{"id":24985,"date":"2004-01-08T10:56:52","date_gmt":"2004-01-08T16:56:52","guid":{"rendered":"http:\/\/www.theonering.net\/torwp\/2004\/01\/08\/cinemarati-award-nominations-announced-2\/"},"modified":"2004-01-08T10:56:52","modified_gmt":"2004-01-08T16:56:52","slug":"cinemarati-award-nominations-announced-2","status":"publish","type":"post","link":"https:\/\/www.theonering.net\/torwp\/2004\/01\/08\/24985-cinemarati-award-nominations-announced-2\/","title":{"rendered":"Cinemarati Award Nominations Announced"},"content":{"rendered":"<p class=\"intro\">(New York City) &#8212; CINEMARATI, the renowned organization of professional online film critics from across the globe, today announced its distinctive nominations for the fourth annual Cinemarati Awards.<\/p>\n<p>Five films, an intriguing mix of blockbusters and indie treasures, lead the slate. *The Lord of the Rings: The Return of the King* and *Kill Bill: Volume One* received ten nominations apiece. *Raising Victor Vargas,* *Lost in Translation,* and *American Splendor* each received eight nominations.<\/p>\n<p>Unlike other professional awards, the Cinemarati Award Nominees &#8212; eight each in twenty-four categories, recognizing the best cinematic efforts of 2003 &#8212; now enter Cinemarati&#146;s signature public process, where nominees go head-to-head in matchups voted on by its Member Critics in full view at http:\/\/www.cinemarati.org .<\/p>\n<p>This year, lauded performances like those of BILL MURRAY and NAOMI WATTS sit alongside rarely recognized turns by CHIWETEL EJIOFOR (*Dirty Pretty Things*) and VALERIE LEMERCIER (*Friday Night*). Newcomers fare especially well, with multiple nominatons for *In America*&#146;s SARAH BOLGER, *The Station Agent*&#146;s PETER DINKLAGE, and the first-ever triple nominee, ROBERT PULCINI, for his first-time feature directing, writing, and editing work on *American Splendor.*<\/p>\n<p>The recent flap over awards screeners did not affect this year&#146;s deliberations. &#8220;Cinemarati Member Critics have never depended upon screeners,&#8221; said awards co-chair NICK DAVIS, lead critic at Nick&#146;s Flick Picks. &#8220;We appreciate seeing films with a public audience of filmgoers, on a big screen, the way movies were intended to be seen.&#8221;<\/p>\n<p>Over the next three weeks, the nominees will be whittled down to one winner in each category through a series of playoff-style votes. The playoff process results in some interesting oddities. This year, in the Best Lead Actress category, Scarlett Johansson in *Lost in Translation* squares off against&#133; Scarlett Johansson in *Girl With a Pearl Earring* in round-one voting.<\/p>\n<p>Results of each round of voting will be posted in the Cinemarati Roundtable, and discussion participants &#8212; movie lovers from around the globe &#8212; are encouraged to lobby the Member Critics to vote for their favorites in susequent rounds.<\/p>\n<p>&#8220;The entire process happens out in the open,&#8221; explains founding member MARYANN JOHANSON, of FlickFilosopher.com. &#8220;No other critics&#146; group offers the moviegoing public a peek into the backroom of award discussions, but we at Cinemarati find that it invigorates the dialogue between film audiences and film critics. It&#146;s an exciting experience.&#8221;<\/p>\n<p>Winners will be announced on Monday, January 19th.