{"id":26626,"date":"2002-04-27T13:32:54","date_gmt":"2002-04-27T18:32:54","guid":{"rendered":"http:\/\/www.theonering.net\/torwp\/2002\/04\/27\/wenham-play-review-2\/"},"modified":"2002-04-27T13:32:54","modified_gmt":"2002-04-27T18:32:54","slug":"wenham-play-review-2","status":"publish","type":"post","link":"https:\/\/www.theonering.net\/torwp\/2002\/04\/27\/26626-wenham-play-review-2\/","title":{"rendered":"Wenham Play Review"},"content":{"rendered":"<p class=\"intro\">From: <b>Peter<\/b><\/p>\n<p>Thought you might be interested in a review of a play, currently on stage in Melbourne, Australia, starring David Wenham (Faramir). The title of the article is &#8220;Spine-tingling drama and acting that&#8217;s as good as it get&#8221;.<\/p>\n<p>Here&#8217;s an extract:<\/p>\n<p>&#8220;David Tredinnick gives a fine performance as Austin, but it is David Wenham&#8217;s night. His portrayal of Lee is about as good as acting gets. <\/p>\n<p>From the moment he appears, the tension builds, suspense grows &#8211; we cannot take our eyes off him. He creates a complex character whose disregard of consequence, freedom from social constraint and suppressed rage that erupts without warning, makes us fear him much as his brother does.<\/p>\n<p>Austin makes the mistake of romanticising this character, but it is part of Wenham&#8217;s triumph to reveal that beneath the sound and fury of Lee lies as tragic an emptiness as found in the true west of America&#8217;s deserts.&#8221; [<a HREF=\"http:\/\/www.theage.com.au\/articles\/2002\/04\/25\/1019441281164.html\" TARGET=NEW>More<\/a>]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>From: Peter Thought you might be interested in a review of a play, currently on stage in Melbourne,&#8230;<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[138],"tags":[],"class_list":["post-26626","post","type-post","status-publish","format-standard","hentry","category-old-special-reports"],"aioseo_notices":[],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p1tLoH-6Vs","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.theonering.net\/torwp\/wp-json\/wp\/v2\/posts\/26626","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.theonering.net\/torwp\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.theonering.net\/torwp\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.theonering.net\/torwp\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.theonering.net\/torwp\/wp-json\/wp\/v2\/comments?post=26626"}],"version-history":[{"count":0,"href":"https:\/\/www.theonering.net\/torwp\/wp-json\/wp\/v2\/posts\/26626\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.theonering.net\/torwp\/wp-json\/wp\/v2\/media?parent=26626"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.theonering.net\/torwp\/wp-json\/wp\/v2\/categories?post=26626"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.theonering.net\/torwp\/wp-json\/wp\/v2\/tags?post=26626"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}