{"id":90498,"date":"2014-06-26T07:14:17","date_gmt":"2014-06-26T12:14:17","guid":{"rendered":"http:\/\/www.theonering.net\/torwp\/?p=90498"},"modified":"2014-06-26T07:14:17","modified_gmt":"2014-06-26T12:14:17","slug":"the-lord-of-the-fonts-a-guide-to-fonts-in-the-hobbit-and-the-lord-of-the-rings","status":"publish","type":"post","link":"https:\/\/www.theonering.net\/torwp\/2014\/06\/26\/90498-the-lord-of-the-fonts-a-guide-to-fonts-in-the-hobbit-and-the-lord-of-the-rings\/","title":{"rendered":"The Lord of the Fonts: a guide to fonts in The Hobbit and The Lord of the Rings"},"content":{"rendered":"<p class=\"intro\"><img decoding=\"async\" src=\"http:\/\/www-images.theonering.org\/torwp\/wp-content\/uploads\/2014\/06\/00_LordFonts.jpg\" alt=\"00_LordFonts\" width=\"300\" height=\"300\" class=\"alignright size-full wp-image-90500 no-lazyload\" srcset=\"https:\/\/www.theonering.net\/torwp\/wp-content\/uploads\/2014\/06\/00_LordFonts.jpg 300w, https:\/\/www.theonering.net\/torwp\/wp-content\/uploads\/2014\/06\/00_LordFonts-150x150.jpg 150w, https:\/\/www.theonering.net\/torwp\/wp-content\/uploads\/2014\/06\/00_LordFonts-200x200.jpg 200w, https:\/\/www.theonering.net\/torwp\/wp-content\/uploads\/2014\/06\/00_LordFonts-75x75.jpg 75w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/> In this feature Ringer TheHutt, who runs Russian Lord of the Rings and The Hobbit site <a href=\"http:\/\/www.henneth-annun.ru\" target=\"_blank\">Henneth-Annun.ru<\/a>, delves into the different varieties used in Peter Jackson&#8217;s movies of The Lord of the Rings and The Hobbit.<\/p>\n<p>&nbsp;<\/p>\n<hr>\n<h2>The Lord of the Fonts<\/h2>\n<h3>A Lord of the Rings and Hobbit Font Guide<\/h3>\n<p><strong>by TheHutt (Peter Klassen)<\/strong><\/p>\n<p><strong>What would the <em>Lord of the Rings<\/em> trilogy be without its iconic logo? The chiseled yellow letters are pretty close to perfection where movie logos\u00a0are concerned. But that\u2019s not the only instance of certain characteristic typefaces used throughout the trilogy and its marketing. Most of them have recurred in the new <em>Hobbit<\/em> films \u2013 but what exactly are they and where can they be obtained?<\/strong><!--more--><\/p>\n<p>Fonts do matter. Sometimes a correct typeface is the one thing that makes a difference between a promising, but rather obvious fan art and a professional-looking artwork. Being somewhat of a font designer myself, I am a bit geeky when typography is concerned. Therefore this guide: here I would like to present the most important fonts used for Peter Jackson\u2019s Middle-earth films, both <em>The Lord of the Rings<\/em> and <em>The Hobbit<\/em>.<\/p>\n<p>This guide is explicitly not about fonts for Tolkien languages (i.e. different Elvish, Dwarvish and other fonts) \u2013 this topic itself would be a vast field of research. The main focus is presenting the typefaces used for the movies as well as for their marketing (posters, trailers and so on).<\/p>\n<p>I would like to separate the fonts used in the films themselves from the fonts used for marketing purposes, as these are basically different departments. \u201cIn-Film\u201d marks the fonts used in the film itself, whereas \u201cMarketing\u201d labels the fonts used for posters, trailers and merchandizing. A separate category is used for usage on DVD\/BluRay releases. The fonts are sorted in the order of relevance.