<\/p>\n<p>4th ANNUAL CINEMARATI AWARD NOMINATIONS nominee list<\/p>\n<p>BEST FILM<\/p>\n<p><b>The Lord of the Rings: The Return of the King<\/b><br \/>Lost in Translation<br \/>Kill Bill: Volume One<br \/>The Company<br \/>American Splendor<br \/>Mystic River<br \/>Elephant<br \/>Raising Victor Vargas<\/p>\n<p>BEST NON-ENGLISH LANGUAGE FILM<\/p>\n<p>The Triplettes of Belleville<br \/>City of God<br \/>Friday Night<br \/>Millennium Actress<br \/>The Barbarian Invasions<br \/>To Be and To Have<br \/>Irreversible<br \/>BUS 174<\/p>\n<p>BEST ANIMATED FILM<\/p>\n<p>The Triplettes of Belleville<br \/>Finding Nemo<br \/>Millennium Actress<br \/>Looney Tunes: Back in Action<br \/>The Animatrix<br \/>Cowboy Bebop: The Movie<br \/>Destino<br \/>Kill Bill: Volume One (anime sequence)<\/p>\n<p>BEST DOCUMENTARY FILM<\/p>\n<p>Capturing the Friedmans<br \/>Winged Migration<br \/>Spellbound<br \/>The Fog of War<br \/>To Be and To Have<br \/>BUS 174<br \/>Lost in La Mancha<br \/>Love and Diane<\/p>\n<p>BEST DVD AWARD<\/p>\n<p><b>The Lord of the Rings: The Two Towers (Platinum Extended Edition)<\/b><br \/>Looney Tunes: The Golden Collection<br \/>By Brakhage (Criterion Collection)<br \/>Alien: Quadrilogy (Box Set)<br \/>The Adventures of Indiana Jones (Box Set)<br \/>The Directors Series: Michel Gondry<br \/>West Side Story (Special Edition)<br \/>Tokyo Story (Criterion Collection)<\/p>\n<p>BEST LEAD ACTOR<\/p>\n<p>Bill Murray, Lost in Translation<br \/>Johnny Depp, Pirates of the Caribbean:The Curse of the Black <br \/>Pearl<br \/>Paul Giamatti, American Splendor<br \/>Billy Bob Thornton, Bad Santa<br \/>Sean Penn, Mystic River<br \/>Peter Dinklage, The Station Agent<br \/>Jack Black, The School of Rock<br \/>Chiwetel Ejiofor, Dirty Pretty Things<\/p>\n<p>BEST LEAD ACTRESS<\/p>\n<p>Scarlett Johansson, Lost in Translation<br \/>Uma Thurman, Kill Bill: Volume One<br \/>Zooey Deschanel, All the Real Girls<br \/>Patricia Clarkson, The Station Agent<br \/>Jamie Lee Curtis, Freaky Friday<br \/>Naomi Watts, 21 Grams<br \/>Valerie Lemercier, Friday Night<br \/>Scarlett Johansson, Girl With a Pearl Earring<\/p>\n<p>BEST SUPPORTING ACTOR<\/p>\n<p>Peter Sarsgaard, Shattered Glass<br \/><b>Sean Astin, The Lord of the Rings: The Return of the King<\/b><br \/>Ken Watanabe, The Last Samurai<br \/>Benicio Del Toro, 21 Grams<br \/>Paul Bettany, Master and Commander: The Far Side of the World<br \/>Djimon Hounsou, In America<br \/>Eugene Levy, A Mighty Wind<br \/>Will Ferrell, Old School<\/p>\n<p>BEST SUPPORTING ACTRESS<\/p>\n<p>Catherine O&#146;Hara, A Mighty Wind<br \/>Hope Davis, American Splendor<br \/>Altragracia Guzman, Raising Victor Vargas<br \/>Holly Hunter, Thirteen<br \/>Alison Lohman, Matchstick Men<br \/>Frances McDormand, Laurel Canyon<br \/>Sarah Bolger, In America<br \/>Shohreh Aghdashloo, House of Sand and Fog<\/p>\n<p>BEST ENSEMBLE CAST<\/p>\n<p><b>The Lord of the Rings: The Return of the King<\/b><br \/>A Mighty Wind<br \/>Raising Victor Vargas<br \/>Mystic River<br \/>The Magdalene Sisters<br \/>The Station Agent<br \/>City of God<br \/>Elephant<\/p>\n<p>BREAKTHROUGH PERFORMANCE AWARD<\/p>\n<p>Keisha Castle-Hughes, Whale Rider<br \/>Victor Rasuk, Raising Victor Vargas<br \/>Peter Dinklage, The Station Agent<br \/>Emma Bolger, In America<br \/>Sarah Bolger, In America<br \/>Chiwetel Ejiofor, Dirty Pretty Things<br \/>Cillian Murphy, 28 Days Later<br \/>Martin Compston, Sweet Sixteen<\/p>\n<p>BEST DIRECTOR<\/p>\n<p><b>Peter