{"id":66498,"date":"2012-12-02T16:55:43","date_gmt":"2012-12-02T21:55:43","guid":{"rendered":"http:\/\/www.theonering.net\/torwp\/?p=66498"},"modified":"2012-12-02T16:55:43","modified_gmt":"2012-12-02T21:55:43","slug":"tireless-artist-sculpts-staffs-of-legend","status":"publish","type":"post","link":"https:\/\/www.theonering.net\/torwp\/2012\/12\/02\/66498-tireless-artist-sculpts-staffs-of-legend\/","title":{"rendered":"Tireless artist sculpts staffs of legend"},"content":{"rendered":"<p class=\"intro\"><figure id=\"attachment_66500\" aria-describedby=\"caption-attachment-66500\" style=\"width: 300px\" class=\"wp-caption alignright\"><a href=\"http:\/\/www-images.theonering.org\/torwp\/wp-content\/uploads\/2012\/12\/Anneke-Bester-profile-article.jpeg\" class=\"no-lazyload\"><img decoding=\"async\" src=\"http:\/\/www-images.theonering.org\/torwp\/wp-content\/uploads\/2012\/12\/Anneke-Bester-profile-article-300x298.jpeg\" alt=\"\" title=\"Anneke Bester Christchurch Mail profile \" width=\"300\" height=\"298\" class=\"size-medium wp-image-66500 no-lazyload\" srcset=\"https:\/\/www.theonering.net\/torwp\/wp-content\/uploads\/2012\/12\/Anneke-Bester-profile-article-300x298.jpeg 300w, https:\/\/www.theonering.net\/torwp\/wp-content\/uploads\/2012\/12\/Anneke-Bester-profile-article-150x150.jpeg 150w, https:\/\/www.theonering.net\/torwp\/wp-content\/uploads\/2012\/12\/Anneke-Bester-profile-article-600x596.jpeg 600w, https:\/\/www.theonering.net\/torwp\/wp-content\/uploads\/2012\/12\/Anneke-Bester-profile-article-200x200.jpeg 200w, https:\/\/www.theonering.net\/torwp\/wp-content\/uploads\/2012\/12\/Anneke-Bester-profile-article-75x75.jpeg 75w, https:\/\/www.theonering.net\/torwp\/wp-content\/uploads\/2012\/12\/Anneke-Bester-profile-article.jpeg 795w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><figcaption id=\"caption-attachment-66500\" class=\"wp-caption-text\">Sculptor Anneke Bester is profiled in the Christchurch Mail for the Hobbit premiere. November 29, 2012.<\/figcaption><\/figure> Ringer Paul sends us this article from the November 29 edition of The Christchurch Mail about the sculpting work of Anneke Bester.<!--more--><\/p>\n<h3>There and back again<\/h3>\n<h4>Tireless artist sculpts staffs of legend<\/h4>\n<p><b>By Abbie Napier<\/b><\/p>\n<p>Fashioning staffs, moulding sword hilts ad making treasure is nothing out of the ordinary for Christchurch-based sculptor Anneke Bester.<\/p>\n<p>Having worked on the Chronicles of Narnia, Bester was a shoo-in for a role as props sculptor for The Hobbit.<\/p>\n<p>She set off for Wellington more than two years ago, tasked with making whatever was needed.<\/p>\n<p>&#8220;It was enormous, and it was basically just me,&#8221; she said.<\/p>\n<p>Holed up in a workroom in Lyall Bay, Bester&#8217;s 50-hour weeks were hectic. <\/p>\n<p>&#8220;Someone would rush in with a design and say they needed this detailed piece for a wardrobe scene by the end of the day,&#8221; she said.<\/p>\n<p>She made at least 100 major props in two years, with countless others squeezed in throughout. She finished in May this year.<\/p>\n<p>Gandalf&#8217;s pre-Lord of the Rings staff may be her most famous work.<\/p>\n<p>She made the staff in three sizes: regular, over-sized and stunt-double size. Having made the first, she then created exact replicas for every imaginable use. <\/p>\n<p>&#8220;It&#8217;s one thin to sculpt nature how you think it should be. It&#8217;s quite another to sculpt an exact replica of a stick.&#8221; <\/p>\n<p>She also made walking sticks for the dwarves, furniture, decorations, and some of the treasure for Smaug&#8217;s (the dragon) cave.<\/p>\n<p>&#8220;That fortune, literally cost a fortune,&#8221; she said. &#8220;The size of the actual treasure pile was bigger than most people&#8217;s homes.&#8221;<\/p>\n<p>Bester went to Wellington yesterday for a cast and crew screening, before the film premiered. Try spotting some of Bester&#8217;s work when the movie comes out to the public on December 12.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Ringer Paul sends us this article from the November 29 edition of The Christchurch Mail about the sculpting&#8230;<\/p>\n","protected":false},"author":14,"featured_media":66500,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"A nice little profile of the work of Hobbit props sculptor Anneke Bester.","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[8,4,496,148],"tags":[1795,1797,1796],"class_list":["post-66498","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-production-crew-news","category-hobbit-movie","category-production","category-hobbit","tag-anneke-bester","tag-gandalf-staff","tag-sculptor"],"aioseo_notices":[],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/www.theonering.net\/torwp\/wp-content\/uploads\/2012\/12\/Anneke-Bester-profile-article.jpeg","jetpack_shortlink":"https:\/\/wp.me\/p1tLoH-hiy","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.theonering.net\/torwp\/wp-json\/wp\/v2\/posts\/66498","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.theonering.net\/torwp\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.theonering.net\/torwp\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.theonering.net\/torwp\/wp-json\/wp\/v2\/users\/14"}],"replies":[{"embeddable":true,"href":"https:\/\/www.theonering.net\/torwp\/wp-json\/wp\/v2\/comments?post=66498"}],"version-history":[{"count":4,"href":"https:\/\/www.theonering.net\/torwp\/wp-json\/wp\/v2\/posts\/66498\/revisions"}],"predecessor-version":[{"id":66503,"href":"https:\/\/www.theonering.net\/torwp\/wp-json\/wp\/v2\/posts\/66498\/revisions\/66503"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.theonering.net\/torwp\/wp-json\/wp\/v2\/media\/66500"}],"wp:attachment":[{"href":"https:\/\/www.theonering.net\/torwp\/wp-json\/wp\/v2\/media?parent=66498"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.theonering.net\/torwp\/wp-json\/wp\/v2\/categories?post=66498"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.theonering.net\/torwp\/wp-json\/wp\/v2\/tags?post=66498"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}