The Costume Designers Guild have announced this years nominees for its annual costume design awards with Ann Maskrey, Richard Taylor and Bob Buck being nominated for “The Hobbit: An Unexpected Journey” in the excellence in fantasy film category.
Also nominated in the same category and vying for the award is Kym Barrett and Pierre-Yves Gayraud for “Cloud Atlas,” Eiko Ishioka for “Mirror Mirror” and Colleen Atwood for “Snow White and the Huntsman.”
For a full story and list of nominations, which include Television productions you can click right here.
Sharon Eberson from the Pittsburgh Post-Gazette interviewed “Tolkien scholar” Janet Brennan Croft she is a consultant for the film-makers of the Hobbit movie trilogy.
Her job for “The Hobbit” filmmakers is to make sure that writers are not bringing in outside sources because the rights are for specific Tolkien works.
She said has made continuity suggestions as well. “They have fixed some of the things I have mentioned [in the first film], but I don’t know if it was because of what I noted,” she said. “They are changing things all the time; the film was different than the last script I saw.”
Production designer Dan Hennah and Joe Letteri from Weta Digital spoke to Medakdo Murphy from the New York Times about the challenges of bringing The Hobbit: An Unexpected Journey HFR 48fps to the big screen by using a combination of digital sets and normal sets and merging the two together.
Mr. Hennah supervised the building of a flexible set. “We set it up so that we could make every component something we could move, lift up, turn around, interchange,” he said. They had two studios full of these movable elements, from the rock walls to the walkways and ladders. A digital version of some of those elements was created by Mr. Letteri’s team and blended together with the on-set props to create a seamless environment. Spoilers ahead.
Talking to Shawn Adler from movieline.com, Weta Digital visual effects supervisor Joe Letteri talks about the use of 3D HFR in The Hobbit: An Unexpected Journey. He explains why it takes some getting used to, and why he feels it’s a big step forward for films, like the transition from black and white to color.
“If you grew up seeing films in black and white and suddenly start seeing films in color, some people are going to have the reaction ‘Wow, that’s great!’ and other people are going to have the reaction, ‘That’s not moviemaking! Films should be made in black and white! You’re losing the mystery of how to deal with tonality, you’re sacrificing that to deal with color!'” [Read more]
UPDATED: We at TheOneRing.net where lucky enough to snare a really good spot right next to the three trolls created by Weta Workshop, on the Red Carpet at the Wellington Premier of the Hobbit: An Unexpected Journey on the 28th of November. In these videos are some of the actors we met, plus a few that flew past (Cate Blanchett, Hugo Weaving, Any Serkis) like the wind! I think I can safely say it was an amazing experience for all off us.
At TheOneRing.net party two nights earlier we were able to meet a few of these actors. So they recognised us as they went past — and as luck we where at the right place at the right time.
Watch our exclusive video from the red carpet below:
The grandson of JRR Tolkien said he felt ‘suffocated’ by the legacy of his famous relative and feared never being able to emerge from his shadow.
Barrister-turned-novelist Simon Tolkien said the unstoppable success of the film adaptations of his grandfather’s classic Lord of the Rings trilogy caused a bitter feud within his family.
Mr Tolkien said the problems led to an ‘incredibly, dreadfully painful’ feud with his father Christoper.
The 53-year-old author of The Stepmother and the Inspector Trave trilogy said ‘nothing could prepare’ his family for the release of the films, which he said was like being ‘hit by a juggernaut’.
He said the success of the films, which grossed almost $3 billion worldwide, made him feel as if he had ‘disappeared’.
He told The Sunday Times: ‘It was like being hit by a juggernaut. One minute, I was Simon Tolkien, a barrister from London. The next, I was JRR Tolkien’s grandson. This might sound strange, but I began to lose sight of who I was. It was as if I — me, Simon — had disappeared. I felt suffocated.’