Jackson, The Lord of the Rings: The Return of the King<\/b><br \/>Sofia Coppola, Lost in Translation<br \/>Quentin Tarantino, Kill Bill: Volume One<br \/>Robert Altman, The Company<br \/>Gus Van Sant, Elephant<br \/>Alan Rudolph, The Secret Lives of Dentists<br \/>Peter Sollett, Raising Victor Vargas<br \/>Fernando Meirelles and Katia Lund, City of God<\/p>\n<p>THE ORSON WELLES AWARD for the Year&#146;s Best Directorial Debut<\/p>\n<p>Peter Sollett, Raising Victor Vargas<br \/>Thomas McCarthy, The Station Agent<br \/>Andrew Jarecki, Capturing the Friedmans<br \/>Shari Springer Berman and Robert Pulcini, American Splendor<br \/>Billy Ray, Shattered Glass<br \/>Peter Webber, Girl With a Pearl Earring<br \/>Jacques Cluzaud and Michel Debats, Winged Migration<br \/>Eli Roth, Cabin Fever<\/p>\n<p>BEST ORIGINAL SCREENPLAY<\/p>\n<p>Sofia Coppola, Lost in Translation<br \/>Quentin Tarantino, Kill Bill: Volume One<br \/>Peter Sollett &#038; Eva Vives, Raising Victor Vargas<br \/>John Requa, Glenn Ficarra, Arnie Marx and Terry Zwigoff, Bad <br \/>Santa<br \/>Mike White, The School of Rock<br \/>Eve Ahlert &#038; Dennis Drake, Down With Love<br \/>Jim, Naomi and Kirsten Sheridan, In America<br \/>Thomas McCarthy, The Station Agent<\/p>\n<p>BEST ADAPTED SCREENPLAY<\/p>\n<p><b>Fran Walsh, Philippa Boyens and Peter Jackson, The Lord of <br \/>the Rings: The Return of the King<\/b><br \/>Shari Springer Berman and Robert Pulcini, American Splendor<br \/>Craig Lucas, The Secret Lives of Dentists<br \/>Billy Ray, Shattered Glass<br \/>Brian Helgeland, Mystic River<br \/>John Collee and Peter Weir, Master and Commander: The Far <br \/>Side of the World<br \/>Braulio Mantovani, City of God<br \/>Michael Dougherty, Dan Harris, and David Hayter, X2: X-Men <br \/>United<\/p>\n<p>BEST FIRST SCREENPLAY<\/p>\n<p>Peter Sollett and Eva Vives, Raising Victor Vargas<br \/>Thomas McCarthy, The Station Agent<br \/>Shari Springer Berman and Robert Pulcini, American Splendor<br \/>Eve Ahlert and Dennis Drake, Down With Love<br \/>Braulio Mantovani, City of God<br \/>Billy Ray, Shattered Glass<br \/>Randy Pearlstein and Eli Roth, Cabin Fever<br \/>Avner Bernheimer, Yossi and Jagger<\/p>\n<p>BEST CINEMATOGRAPHY<\/p>\n<p>Robert Richardson, Kill Bill: Volume One<br \/>Harris Savides, Elephant<br \/><b>Andrew Lesnie, The Lord of the Rings: The Return of the King<\/b><br \/>Lance Acord, Lost in Translation<br \/>Tim Orr, All the Real Girls<br \/>Harris Savides, Gerry<br \/>Agnes Godard, Friday Night<br \/>Eduardo Serra, Girl With a Pearl Earring<\/p>\n<p>BEST FILM EDITING<\/p>\n<p><b>Annie Collins and Jamie Selkirk, The Lord of the Rings: The <br \/>Return of the King<\/b><br \/>Sally Menke, Kill Bill: Volume One<br \/>Geraldine Peroni, The Company<br \/>Sarah Flack, Lost in Translation<br \/>Lee Smith, Master &#038; Commander: The Far Side of the World<br \/>Robert Pulcini, American Splendor<br \/>Daniel Rezende, City of God<br \/>Tim Squyres, Hulk<\/p>\n<p>OUTSTANDING DESIGN<\/p>\n<p><b>The Lord of the Rings: The Return of the King<\/b><br \/>Kill Bill: Volume One<br \/>Down With Love<br \/>Master and Commander: The Far Side of the World<br \/>Girl With a Pearl Earring<br \/>Dracula: Pages From a Virgin&#146;s Diary<br \/>American Splendor<br \/>Big Fish<\/p>\n<p>BEST SONG (Original or Adapted)<\/p>\n<p>&#8220;Swinging Belleville Rendezvous,&#8221; The Triplettes of Belleville<br \/>&#8220;Battle