{"id":30846,"date":"2008-12-22T16:08:22","date_gmt":"2008-12-22T21:08:22","guid":{"rendered":"http:\/\/www.theonering.net\/torwp\/?p=30846"},"modified":"2008-12-22T16:08:22","modified_gmt":"2008-12-22T21:08:22","slug":"hollywood-composers-tune-in-for-rare-gathering","status":"publish","type":"post","link":"https:\/\/www.theonering.net\/torwp\/2008\/12\/22\/30846-hollywood-composers-tune-in-for-rare-gathering\/","title":{"rendered":"Hollywood composers tune in for rare gathering"},"content":{"rendered":"<p class=\"intro\"><img decoding=\"async\" src=\"http:\/\/www.theonering.net\/torwp\/wp-content\/uploads\/2008\/02\/howard-shore.thumbnail.jpg\" alt=\"\" title=\"Howard Shore\" width=\"94\" height=\"128\" class=\"alignright size-thumbnail wp-image-28409 no-lazyload\" \/>LOS ANGELES (Hollywood Reporter) \u2013 Film composers aren&#8217;t exactly the most social creatures in Hollywood. But when five of this year&#8217;s Oscar front-runners &#8212; A.R. Rahman (&#8220;Slumdog Millionaire&#8221;), Howard Shore (&#8220;Doubt&#8221;), Danny Elfman (&#8220;Milk&#8221;), Alexandre Desplat (&#8220;The Curious Case of Benjamin Button&#8221;) and Jan Kaczmarek (&#8220;The Visitor&#8221;) &#8212; sat down recently with The Hollywood Reporter, they seized the opportunity for a frank, passionate discussion of the past, present and future of film music. <strong><a href=\"http:\/\/news.yahoo.com\/s\/nm\/20081222\/music_nm\/us_oscars_composer\">Hollywood composers tune in for rare gathering<\/a><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>LOS ANGELES (Hollywood Reporter) \u2013 Film composers aren&#8217;t exactly the most social creatures in Hollywood. But when five&#8230;<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[21,83],"tags":[],"class_list":["post-30846","post","type-post","status-publish","format-standard","hentry","category-shore","category-merchandise-music"],"aioseo_notices":[],"aioseo_head":"\n\t\t<!-- All in One SEO Pro 5.0.0.1 - aioseo.com -->\n\t<meta name=\"description\" content=\"LOS ANGELES (Hollywood Reporter) \u2013 Film composers aren&#039;t exactly the most social creatures in Hollywood. 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Rahman (&quot;Slumdog Millionaire&quot;), Howard Shore (&quot;Doubt&quot;), Danny Elfman (&quot;Milk&quot;), Alexandre Desplat (&quot;The Curious Case of Benjamin Button&quot;) and Jan Kaczmarek (&quot;The Visitor&quot;) -- sat down recently with The Hollywood Reporter,","twitter:creator":"@theoneringnet","twitter:image":"https:\/\/www.theonering.net\/torwp\/wp-content\/uploads\/2024\/07\/TORN-25-logo.png"},"aioseo_meta_data":{"post_id":"30846","title":null,"description":null,"keywords":null,"keyphrases":null,"primary_term":null,"canonical_url":null,"og_title":null,"og_description":null,"og_object_type":"default","og_image_type":"default","og_image_url":null,"og_image_width":null,"og_image_height":null,"og_image_custom_url":null,"og_image_custom_fields":null,"og_video":null,"og_custom_url":null,"og_article_section":null,"og_article_tags":null,"twitter_use_og":false,"twitter_card":"default","twitter_image_type":"default","twitter_image_url":null,"twitter_image_custom_url":null,"twitter_image_custom_fields":null,"twitter_title":null,"twitter_description":null,"schema":{"blockGraphs":[],"customGraphs":[],"default":{"data":{"Article":[],"Course":[],"Dataset":[],"FAQPage":[],"Movie":[],"Person":[],"Product":[],"ProductReview":[],"Car":[],"Recipe":[],"Service":[],"SoftwareApplication":[],"WebPage":[]},"graphName":"","isEnabled":true},"graphs":[]},"schema_type":null,"schema_type_options":null,"pillar_content":false,"robots_default":true,"robots_noindex":false,"robots_noarchive":false,"robots_nosnippet":false,"robots_nofollow":false,"robots_noimageindex":false,"robots_noodp":false,"robots_notranslate":false,"robots_max_snippet":null,"robots_max_videopreview":null,"robots_max_imagepreview":"large","priority":null,"frequency":null,"local_seo":null,"seo_analyzer_scan_date":"2026-05-16 10:01:33","breadcrumb_settings":null,"limit_modified_date":false,"open_ai":null,"ai":null,"created":"2020-12-28 15:25:58","updated":"2026-05-16 10:01:33","focus_keyword":null,"additional_keywords":null,"truseo_locale":null},"jetpack_publicize_connections":[],"jetpack_shortlink":"https:\/\/wp.me\/p1tLoH-81w","jetpack_sharing_enabled":true,"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/www.theonering.net\/torwp\/wp-json\/wp\/v2\/posts\/30846","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.theonering.net\/torwp\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.theonering.net\/torwp\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.theonering.net\/torwp\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.theonering.net\/torwp\/wp-json\/wp\/v2\/comments?post=30846"}],"version-history":[{"count":0,"href":"https:\/\/www.theonering.net\/torwp\/wp-json\/wp\/v2\/posts\/30846\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.theonering.net\/torwp\/wp-json\/wp\/v2\/media?parent=30846"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.theonering.net\/torwp\/wp-json\/wp\/v2\/categories?post=30846"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.theonering.net\/torwp\/wp-json\/wp\/v2\/tags?post=30846"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}