In an extract from his biography of Peter Jackson, Brian Sibley, tells of the director’s early struggles to make The Lord of the Rings. In 1994, the director Peter Jackson and his writing partner Fran Walsh, fresh from the success of Heavenly Creatures, were signed to an exclusive three-year “first look” deal by the Miramax founders Bob and Harvey Weinstein. “First look” deals allow a studio to pay overheads for writers and directors to come up with ideas. The studio then gets the option to turn those ideas into films. With the deal signed, Jackson and Walsh set to work on the screenplay for their adaptation of J. R. R. Tolkien’s The Lord of the Rings series: by 1997, they had completed a draft script that abbreviated the trilogy into two films.

Having completed their 92-page outline, Peter and Fran flew to New York for creative meetings with Miramax, which took place in a room nicknamed “the sweatbox” after the small airless rooms where, in the early days of film, movies got shown and discussed. In the middle of summer, with no windows and no air-conditioning and the obvious tensions involved in presenting a treatment for an ambitious movie project, the room lived up to its name. [More]

The Forbes.com website ranks 13 celebrities pushing up daisies on their income and proves that death need not be an obstacle to making money, with the group collectively earning 247 million dollars in the last year…J.R.R. Tolkein, the creator of the Lord of the Rings epic, slid three places since last year, but the success of the film trilogy, DVD sales and offshoot merchandise have continued to make a killing for the English writer. [More]

From The Hollywood Reporter (via movieweb.com): Sands hopes to resuscitate MGM with several big new films. He’s packaging the fourth “Terminator” film — it will be titled “Terminator blah blah, not Four,” Sands joked — with a new star likely to fill the Arnold Schwarzenegger role. “It’s like the “Batman” or “Superman” franchise in that it lends itself to having different actors in the roles,” he said.

Sands is in discussions with New Line Cinema to get the rights to produce two prequel films to “The Lord of the Rings” series, based on J.R.R. Tolkien’s The Hobbit, he said. Other projects he mentioned include a sequel to “The Thomas Crown Affair,” set to star Pierce Brosnan, and a remake of “Dirty Rotten Scoundrels”, according to The Hollywood Reporter.

The Brazilian Tolkiendili Federation (FTB) claims for your participation at the HobbitCon 2006, from November 2nd. to 5th., at Vitória – Esp’rito Santo, Brazil. You may come by poney, mearas or even oliphaunt, but don’t forget to knock on the first door marcked with runes, because we will be waiting for you with a big and fat hobbit feast. [More]

Reports that it was game over for Peter Jackson’s Halo movie are being shot down by industry insiders. Universal and Fox have pulled out of the movie deal but Microsoft and Jackson are reporting business as usual. “If you remember during King Kong Peter explained how King Kong was gonna be before Lord of the Rings and it fell over and back it came again…it’s just part of film making,” says Weta Ltd spokesperson Jamie Wilson. Rumours of a budget blow-out have been denied. Jackson and his producing partners, including Microsoft, claim Universal and Fox asked them to reduce their profit take. They declined, confidant the project is safe. Recently the game Doom was made into a feature film that barely broke even at the box office. [More]

Andy Serkis, who co-stars in Robert Zemeckis’ upcoming Beowulf film, told SCI FI Wire that the movie’s computer animation is a glimpse of things to come. “I think that more motion capture is [being] used in film, and it’s becoming part of the mainstream and used in a mainstream way,” Serkis (King Kong) said in an interview. “It is … especially [true] with video games and the convergence of video games and film. It’s actually a really interesting time for actors. Robert Zemeckis has just made Beowulf with Anthony Hopkins and John Malkovich, Ray Winstone and all kinds of high-profile and serious actors creating these characters. They are creating the movements. They are creating the personalities, and it’s the manifestation of those characters which is being handed over.” [More]