{"id":299,"date":"2007-06-19T20:04:20","date_gmt":"2007-06-20T01:04:20","guid":{"rendered":"http:\/\/www.theonering.net\/torwp\/2007\/06\/19\/middle-earth-comes-to-life\/"},"modified":"2007-11-11T22:38:33","modified_gmt":"2007-11-12T03:38:33","slug":"middle-earth-comes-to-life","status":"publish","type":"post","link":"https:\/\/www.theonering.net\/torwp\/2007\/06\/19\/299-middle-earth-comes-to-life\/","title":{"rendered":"Middle Earth comes to life"},"content":{"rendered":"<p class=\"intro\">From <strong>Michael Billington<\/strong> (at Guardian Unlimited): I suppose there are two ways to approach this mega-musical: either as a paid-up Tolkien aficionado or as a wide-eyed newcomer. Having dipped only briefly into the original trilogy and the Peter Jackson movies, I entered Drury Lane as innocent as any hairy-toed hobbit. But I emerged three-and-a-quarter hours later sceptical as to the main matter but hugely impressed by the manner of Matthew Warchus&#8217;s production. Obviously Shaun McKenna and Warchus, as co-authors, face a huge task in boiling down a 1000-page fantasy into a theatrical narrative. But, although bits of the backstory remain obscure, the main thrust is clear. Frodo Baggins, a junior hobbit, and his chums are deputed by the wizard, Gandalf, to undertake an epic journey to Mount Doom to dispose of the evil Ring. In the course of their quest they acquire the company of elves, dwarves and rangers. They encounter sinister black riders and orcs, pass through Rivendell and the Golden Wood and ultimately do battle with the forces of the Dark Lord, Sauron. Finally, however, they get rid of the damned Ring. [<a href=\"http:\/\/arts.guardian.co.uk\/theatre\/drama\/reviews\/story\/0,,2106638,00.html?gusrc=rss&amp;feed=networkfront\" target=\"NEW\">More<\/a>]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>From Michael Billington (at Guardian Unlimited): I suppose there are two ways to approach this mega-musical: either as&#8230;<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[14,239,130,240],"tags":[],"class_list":["post-299","post","type-post","status-publish","format-standard","hentry","category-events","category-lotr-stage","category-old-main-news","category-stage"],"aioseo_notices":[],"aioseo_head":"\n\t\t<!-- All in One SEO Pro 4.9.8 - aioseo.com -->\n\t<meta name=\"description\" content=\"From Michael Billington (at Guardian Unlimited): I suppose there are two ways to approach this mega-musical: either as a paid-up Tolkien aficionado or as a wide-eyed newcomer. 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