It was reported at the time that the family row stemmed from Mr Tolkien’s willingness to cooperate with director Peter Jackson despite opposition from the rest of the estate. However this was later denied.
Mr Tolkien said: ‘Maybe some people assumed it was about money…I don’t know.
‘In hindsight, I think all of my anger was being driven by this feeling that I was trapped. All I ever was going to be was the grandson of a very famous writer. That was the sum total of my achievements.’
He and his father have since managed to reconcile their differences and he even dedicated his latest book to his father. He said: ‘I guess I feel lucky that I got the chance to put things right with my dad.
J.R.R. Tolkien’s great-grandson Royd Tolkien has developed a long-standing relationship with the team behind Middle Earth’s big-screen adaptations, and even appeared as a Gondorian ranger in the third film The Return of the King.
Digital Spy sat down with Royd to get the Tolkien family perspective on Jackson’s adaptations, and discuss the time he spent in New Zealand bonding with the Lord of the Rings cast and crew.
When did you first get wind of Lord of the Rings being adapted as a live-action film? It was a very long development process…
“It was years before they filmed. I’d known Peter Jackson because I’d been a fan of his from Bad Taste and Braindead, from when I was younger. But I really had no involvement in the films at that stage – my first connection with them was at the first premiere in London, for The Fellowship [of the Ring]. That’s where I met Peter and other people from New Line.”
A decade ago, Matamata was a sleepy country town in the middle of the North Island, well-placed for travellers in need of a comfort stop and a takeaway snack. Today, it is better known as Hobbiton and is one of the country’s star tourist destinations, attracting 1.9 million visitors over the last 10 years. It is poised for a fresh invasion starting this Christmas which seems certain to top that number over the next decade.
It all began in 1998 when movie director Peter Jackson took to the sky in a small plane in search sites to film his planned trilogy of JRR Tolkien’s The Lord of the Rings.
His target was a piece of countryside untouched by concrete buildings, power poles and roads that he could transform into Hobbiton, the primitive village home of Tolkien’s small, hairy, Hobbit people.
A family farm outside Matamata, set about halfway between the provincial capital, Hamilton, and the tourist city of Rotorua, and complete with Tolkien’s so-called “party tree” and a lake, proved perfect. (more…)
While visiting Wellington in New Zealand, Prince Charles – who is here for the Queen’s diamond jubilee tour – made a stop over at Weta Workshop, where he meet Sir Peter Jackson and Sir Richard Taylor, and Dori (Mark Hadlow), who makes a special request of the Prince. Watch below!
Prince Charles clearly enjoyed his time at Weta Workshop; it made an unusual part of his 64th birthday celebrations, which he also spent with 64 New Zealanders who shared the same birthday. You can read more about the Prince’s visit to Wellington here, here and here (if you look closely at that last article, you may notice some interesting concept art and some familiar faces on the wall behind Prince Charles and Peter Hambleton!) Thanks to all the Ringers who emailed us about this news!
MSN NZ tells us it’s getting the new Hobbit trailer FIRST. when will it debut? This Thursday, September 20, at 2am in New Zealand standard Time. We expect the trailer to pop up elsewhere shortly afterwards. For those who aren’t good at time zones, that’s 10:00am EDT, 7:00am PDT and 3:00pm BST.
From Northhumberland Gazette: Reader Phil Murray spotted something that looked very familiar when he pulled out the A3 The Hobbit: An Unexpected Journey poster that came with the Total Film magazine, the fields of the shire in the background of the poster reminded him of Edlingham Castle with the old Alnwick to Wooler railway viaduct and the Simonside Hills which can be seen in the atmospheric artwork as the ruined keep.
“The level of detail in such a large version of the picture piqued my curiosity and I dived onto my computer to hunt for a picture I’d taken of the castle a couple of summers ago to see if my hunch was correct. I was stunned when it matched up perfectly – even the field boundaries immediately around the castle were the same in the poster as in real life”
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