{"id":2926,"date":"2005-04-26T17:08:59","date_gmt":"2005-04-26T22:08:59","guid":{"rendered":"http:\/\/www.theonering.net\/torwp\/2005\/04\/26\/jackson-restores-1915-gallipoli-film\/"},"modified":"2005-04-26T17:08:59","modified_gmt":"2005-04-26T22:08:59","slug":"jackson-restores-1915-gallipoli-film","status":"publish","type":"post","link":"https:\/\/www.theonering.net\/torwp\/2005\/04\/26\/2926-jackson-restores-1915-gallipoli-film\/","title":{"rendered":"Jackson restores 1915 Gallipoli film"},"content":{"rendered":"<p class=\"intro\"><img decoding=\"async\" src=\"http:\/\/img-www.theonering.net\/images\/frontPJ.jpg\" ALIGN=LEFT class=\"no-lazyload\"> Peter Jackson&#8217;s cutting-edge, hi-tech film-making &#150; used to great effect on The Lord of the Rings and King Kong &#150; has been employed to restore the only film taken of the Anzacs at Gallipoli in 1915. The Sydney Morning Herald reported on Anzac Day that the restored film &#150; held by the Australian War Memorial in Canberra &#150; was as good as when it first screened in London in 1916. The 20 minutes of footage included soldiers from the Wellington Battalion in a trench. The original nitrate film was destroyed in 1967, and the best print that remained was scratched, fuzzy and low in contrast. [<a HREF=\"http:\/\/www.stuff.co.nz\/stuff\/0,2106,3261038a10,00.html\" TARGET=NEW>More<\/a>]<br clear=all><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Peter Jackson&#8217;s cutting-edge, hi-tech film-making &#150; used to great effect on The Lord of the Rings and King&#8230;<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[130],"tags":[],"class_list":["post-2926","post","type-post","status-publish","format-standard","hentry","category-old-main-news"],"aioseo_notices":[],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p1tLoH-Lc","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.theonering.net\/torwp\/wp-json\/wp\/v2\/posts\/2926","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.theonering.net\/torwp\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.theonering.net\/torwp\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.theonering.net\/torwp\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.theonering.net\/torwp\/wp-json\/wp\/v2\/comments?post=2926"}],"version-history":[{"count":0,"href":"https:\/\/www.theonering.net\/torwp\/wp-json\/wp\/v2\/posts\/2926\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.theonering.net\/torwp\/wp-json\/wp\/v2\/media?parent=2926"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.theonering.net\/torwp\/wp-json\/wp\/v2\/categories?post=2926"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.theonering.net\/torwp\/wp-json\/wp\/v2\/tags?post=2926"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}