More<\/a>]<\/p>\n","protected":false},"excerpt":{"rendered":"Balancing mega-blockbusters and character-driven independent films, Hugo Weaving musters the high style necessary for a elven lord, an…<\/p>\n","protected":false},"author":14,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[4,47,5],"tags":[],"class_list":["post-59515","post","type-post","status-publish","format-standard","hentry","category-hobbit-movie","category-weaving","category-lotr-movies"],"aioseo_notices":[],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p1tLoH-ftV","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.theonering.net\/torwp\/wp-json\/wp\/v2\/posts\/59515","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.theonering.net\/torwp\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.theonering.net\/torwp\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.theonering.net\/torwp\/wp-json\/wp\/v2\/users\/14"}],"replies":[{"embeddable":true,"href":"https:\/\/www.theonering.net\/torwp\/wp-json\/wp\/v2\/comments?post=59515"}],"version-history":[{"count":3,"href":"https:\/\/www.theonering.net\/torwp\/wp-json\/wp\/v2\/posts\/59515\/revisions"}],"predecessor-version":[{"id":59527,"href":"https:\/\/www.theonering.net\/torwp\/wp-json\/wp\/v2\/posts\/59515\/revisions\/59527"}],"wp:attachment":[{"href":"https:\/\/www.theonering.net\/torwp\/wp-json\/wp\/v2\/media?parent=59515"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.theonering.net\/torwp\/wp-json\/wp\/v2\/categories?post=59515"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.theonering.net\/torwp\/wp-json\/wp\/v2\/tags?post=59515"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
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Balancing mega-blockbusters and character-driven independent films, Hugo Weaving<\/b> musters the high style necessary for a elven lord, an evil computer program, and a malevolent transformer, all while retaining the subtlety to fuel more small-scale films. His latest, Last Ride<\/i>, (which although completed three years ago has only recently debuted in selected USA cinemas) is one of the latter. In it, Weaving plays an abusive ex-convict who takes his estranged son along as they flee through the Australian outback.<\/p>\n