became Robo-Dwarves-of-Doom, chewing on the scenery.

So, with the “Unexpected Journey” finally here, how did it all turn out?


No, Thorin does not harken back to the droopy-eyed Rankin Bass incarnation, nor does he resemble Tolkien’s description of a blue-hooded, silver-tasseled grump. But neither is he a Chippen-dwarf. He embodies the essence of the character – the haughty nobility, the impatience and simmering anger. The sadness. This is not the hot dwarf you were looking for, but so much more.

Voice, body language, costume, prosthetics – all combine to transform Armitage into the strong, surly Thorin Oakenshield. One dimensional images fade from mind and the focus shifts to the character in action, as it should.

It will be interesting to see where the second and third films take Thorin. At the conclusion of “Unexpected Journey” he has an emotional encounter with Bilbo – much, much earlier in the action than what occurs in the text. And that exchange adds another layer to a complexity that outweighs looks.

And what about the rest of the company?

While “The Hobbit” on page is essentially a child’s tale, Peter Jackson hasn’t filmed a child’s tale. There is a vein of darkness running through the movie, brought by material added from the appendices and the established “Lord of the Rings” visual style.

For the action scenes to be believable – particularly in the higher frame-rate and in 3D – the dwarves must be warrior-like, to appear capable of fighting with the agility and intensity required. In the company of these dwarves, Gimli would appear soft.

And yet, the dwarves retain a whimsicality that makes them distinct. Like Thorin, their appearance is an expression of personality. With less time at the forefront, how they look is a large part of how we get to “know” them.

Balin with his luxurious white beard, the elder of the company. Bofur’s quirky cap and quick wit. The soft-spoken Ori in his cowled hood. But the things that seemed over the top in stills – Bifur with the axe-impaled forehead – aren’t in your face. Remarkably, at least in “Unexpected Journey,” we’re spared Bombur sight-gags.

Which brings us to Kili and Fili.

No, they do not look like dwarves. Kili even less so than Fili. Even in the company of dwarves, they do not look like dwarves. And yet, they look as if they belong with the dwarves. And while I’m pretty sure that might not make sense, I think once people see the film, you’ll understand what I mean. In the context of their behavior and actions – they work as dwarves. They fight like dwarves. It helps that Peter has not indulged in long, lingering, soft-focused glamor shots of Aidan Turner or Dean O’Gorman. Thank you, Peter.

While looks are possibly one of the more trivial aspects of the film – seriously, I do recognize the ridiculousness in all of this – a noticeable amount of effort has been put into crafting each dwarf’s appearance and then stepping back from focusing on it. It’s a measure of subtlety we didn’t expect.


In the meantime, the phrase “Hot Dwarves” has spread across the globe since my story was first published.

At San Diego Comic-Con this summer, Carrie Fisher fell for our “I <3 Hot Dwarves” t-shirt. In Wellington, Aidan Turner, who wanted a shirt for his own, was gifted with a “Hot Dwarves” button.

The phrase crops up in most stories I’ve read, is at alluded to in many interviews, raises its head in pop-culture memes and … well, last week showed up on the red carpet of the world premiere itself. [Watch]

How do you feel about being one of the pin-ups in the The Hobbit,” said an interviewer to Richard Armitage.

I thought you were going to say ‘hot dwarf.’” he graciously responded with some humor.

As I said at’s Comic-Con panel: Thank you, Richard, for being such a good sport. Bravo!


Read the original “Hot Dwarves” story: “To be hot or not? That is the dwarf question” (December 8, 2010)



Posted in Aidan Turner, Dean O'Gorman, Fans, Film Screenings, Headlines, Hobbit Cast News, Hobbit Movie, Richard Armitage, The Hobbit

Update: Peter Jackson Confirms Third ‘Hobbit’ Film

Note: Updated with confirmation about third film’s release date and content. Updated with Official Press Release as well.

In a note posted to Facebook this morning (in the U.S.) Peter Jackson confirmed there will be a third film in the “Hobbit” series:

So, without further ado and on behalf of New Line Cinema, Warner Bros. Pictures, Metro-Goldwyn-Mayer, Wingnut Films, and the entire cast and crew of “The Hobbit” films, I’d like to announce that two films will become three. has confirmed with two independent sources that the third “Hobbit,” film will not follow the schedule of traditional December releases for Middle-earth movies and will hit audiences in Summer of 2014. TORn has also learned that this newly announced film will not serve as a bridge film but continue to tell the story of “The Hobbit,” in three parts. It is believed that the breaking points of the first film has changed. That film, “The Hobbit: An Unexpected Journey,” will be released in theaters this December 14. The next film, announced as “The Hobbit: There and Back Again,” is expected to keep its December 13, 2013 schedule. Its name may change however. The newly announced film, as yet untitled, will follow months later in the summer months of 2014.

The reaction has been swift and strong from film communities and Tolkien fans around the world. Read Peter’s full note here. Join us in our LIVE chatroom Barlimans, on the board, on twitter (@theoneringnet) and on Facebook ( Follow the break for the official press release


Posted in Director news, Headlines, Hobbit Movie, New Line Cinema, Peter Jackson, Production, Studios, The Hobbit, Warner Bros.