<\/p>\n<p>A note on piracy:\u00a0I only provided links to commercial versions of the fonts. Some of the more popular fonts actually\u00a0have legal free alternatives (as the look of a font is not protected by copyright); some are actually\u00a0openly pirated on websites\u00a0which I shall not utter here.<\/p>\n<h3>In-Film: Film Titles<\/h3>\n<p><img decoding=\"async\" src=\"http:\/\/www-images.theonering.org\/torwp\/wp-content\/uploads\/2014\/06\/01_LogoLotrTH.jpg\" alt=\"01_LogoLotrTH\" width=\"300\" height=\"200\" class=\"alignright size-full wp-image-90504 no-lazyload\" \/> Unfortunately, there is no font for the actual film titles from the films (<em>The Lord of the Rings, The Hobbit<\/em>) themselves. The logos as well as their international versions were created by Alan Lee and are handwritten. <\/p>\n<p>If one made the effort of collecting all the international logos of the films, one could probably make a font out of it.<\/p>\n<p>&nbsp;<br \/>\n&nbsp;<\/p>\n<h3>In-Film: Part Titles<\/strong><\/h3>\n<p><img decoding=\"async\" src=\"http:\/\/www-images.theonering.org\/torwp\/wp-content\/uploads\/2014\/06\/02_LogoParts.jpg\" alt=\"02_LogoParts\" width=\"300\" height=\"324\" class=\"alignright size-full wp-image-90507 no-lazyload\" srcset=\"https:\/\/www.theonering.net\/torwp\/wp-content\/uploads\/2014\/06\/02_LogoParts.jpg 300w, https:\/\/www.theonering.net\/torwp\/wp-content\/uploads\/2014\/06\/02_LogoParts-277x300.jpg 277w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/p>\n<p>The logos for the each film part (<em>The Fellowship of the Ring <\/em>etc.) were hand-drawn by the films\u2019 calligrapher, Daniel Reeve. Each part uses a different typeface (the only exception being <em>Return of the King<\/em> and <em>An Unexpected Journey <\/em>which actually share the same font)\u00a0 Also, <em>The Desolation of Smaug<\/em> film logo differs from the other logos created prior to it, as it was hand-drawn by Daniel Reeve, based actually on the Ringbearer font.<\/p>\n<p>So far, there are no fonts in existence which could help replicating these titles. However, Daniel Reeve not only created all of the film part logos for <em>LOTR<\/em>, but also all the foreign-language versions of them. So strictly speaking, it would be theoretically possible to extrapolate enough characters from all the international logos to be able to create a proper font.<\/p>\n<p>&nbsp; <\/p>\n<h3>Marketing: Poster Film Titles<\/h3>\n<p><img decoding=\"async\" src=\"http:\/\/www-images.theonering.org\/torwp\/wp-content\/uploads\/2014\/06\/03_FilmLogos.jpg\" alt=\"03_FilmLogos\" width=\"300\" height=\"172\" class=\"alignright size-full wp-image-90509 no-lazyload\" \/><\/p>\n<p>One of the most remarkable typefaces for <em>Lord of the Rings\/The Hobbit<\/em> is the font used for the title of the films on posters, book covers, merchandizing articles etc. <\/p>\n<p>This font is called\u00a0<strong>Sauron<\/strong> and was created by The Ant Farm specially for the movies. In <em>LOTR<\/em> days, it was not widely used for other purposes than the film titles (however, it was also used for subtitles of the bonus features on <em>LOTR<\/em> SEE DVDs). For <em>The Hobbit<\/em>, it was used quite extensively for merchandizing articles. Note that the Sauron font is just a template font; for creation of the official movie logos in different languages the look of the letters was sometimes modified quite heavily. <\/p>\n<p>For example, the two letters \u201cB\u201d in <em>The Hobbit<\/em> look very different from each other. It also contains small caps only (i.e. both upper and lower case letters look the same). This font is only available for NewLine\/Warner\u2019s merchandizing partners and is not available publicly.