{"id":26716,"date":"2002-03-03T19:24:52","date_gmt":"2002-03-04T01:24:52","guid":{"rendered":"http:\/\/www.theonering.net\/torwp\/2002\/03\/03\/no-oscar-for-her-but-theres-something-about-cate-2\/"},"modified":"2002-03-03T19:24:52","modified_gmt":"2002-03-04T01:24:52","slug":"no-oscar-for-her-but-theres-something-about-cate-2","status":"publish","type":"post","link":"https:\/\/www.theonering.net\/torwp\/2002\/03\/03\/26716-no-oscar-for-her-but-theres-something-about-cate-2\/","title":{"rendered":"No Oscar for her&#8230; But there&#8217;s something about Cate"},"content":{"rendered":"<p class=\"intro\">There&#8217;s something about Cate Blanchett. And it&#8217;s not just the Meryl-Streep ability to chew accents, nor the Madonna-like penchant for rotating hair color.<\/p>\n<p>It&#8217;s in the roles she picks, which sometimes defies a regular movie-goer&#8217;s common sensibilities. So she didn&#8217;t win the Oscar for Elizabeth, which she was hotly tipped to in 1999. But she did have a Golden Globe, and there was no shortage of movie offers after the post-Academy Awards party.<\/p>\n<p>So why is it that your regular movie-goer would be hard pressed to name a film she&#8217;s headlined since the critically-acclaimed Elizabeth? Well, that&#8217;s because there were hardly any.<\/p>\n<p>Not in An Ideal Husband, Pushing Tin, The Talented Mr. Ripley, The Shipping News, nor even The Lord Of The Rings &#8211; all films she made post-Elizabeth, and all smallish characters. Those she did front, were hardly what you&#8217;d call box-office material. Think The Man Who Cried, The Gift and Charlotte Gray.<\/p>\n<p>Yet, the 32-yeard-old insists things wouldn&#8217;t have been any different even if she&#8217;d taken home the coveted bald statuette that night. She said in a phone interview with The New Paper On Sunday. &#8220;It was great to be there, but I don&#8217;t think that was the high point of my life. I&#8217;ve had a lot of high points since then.&#8221; Ah. Spoken like a true actress, especially if you consider her earlier work in theatre.<\/p>\n<p>Theatre became her life line after she graduated from Sydney&#8217;s National Institute of Dramatic Arts. Then director Bruce Beresford spotted her and cast her in Paradise Road, alongisde Glenn Close and Frances McDormand.<\/p>\n<p>Fast forward to the present and her new movie Bandits. Now showing in Singapore cinemas, Bandits is a comedy by Rain Man director, Barry Levinson.<\/p>\n<p>Blanchette plays Kate Wheeler, a bored, neglected housewife who gets caught between two very different friends, played by Bruce Willis and Billy Bob Thornton. One is strong, the other sensitive, but together, they make a perfect team of bank robbers. Here, she goes for redhead, but the accent is undistinguishable.<\/p>\n<p>But Blanchett in a comedy?<\/p>\n<p>&#8220;I never see a role as purely comic or purely tragic. I think if you play tragedy or drama with an irony of levity, then it becomes terribly unwatchable,&#8221; she explained. Thespian-speak again.<\/p>\n<p>Ask her who she had better chemistry with &#8211; Willis or Thornton &#8211; and the exceedingly polite actress maintains her non-commital stance. &#8220;The chemistry is very different and that&#8217;s the cornerstone of the film&#8230;&#8221;<\/p>\n<p>It&#8217;s hard to get anything out of Blanchett. But she did manage: &#8220;I love a guy who makes me laugh. And I&#8217;m married to him. I like the off-beat, I like  things that are unpredictable. I don&#8217;t think I&#8217;d choose either type.&#8221; Her type, to be precise, takes the shape of Andrew Upton, a screenwriter she&#8217;s been married to since 1997.<\/p>\n<p>The couple just had a son last December. But her marriage too, as most who&#8217;ve interviewed her would know, is also off-limits.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>There&#8217;s something about Cate Blanchett. And it&#8217;s not just the Meryl-Streep ability to chew accents, nor the Madonna-like&#8230;<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[138],"tags":[],"class_list":["post-26716","post","type-post","status-publish","format-standard","hentry","category-old-special-reports"],"aioseo_notices":[],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p1tLoH-6WU","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.theonering.net\/torwp\/wp-json\/wp\/v2\/posts\/26716","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.theonering.net\/torwp\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.theonering.net\/torwp\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.theonering.net\/torwp\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.theonering.net\/torwp\/wp-json\/wp\/v2\/comments?post=26716"}],"version-history":[{"count":0,"href":"https:\/\/www.theonering.net\/torwp\/wp-json\/wp\/v2\/posts\/26716\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.theonering.net\/torwp\/wp-json\/wp\/v2\/media?parent=26716"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.theonering.net\/torwp\/wp-json\/wp\/v2\/categories?post=26716"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.theonering.net\/torwp\/wp-json\/wp\/v2\/tags?post=26716"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}