After lackluster festival reviews, director Cameron Crowe scrambles to get his heartfelt romantic comedy ”Elizabethtown” in shape for general audiences. Will they show him the money? Cameron Crowe is having a quintessentially Cameron Crowe moment. If he had written it himself, an Elton John song might be playing over the scene and you, the fired-up audience member, would suddenly be singing along under your breath, rooting for the shaggy underdog to survive the firestorm that has engulfed his world, turning his life from comedy to high-stakes drama without his consent. In typical Crowe fashion, his rescue would probably come in the form of a soulful, beautiful woman with great taste in music who shows up with just enough good humor and good sense to remind him why he loves his life and that none of that other stuff matters. It’s been a rough week for Crowe, 48, who recently screened his new movie, Elizabethtown, at the Toronto film festival, and watched critics have at it like a piñata. [More]

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