<\/p>\n<p>There is an alternative to \u201cSauron\u201d created by myself back in 2002, that is called <strong>Ringbearer Medium<\/strong>. To create it, I had to research international <em>LOTR<\/em> movie logos worldwide in order to determine the look of various letters. Some of the letters actually look different when compared to the Sauron font and\/or the official logos of the film. <\/p>\n<p>This font is free for non-commercial use and can be <a href=\"http:\/\/thehutt.de\/tolkien\/fonts.html\" target=\"_blank\">downloaded here<\/a>.<\/p>\n<p><img decoding=\"async\" src=\"http:\/\/www-images.theonering.org\/torwp\/wp-content\/uploads\/2014\/06\/03_sample.png\" alt=\"03_sample\" width=\"640\" height=\"300\" class=\"aligncenter size-full wp-image-90510 no-lazyload\" srcset=\"https:\/\/www.theonering.net\/torwp\/wp-content\/uploads\/2014\/06\/03_sample.png 640w, https:\/\/www.theonering.net\/torwp\/wp-content\/uploads\/2014\/06\/03_sample-300x140.png 300w, https:\/\/www.theonering.net\/torwp\/wp-content\/uploads\/2014\/06\/03_sample-600x281.png 600w\" sizes=\"(max-width: 640px) 100vw, 640px\" \/><\/p>\n<p>&nbsp;<\/p>\n<h3>Marketing: Poster Part Titles<\/h3>\n<p><img decoding=\"async\" src=\"http:\/\/www-images.theonering.org\/torwp\/wp-content\/uploads\/2014\/06\/04_LogoSubtitles.jpg\" alt=\"04_LogoSubtitles\" width=\"300\" height=\"46\" class=\"alignright size-full wp-image-90512 no-lazyload\" \/> The second important font for the <em>LOTR<\/em> movie posters is <strong>Albertus\u00a0<\/strong>which is used for the titles of the separate parts, like <em>The Fellowship of the Ring<\/em>. This font was created by designer Berthold Wolpe and named after the German philosopher Albertus Magnus. <\/p>\n<p>There are several commercial versions of the font on the Internet; for instance, the versions\u00a0by Linotype\u00a0(<a href=\"http:\/\/www.linotype.com\/28\/albertus-family.html\" target=\"_blank\">available here<\/a>) and by Monotype (<a href=\"http:\/\/www.myfonts.com\/fonts\/mti\/albertus\/\" target=\"_blank\">available here<\/a>). <\/p>\n<p>There is also an alternative version called Flare Serif 821 BT Roman.<\/p>\n<p><img decoding=\"async\" src=\"http:\/\/www-images.theonering.org\/torwp\/wp-content\/uploads\/2014\/06\/04_sample.png\" alt=\"04_sample\" width=\"640\" height=\"151\" class=\"aligncenter size-full wp-image-90514 no-lazyload\" srcset=\"https:\/\/www.theonering.net\/torwp\/wp-content\/uploads\/2014\/06\/04_sample.png 640w, https:\/\/www.theonering.net\/torwp\/wp-content\/uploads\/2014\/06\/04_sample-300x70.png 300w, https:\/\/www.theonering.net\/torwp\/wp-content\/uploads\/2014\/06\/04_sample-600x141.png 600w\" sizes=\"(max-width: 640px) 100vw, 640px\" \/><\/p>\n<p>&nbsp;<\/p>\n<p><!