{"id":27659,"date":"2001-01-17T23:07:55","date_gmt":"2001-01-18T05:07:55","guid":{"rendered":"http:\/\/www.theonering.net\/torwp\/2001\/01\/17\/shake-up-at-new-line-2\/"},"modified":"2008-05-12T14:22:50","modified_gmt":"2008-05-12T19:22:50","slug":"shake-up-at-new-line-2","status":"publish","type":"post","link":"https:\/\/www.theonering.net\/torwp\/2001\/01\/17\/27659-shake-up-at-new-line-2\/","title":{"rendered":"Shake-up at New Line"},"content":{"rendered":"<p class=\"intro\">Greetings &#8212; <a href=\"mailto:quickbeam@theonering.net\">Quickbeam<\/a> here.<\/p>\n<p>We&#8217;ve already learned that Michael DeLuca, President of Production for New Line Cinema, said sayonara yesterday. Or maybe he was fired&#8230; or laid off&#8230; we don&#8217;t really know. All things being equal, suffice it to say that a very young and creative force behind the <i>Lord of the Rings<\/i> project is now absent.<\/p>\n<p>Why would DeLuca leave after bringing so much success to New Line? Keep in mind the old adage: <b>In Hollywood, you&#8217;re only as good as your last picture<\/b>. That means even though DeLuca is responsible for green-lighting a remarkable list of money makers (<i>Seven<\/i>, <i>Rush Hour<\/i>, the <i>Austin Powers<\/i> franchise, to name a few), somebody has to take the fall for the huge disappointment of <i>Little Nicky<\/i>, which was also under DeLuca&#8217;s wing. Since the year 2000 was a mediocre year for New Line, the shape of the executive landscape is bound to change.<\/p>\n<p>But has everyone forgotten that <i>Lord of the Rings<\/i> will, ultimately, be the biggest financial box-office dream that any studio could hope for? I may not be a hard-boiled Distribution Prexy but even I can see how stacked the odds are on this. Still, there are other dark forces behind the curtain influencing events.<\/p>\n<p>This is what Daily Variety had to say:\u00a0<\/p>\n<p>&#8220;In the wake of the Time Warner-AOL merger, which closed last week, the pressure has been on New Line, whose films such as the Sandler vehicle <i>Little Nicky<\/i> have failed to turn a profit. And then there is the long-gestating Warren Beatty starrer <i>Town and Country<\/i>, which has everyone worried: Budget for the pic, finally set for release in March, has soared to more than $80 million.&#8221;<\/p>\n<p>I&#8217;ll translate this for you. New Line Cinema is well under the umbrella of Warner Bros. But now, thanks to the merger, Warner Bros. does not really belong to itself anymore&#8230; They have to answer to a larger entity. If you like, you can imagine all of Steve Case&#8217;s ill-mannered and brutish henchmen running around the Warner lot barking orders. People will be fired. Projects will be taken out of development. This could get ugly before it&#8217;s all over.<\/p>\n<p>With New Line taking big investment risks like <i>Town and Country<\/i>, and especially sinking $270 million into a huge 3-picture fantasy franchise, you better believe the pressure is on for the current slate of films to rake in the dough. And like I said, the year 2000 has left a very bad taste in their mouths. If the current <i>Thirteen Days<\/i> underperforms at the box-office, then the stink will really hit the fan.<\/p>\n<p>You may not immediately think that the merger of AOL and Time-Warner would have much effect on the Peter Jackson trilogy of films. And I personally hope with all my soul that they leave this particular production alone. But it may have an effect &#8212; in ways yet to be seen.<\/p>\n<p>Much too hasty,<\/p>\n<p><a href=\"mailto:quickbeam@theonering.net\">Quickbeam<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Greetings &#8212; Quickbeam here. We&#8217;ve already learned that Michael DeLuca, President of Production for New Line Cinema, said&#8230;<\/p>\n","protected":false},"author":21,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[495,138],"tags":[],"class_list":["post-27659","post","type-post","status-publish","format-standard","hentry","category-miscellaneous","category-old-special-reports"],"aioseo_notices":[],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p1tLoH-7c7","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.theonering.net\/torwp\/wp-json\/wp\/v2\/posts\/27659","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.theonering.net\/torwp\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.theonering.net\/torwp\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.theonering.net\/torwp\/wp-json\/wp\/v2\/users\/21"}],"replies":[{"embeddable":true,"href":"https:\/\/www.theonering.net\/torwp\/wp-json\/wp\/v2\/comments?post=27659"}],"version-history":[{"count":0,"href":"https:\/\/www.theonering.net\/torwp\/wp-json\/wp\/v2\/posts\/27659\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.theonering.net\/torwp\/wp-json\/wp\/v2\/media?parent=27659"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.theonering.net\/torwp\/wp-json\/wp\/v2\/categories?post=27659"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.theonering.net\/torwp\/wp-json\/wp\/v2\/tags?post=27659"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}