{"id":26277,"date":"2002-10-12T11:32:27","date_gmt":"2002-10-12T16:32:27","guid":{"rendered":"http:\/\/www.theonering.net\/torwp\/2002\/10\/12\/trailer-music-explained-2\/"},"modified":"2002-10-12T11:32:27","modified_gmt":"2002-10-12T16:32:27","slug":"trailer-music-explained-2","status":"publish","type":"post","link":"https:\/\/www.theonering.net\/torwp\/2002\/10\/12\/26277-trailer-music-explained-2\/","title":{"rendered":"Trailer Music EXPLAINED"},"content":{"rendered":"<p class=\"intro\">To all those countless Ringers bugged by the questions about the trailer music: Lady Kenobi has done thema great service &#8211; listen to this:<\/p>\n<p>&#8220;Your readers may find this of interest . . . I&#8217;ve spent the last couple of months putting together all I know about source music used in the Lord of the Rings trailers, from the first Internet Preview to the latest Two Towers one (with that interesting remix from Requiem for a Dream).  The result is located at <a href=\"http:\/\/www.audiblebeauty.net\/trailers.htm\" target=new>AudibleBeauty<\/a> Using some simple online investigating and my two ears I have figured out what bit of music goes where in each trailer.<\/p>\n<p>&#8220;It was because of the intriguing music used in the early LOTR trailers that I started noticing how most movie trailers use music from a whole variety of other movies.  My favorite lately is seeing how many places I can catch music from Gladiator.  Wonder when we&#8217;ll start hearing Howard Shore&#8217;s scores adding a little something to future trailers&#8230;&#8221;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>To all those countless Ringers bugged by the questions about the trailer music: Lady Kenobi has done thema&#8230;<\/p>\n","protected":false},"author":15,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[138],"tags":[],"class_list":["post-26277","post","type-post","status-publish","format-standard","hentry","category-old-special-reports"],"aioseo_notices":[],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p1tLoH-6PP","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.theonering.net\/torwp\/wp-json\/wp\/v2\/posts\/26277","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.theonering.net\/torwp\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.theonering.net\/torwp\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.theonering.net\/torwp\/wp-json\/wp\/v2\/users\/15"}],"replies":[{"embeddable":true,"href":"https:\/\/www.theonering.net\/torwp\/wp-json\/wp\/v2\/comments?post=26277"}],"version-history":[{"count":0,"href":"https:\/\/www.theonering.net\/torwp\/wp-json\/wp\/v2\/posts\/26277\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.theonering.net\/torwp\/wp-json\/wp\/v2\/media?parent=26277"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.theonering.net\/torwp\/wp-json\/wp\/v2\/categories?post=26277"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.theonering.net\/torwp\/wp-json\/wp\/v2\/tags?post=26277"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}