--nextpage--><\/p>\n<h3>In-Film: Main Credits \/ DVD menus<\/h3>\n<p><img decoding=\"async\" src=\"http:\/\/www-images.theonering.org\/torwp\/wp-content\/uploads\/2014\/06\/05_credits.jpg\" alt=\"05_credits\" width=\"300\" height=\"260\" class=\"alignright size-full wp-image-90517 no-lazyload\" \/><\/p>\n<p>The font used for the main credits of the film (front titles as well as the main end credits) was\u00a0 created by the artists Sacha Winter and Alan Lee for <em>The Lord of the Rings <\/em>and reused for <em>The Hobbit<\/em>. <\/p>\n<p>It has not been released publically and its name remains \u00a0unknown. It is also used for several other purposes, e.g.:<\/p>\n<ul style=\"list-style: disc; padding: 20px;\">\n<li><em>LOTR<\/em> SEE \/ <em>Hobbit<\/em> SEE menus;<\/li>\n<li><em>LOTR<\/em> SEE featurette titles;<\/li>\n<li><em>The Hobbit<\/em> Video Blogs: \u201cTo Be Continued\u201d etc.<\/li>\n<\/ul>\n<p>There is an alternative by yours truly which is free for non-commercial use, called <strong>Aniron.<\/strong> It can be <a href=\"http:\/\/thehutt.de\/tolkien\/fonts.html\" target=\"_blank\">downloaded here<\/a>.<\/p>\n<p><img decoding=\"async\" src=\"http:\/\/www-images.theonering.org\/torwp\/wp-content\/uploads\/2014\/06\/05_sample.png\" alt=\"05_sample\" width=\"640\" height=\"174\" class=\"aligncenter size-full wp-image-90518 no-lazyload\" srcset=\"https:\/\/www.theonering.net\/torwp\/wp-content\/uploads\/2014\/06\/05_sample.png 640w, https:\/\/www.theonering.net\/torwp\/wp-content\/uploads\/2014\/06\/05_sample-300x81.png 300w, https:\/\/www.theonering.net\/torwp\/wp-content\/uploads\/2014\/06\/05_sample-600x163.png 600w\" sizes=\"(max-width: 640px) 100vw, 640px\" \/><\/p>\n<p>&nbsp;<\/p>\n<h3>In-Film: Elvish\/Orkish Subtitles<\/h3>\n<p><img decoding=\"async\" src=\"http:\/\/www-images.theonering.org\/torwp\/wp-content\/uploads\/2014\/06\/06_subtitles.jpg\" alt=\"06_subtitles\" width=\"300\" height=\"185\" class=\"alignright size-full wp-image-90520 no-lazyload\" \/><\/p>\n<p>The font for Elvish subtitles in <em>The Lord of the Rings<\/em> as well as for Elvish \/ Orkish subtitles in <em>The Hobbit<\/em> is called <strong>ITC Weidemann Medium<\/strong>.<\/p>\n<p>Note that \u201cWeidemann\u201d is German for \u201cMan Willow\u201d &#8212; a nice Tolkienesque touch \ud83d\ude42 (although the font name actually comes from its designer, Kurt Weidemann).<\/p>\n<p><em>The Hobbit: The Desolation of Smaug<\/em> uses the same font, but slightly widened horizontally. It is\u00a0<a href=\"http:\/\/www.myfonts.com\/fonts\/itc\/weidemann\/\" target=\"_blank\">available here<\/a>.<\/p>\n<p>&nbsp;<\/p>\n<p><img decoding=\"async\" src=\"http:\/\/www-images.theonering.org\/torwp\/wp-content\/uploads\/2014\/06\/06_sample.png\" alt=\"06_sample\" width=\"652\" height=\"274\" class=\"aligncenter size-full wp-image-90521 no-lazyload\" srcset=\"https:\/\/www.theonering.net\/torwp\/wp-content\/uploads\/2014\/06\/06_sample.png 652w, https:\/\/www.theonering.net\/torwp\/wp-content\/uploads\/2014\/06\/06_sample-300x126.png 300w, https:\/\/www.theonering.net\/torwp\/wp-content\/uploads\/2014\/06\/06_sample-600x252.png 600w\" sizes=\"(max-width: 652px) 100vw, 652px\" \/><\/p>\n<p>&nbsp;<\/p>\n<h3>In-Film: Location subtitles (<em>DOS<\/em>)<\/h3>\n<p><img decoding=\"async\" src=\"http:\/\/www-images.theonering.org\/torwp\/wp-content\/uploads\/2014\/06\/07_location.jpg\" alt=\"07_location\" width=\"300\" height=\"34\" class=\"alignright size-full wp-image-90524 no-lazyload\" \/><\/p>\n<p>As opposed to <em>The Hobbit: An Unexpected Journey<\/em> which used ITC Weidemann for locations as well as for subtitles, a different font was used for location inscriptions on <em>The Hobbit: The Desolation of Smaug<\/em>. <\/p>\n<p>The font used there is <strong>Cambria<\/strong> and is in fact included with Microsoft Windows since Vista. You can <a href=\"http:\/\/www.cufonfonts.com\/en\/font\/12049\/cambria\" target=\"_blank\">download it here<\/a>.