{"id":8021,"date":"2003-10-17T16:28:52","date_gmt":"2003-10-17T21:28:52","guid":{"rendered":"http:\/\/www.theonering.net\/torwp\/2003\/10\/17\/rhys-davies-fond-of-80s-films-but-critical-of-todays-writers\/"},"modified":"2003-10-17T16:28:52","modified_gmt":"2003-10-17T21:28:52","slug":"rhys-davies-fond-of-80s-films-but-critical-of-todays-writers","status":"publish","type":"post","link":"https:\/\/www.theonering.net\/torwp\/2003\/10\/17\/8021-rhys-davies-fond-of-80s-films-but-critical-of-todays-writers\/","title":{"rendered":"Rhys-Davies fond of &#8217;80s films but critical of today&#8217;s writers"},"content":{"rendered":"<p class=\"intro\"><img decoding=\"async\" src=\"http:\/\/img-www.theonering.net\/images\/frontJRD.jpg\" ALIGN=LEFT class=\"no-lazyload\"> Welsh-born John Rhys-Davies got his first big shot at international fame in 1980, for his scene-stealing role as a Spanish ship&#8217;s captain in the TV miniseries &#8220;Shogun.&#8221; The next year, he landed another juicy part, the Egyptian character Sallah in &#8220;Raiders of the Lost Ark,&#8221; a role he repeated eight years later for &#8220;Indiana Jones and the Last Crusade.&#8221; [<a HREF=\"http:\/\/deseretnews.com\/dn\/view\/0,1249,515039009,00.html\" TARGET=NEW>More<\/a>]<br \/><br clear=all><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Welsh-born John Rhys-Davies got his first big shot at international fame in 1980, for his scene-stealing role as&#8230;<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[130],"tags":[],"class_list":["post-8021","post","type-post","status-publish","format-standard","hentry","category-old-main-news"],"aioseo_notices":[],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p1tLoH-25n","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.theonering.net\/torwp\/wp-json\/wp\/v2\/posts\/8021","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.theonering.net\/torwp\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.theonering.net\/torwp\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.theonering.net\/torwp\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.theonering.net\/torwp\/wp-json\/wp\/v2\/comments?post=8021"}],"version-history":[{"count":0,"href":"https:\/\/www.theonering.net\/torwp\/wp-json\/wp\/v2\/posts\/8021\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.theonering.net\/torwp\/wp-json\/wp\/v2\/media?parent=8021"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.theonering.net\/torwp\/wp-json\/wp\/v2\/categories?post=8021"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.theonering.net\/torwp\/wp-json\/wp\/v2\/tags?post=8021"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}