<\/p>\n<p><img decoding=\"async\" src=\"http:\/\/www-images.theonering.org\/torwp\/wp-content\/uploads\/2014\/06\/07_sample.png\" alt=\"07_sample\" width=\"640\" height=\"121\" class=\"aligncenter size-full wp-image-90525 no-lazyload\" srcset=\"https:\/\/www.theonering.net\/torwp\/wp-content\/uploads\/2014\/06\/07_sample.png 640w, https:\/\/www.theonering.net\/torwp\/wp-content\/uploads\/2014\/06\/07_sample-300x56.png 300w, https:\/\/www.theonering.net\/torwp\/wp-content\/uploads\/2014\/06\/07_sample-600x113.png 600w\" sizes=\"(max-width: 640px) 100vw, 640px\" \/><\/p>\n<p>&nbsp;<\/p>\n<h3>In-Film: Additional Credits (<em>FOTR\/TTT\/AUJ\/DOS<\/em>)<\/h3>\n<p><img decoding=\"async\" src=\"http:\/\/www-images.theonering.org\/torwp\/wp-content\/uploads\/2014\/06\/08_credits.jpg\" alt=\"08_credits\" width=\"300\" height=\"102\" class=\"alignright size-full wp-image-90528 no-lazyload\" \/><\/p>\n<p>The font used for the rolling credit sequences in of <em>The Fellowship of the Ring<\/em>, <em>The Two Towers<\/em>, <em>An Unexpected Journey<\/em> and <em>The Desolation of Smaug<\/em> is <strong>Futura Bold Condensed<\/strong>.<\/p>\n<p>The Futura font family is a geometric-looking serifless typeface developed in 1927 by the German font designer Paul Renner, and contains many elements from the Bauhaus design style.\u00a0It is <a href=\"http:\/\/www.myfonts.com\/fonts\/bitstream\/futura\/\" target=\"_blank\">available here<\/a>.<\/p>\n<p><img decoding=\"async\" src=\"http:\/\/www-images.theonering.org\/torwp\/wp-content\/uploads\/2014\/06\/08_sample.png\" alt=\"08_sample\" width=\"600\" height=\"247\" class=\"aligncenter size-full wp-image-90529 no-lazyload\" srcset=\"https:\/\/www.theonering.net\/torwp\/wp-content\/uploads\/2014\/06\/08_sample.png 600w, https:\/\/www.theonering.net\/torwp\/wp-content\/uploads\/2014\/06\/08_sample-300x123.png 300w\" sizes=\"(max-width: 600px) 100vw, 600px\" \/><\/p>\n<p>&nbsp;<\/p>\n<h3>In-Film: Additional Credits (<em>ROTK<\/em>)<\/h3>\n<p><img decoding=\"async\" src=\"http:\/\/www-images.theonering.org\/torwp\/wp-content\/uploads\/2014\/06\/09_credits2.jpg\" alt=\"09_credits2\" width=\"300\" height=\"77\" class=\"alignright size-full wp-image-90530 no-lazyload\" \/><\/p>\n<p><em>The Return of the King<\/em> is different from the other installments as for inclusion of background artworks in the end credits sequence. The font used for the credits are from the <strong>Garamond <\/strong>family with additional vertical condensing (ca. 70%). <\/p>\n<p>The Garamond font is a family of fonts used in the 16<sup>th<\/sup> century that were initially created by the French designer Claude Garamond or are based on his designs, e.g. by the 17<sup>th<\/sup> century designer Jean Jannon. <\/p>\n<p>It is considered one of the most readable serif typefaces. The font looking most similar to the credits font is <strong>Adobe Garamond Premier Pro<\/strong>; you\u00a0can <a href=\"http:\/\/www.myfonts.com\/fonts\/adobe\/garamond-premier\/\" target=\"_blank\">get it here<\/a>.<\/p>\n<p><img decoding=\"async\" src=\"http:\/\/www-images.theonering.org\/torwp\/wp-content\/uploads\/2014\/06\/09_sample.png\" alt=\"09_sample\" width=\"640\" height=\"190\" class=\"aligncenter size-full wp-image-90532 no-lazyload\" srcset=\"https:\/\/www.theonering.net\/torwp\/wp-content\/uploads\/2014\/06\/09_sample.png 640w, https:\/\/www.theonering.net\/torwp\/wp-content\/uploads\/2014\/06\/09_sample-300x89.png 300w, https:\/\/www.theonering.net\/torwp\/wp-content\/uploads\/2014\/06\/09_sample-600x178.png 600w\" sizes=\"(max-width: 640px) 100vw, 640px\" \/><\/p>\n<p>&nbsp;<\/p>\n<p><!--nextpage--><\/p>\n<h3>Marketing: Poster Taglines \/ Trailer Font<\/h3>\n<p><img decoding=\"async\" src=\"http:\/\/www-images.theonering.org\/torwp\/wp-content\/uploads\/2014\/06\/10_tagline-260x300.jpg\" alt=\"10_tagline\" width=\"260\" height=\"300\" class=\"alignright size-medium wp-image-90533 no-lazyload\" srcset=\"https:\/\/www.theonering.net\/torwp\/wp-content\/uploads\/2014\/06\/10_tagline-260x300.jpg 260w, https:\/\/www.theonering.net\/torwp\/wp-content\/uploads\/2014\/06\/10_tagline.jpg 300w\" sizes=\"(max-width: 260px) 100vw, 260px\" \/><\/p>\n<p>The font used for taglines on various <em>Lord of the Rings<\/em> posters and trailers is from the <strong>LTC Kennerley<\/strong> family. <\/p>\n<p>The font author is Lanston Monotype Company, an American font type company based in late 19<sup>th<\/sup> century. <\/p>\n<p>The actual font used for <em>LOTR<\/em> is <strong>LTC Kennerley Small Caps<\/strong> (there is also a similar font called Kennerley BQ). It is also used (in vertically compressed form) for the poster billing texts. <\/p>\n<p>There is also a free alternative called KennerlyHSC; however, it is of lesser quality than the original which can be <a href=\"http:\/\/www.myfonts.com\/fonts\/lanston\/ltc-kennerley\/\" target=\"_blank\">purchased here<\/a>.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><img decoding=\"async\" src=\"http:\/\/www-images.theonering.org\/torwp\/wp-content\/uploads\/2014\/06\/10_sample.png\" alt=\"10_sample\" width=\"600\" height=\"300\" class=\"aligncenter size-full wp-image-90534 no-lazyload\" srcset=\"https:\/\/www.theonering.net\/torwp\/wp-content\/uploads\/2014\/06\/10_sample.png 600w, https:\/\/www.theonering.net\/torwp\/wp-content\/uploads\/2014\/06\/10_sample-300x150.png 300w\" sizes=\"(max-width: 600px) 100vw, 600px\" \/><\/p>\n<p>&nbsp;<\/p>\n<h3>Marketing: Additional Poster Taglines<\/h3>\n<p><img decoding=\"async\" src=\"http:\/\/www-images.theonering.org\/torwp\/wp-content\/uploads\/2014\/06\/11_tagline2.jpg\" alt=\"11_tagline2\" width=\"300\" height=\"46\" class=\"alignright size-full wp-image-90539 no-lazyload\" \/><\/p>\n<p>In a few instances, a different font was used &#8212; the omnipresent and ever-popular <strong>Trajan Pro<\/strong>. It was used on the second theatrical poster for <em>The Two Towers<\/em> (the one with Saruman overlooking his host). <\/p>\n<p>Trajan is based on the Roman inscription typeface and was created by designer Carol Twombly for Adobe in 1989. You can <a href=\"http:\/\/store1.adobe.com\/cfusion\/store\/html\/index.cfm?event=displayFontPackage&amp;code=1952\" target=\"_blank\">get\u00a0it here<\/a>.<\/p>\n<p><img decoding=\"async\" src=\"http:\/\/www-images.theonering.org\/torwp\/wp-content\/uploads\/2014\/06\/11_sample.png\" alt=\"11_sample\" width=\"600\" height=\"100\" class=\"aligncenter size-full wp-image-90540 no-lazyload\" srcset=\"https:\/\/www.theonering.net\/torwp\/wp-content\/uploads\/2014\/06\/11_sample.png 600w, https:\/\/www.theonering.net\/torwp\/wp-content\/uploads\/2014\/06\/11_sample-300x50.png 300w\" sizes=\"(max-width: 600px) 100vw, 600px\" \/><\/p>\n<p>&nbsp;<\/p>\n<h3>DVD menus and booklets (<em>The Lord of the Rings<\/em>)<\/h3>\n<p><img decoding=\"async\" src=\"http:\/\/www-images.theonering.org\/torwp\/wp-content\/uploads\/2014\/06\/12_dvdmenu-150x150.jpg\" alt=\"12_dvdmenu\" width=\"150\" height=\"150\" class=\"alignright size-thumbnail wp-image-90542 no-lazyload\" srcset=\"https:\/\/www.theonering.net\/torwp\/wp-content\/uploads\/2014\/06\/12_dvdmenu-150x150.jpg 150w, https:\/\/www.theonering.net\/torwp\/wp-content\/uploads\/2014\/06\/12_dvdmenu-200x200.jpg 200w, https:\/\/www.theonering.net\/torwp\/wp-content\/uploads\/2014\/06\/12_dvdmenu-75x75.jpg 75w, https:\/\/www.theonering.net\/torwp\/wp-content\/uploads\/2014\/06\/12_dvdmenu.jpg 300w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/><\/p>\n<p>The menus of <em>The Lord of the Rings<\/em> Theatrical Version DVDs as well as some of the menus in <em>The Lord of the Rings<\/em> Special Extended Edition are set with the font called <strong>Calligraphic 421<\/strong> (also known as Calligraph 421) by Bitstream. <\/p>\n<p>It is also used for the booklets of <em>The Lord of the Rings<\/em> SEE DVDs and BluRays.<br \/>\nHowever, this font does not seem to be used for <em>The Hobbit<\/em> marketing. You can <a href=\"http:\/\/www.myfonts.com\/fonts\/bitstream\/calligraphic-421\/\" target=\"_blank\">get it here<\/a>.<\/p>\n<p>&nbsp;<\/p>\n<p><img decoding=\"async\" src=\"http:\/\/www-images.theonering.org\/torwp\/wp-content\/uploads\/2014\/06\/12_sample.png\" alt=\"12_sample\" width=\"600\" height=\"100\" class=\"aligncenter size-full wp-image-90543 no-lazyload\" srcset=\"https:\/\/www.theonering.net\/torwp\/wp-content\/uploads\/2014\/06\/12_sample.png 600w, https:\/\/www.theonering.net\/torwp\/wp-content\/uploads\/2014\/06\/12_sample-300x50.png 300w\" sizes=\"(max-width: 600px) 100vw, 600px\" \/><\/p>\n<p>&nbsp;<\/p>\n<h3>DVD\/BluRay menus (<em>The Hobbit<\/em>)<\/h3>\n<p><img decoding=\"async\" src=\"http:\/\/www-images.theonering.org\/torwp\/wp-content\/uploads\/2014\/06\/13_dvdmenu2.jpg\" alt=\"13_dvdmenu2\" width=\"300\" height=\"182\" class=\"alignright size-full wp-image-90544 no-lazyload\" \/><\/p>\n<p>The menus of the bonus discs of the Extended Version of <em>The Hobbit<\/em> are set in a somewhat medieval-looking handwritten typeface. <\/p>\n<p>This font was created by Daniel Reeve, calligrapher and cartographer of <em>The Lord of the Rings <\/em>and<em> The Hobbit<\/em> films; there is a publicly available commercial version of it called <strong>Kereru<\/strong>. <\/p>\n<p>Some letters\u00a0look different; however, the font provides alternative\u00a0versions of several letters in order to make it look more\u00a0Middle-Earthy. You can get it on <a href=\"http:\/\/www.danielreeve.co.nz\/Fonts\/\" target=\"_blank\">Daniel Reeve&#8217;s website<\/a>.<\/p>\n<p><img decoding=\"async\" src=\"http:\/\/www-images.theonering.org\/torwp\/wp-content\/uploads\/2014\/06\/13_sample.png\" alt=\"13_sample\" width=\"600\" height=\"205\" class=\"aligncenter size-full wp-image-90545 no-lazyload\" srcset=\"https:\/\/www.theonering.net\/torwp\/wp-content\/uploads\/2014\/06\/13_sample.png 600w, https:\/\/www.theonering.net\/torwp\/wp-content\/uploads\/2014\/06\/13_sample-300x102.png 300w\" sizes=\"(max-width: 600px) 100vw, 600px\" \/><\/p>\n<p>&nbsp;<\/p>\n<h3>Closing words<\/h3>\n<p>There are doubltless many more typefaces not listed here. For instance, all the inscriptions in the movies themselves, be it in the language of Men, Dwarves or Elves &#8212; which were hand-drawn by the film&#8217;s calligrapher, Daniel Reeve. We can only hope that Mr. Reeve will release some of them as actual fonts some day. <\/p>\n<p>So far, there are some fan fonts trying to fill this niche; some of them are collected on my <a href=\"http:\/\/thehutt.de\/tolkien\/fonts.html\" target=\"_blank\">website<\/a>.<\/p>\n<p>Anyway, with this guide (and a fistful of dollars) designers\u00a0should be able to create\u00a0more convincing-looking fan-art, especially fan posters. For example, this year\u2019s April\u2019s Fool on TORn, a <a href=\"https:\/\/www.youtube.com\/watch?v=rpGgxsLv4os\" target=\"_blank\">fake end credits sequence of <em>The Hobbit 3<\/em><\/a>, was created using Aniron and Garamond Premier Pro.<\/p>\n<p><b>TheHutt is chief editor of the Russian Lord of the Rings and The Hobbit site, <a href=\"http:\/\/www.henneth-annun.ru\" target=\"_blank\">Henneth-Annun.ru<\/a>. He has created two LOTR fan fonts, Ringbearer and Aniron.<\/b><\/p>\n","protected":false},"excerpt":{"rendered":"<p>In this feature Ringer TheHutt, who runs Russian Lord of the Rings and The Hobbit site Henneth-Annun.ru, delves&#8230;<\/p>\n","protected":false},"author":14,"featured_media":90500,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[241,80,331,4,9,5,29,31,30,148,1636,2490,2497,1911,1912,149],"tags":[2555,1788,2556],"class_list":["post-90498","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-alan_lee","category-falconer","category-greenbooks","category-hobbit-movie","category-howe","category-lotr-movies","category-fotr-movie","category-rotk-movie","category-ttt-movie","category-hobbit","category-the-hobbit-an-unexpected-journey","category-the-hobbit-the-battle-of-five-armies","category-the-hobbit-the-battle-of-the-five-armies","category-the-hobbit-the-desolation-of-smaug","category-the-hobbit-there-and-back-again","category-lotr","tag-fonts","tag-library","tag-typefaces"],"aioseo_notices":[],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/www.theonering.net\/torwp\/wp-content\/uploads\/2014\/06\/00_LordFonts.jpg","jetpack_shortlink":"https:\/\/wp.me\/p1tLoH-nxE","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.theonering.net\/torwp\/wp-json\/wp\/v2\/posts\/90498","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.theonering.net\/torwp\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.theonering.net\/torwp\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.theonering.net\/torwp\/wp-json\/wp\/v2\/users\/14"}],"replies":[{"embeddable":true,"href":"https:\/\/www.theonering.net\/torwp\/wp-json\/wp\/v2\/comments?post=90498"}],"version-history":[{"count":31,"href":"https:\/\/www.theonering.net\/torwp\/wp-json\/wp\/v2\/posts\/90498\/revisions"}],"predecessor-version":[{"id":90554,"href":"https:\/\/www.theonering.net\/torwp\/wp-json\/wp\/v2\/posts\/90498\/revisions\/90554"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.theonering.net\/torwp\/wp-json\/wp\/v2\/media\/90500"}],"wp:attachment":[{"href":"https:\/\/www.theonering.net\/torwp\/wp-json\/wp\/v2\/media?parent=90498"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.theonering.net\/torwp\/wp-json\/wp\/v2\/categories?post=90498"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.theonering.net\/torwp\/wp-json\/wp\/v2\/tags?post=90498"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}