Without Honor or Humanity,&#8221; Kill Bill: Volume One<br \/>&#8220;More Than This,&#8221; Lost in Translation<br \/><b>&#8220;The Steward of Gondor,&#8221; The Lord of the Rings: The Return <br \/>of the King<\/b><br \/>&#8220;A Kiss at the End of the Rainbow,&#8221; A Mighty Wind<br \/>&#8220;The School of Rock,&#8221; The School of Rock<br \/>&#8220;You Will Be My Ain True Love,&#8221; Cold Mountain<br \/>&#8220;Here&#146;s To Love,&#8221; Down With Love<\/p>\n<p>BEST MUSICAL SCORE<\/p>\n<p><b>Howard Shore, The Lord of the Rings: The Return of the King<\/b><br \/>Philip Glass, The Fog of War<br \/>Gabriel Yared, T-Bone Burnett and Jack White, Cold Mountain<br \/>Benoit Charest, The Triplettes of Belleville<br \/>Marc Shaiman, Down With Love<br \/>Alexandre Desplat, Girl With a Pearl Earring<br \/>Lisa Gerrard, Whale Rider<br \/>The RZA, Kill Bill: Volume One<\/p>\n<p>BEST FILM-RELATED WEB SITE<\/p>\n<p>GreenCine Daily http:\/\/daily.greencine.com\/<br \/>DVD Beaver http:\/\/www.dvdbeaver.com\/<br \/>Senses of Cinema http:\/\/www.sensesofcinema.com\/contents\/<br \/>The Fog of War http:\/\/www.sonyclassics.com\/fogofwar<br \/>Masters of Cinema http:\/\/www.carldreyer.com\/masters\/index.htm<br \/>#6 The Tulse Luper Suitcases Web Archive <br \/>http:\/\/www.tulselupernetwork.com\/<br \/>Midnight Eye http:\/\/www.midnighteye.com\/<br \/>Bright Lights Film Journal http:\/\/www.brightlightsfilm.com\/<\/p>\n<p>EXCEPTIONAL ACHIEVEMENT IN CRITICISM<\/p>\n<p>&#8220;Liner Notes: By Brakhage,&#8221; Fred Camper, <br \/>http:\/\/www.criterionco.com\/asp\/in_focus_essay.asp?id=13&#038;eid=298<br \/>&#8220;Noe Exit,&#8221; Jessica Winter, *City Pages* <br \/>http:\/\/www.citypages.com\/databank\/24\/1167\/article11186.asp<br \/>&#8220;Faster, Pussy Wagon! Kill! Kill!,&#8221; R.J. Smith, *Village <br \/>Voice* http:\/\/www.villagevoice.com\/issues\/0340\/smith.php<br \/>&#8220;In Search of the Code Inconnu,&#8221; Robin Wood, *Cineaction* <br \/>Issue 62, 2003 &#150; not available online<br \/>&#8220;Awakening to *A.I.*&#146;s Dream,&#8221; Gregory Solman, *Senses of <br \/>Cinema* http:\/\/www.sensesofcinema.com\/contents\/03\/27\/ai.html<br \/>&#8220;The Eastwood Variations,&#8221; Kent Jones, *Film Comment* <br \/>http:\/\/filmlinc.com\/fcm\/9-10-2003\/eastwood.htm<br \/>&#8220;Their Souls for a Freebie,&#8221; Armond White, *New York Press* <br \/>http:\/\/www.nypress.com\/16\/44\/news&#038;columns\/feature.cfm<br \/>&#8220;Straw Dogs,&#8221; Dana Knowles, *The High Hat* <br \/>http:\/\/www.thehighhat.com\/Nitrate\/002\/straw_dogs.html<\/p>\n<p>ROUNDTABLE FILM OF THE YEAR chosen by visitors to <br \/>http:\/\/www.cinemarati.org\/roundtable\/<\/p>\n<p><b>The Lord of the Rings: The Return of the King<\/b><br \/>Kill Bill: Volume One<br \/>All the Real Girls<br \/>The Company<br \/>Lost in Translation<br \/>Gerry<br \/>American Splendor<br \/>Big Fish<\/p>\n<p>END NOMINATIONS<\/p>\n<p>The 2004 international roster of Cinemarati critics features widely read writers from across the planet, representing some of the most heavily trafficked film sites on the World Wide Web, including NETFLIX, FLICKFILOSOPHER.COM, SLANT MAGAZINE, FILM THREAT, MIXEDREVIEWS.NET and APOLLO GUIDE. <\/p>\n<p>The Cinemarati member critics are:<\/p>\n<p>Acquarello, Strictly Film School, http:\/\/www.filmref.com<br \/>Catherine Cantieri, Hole City, <br \/>http:\/\/holecity.com\/asp\/frontpage.asp<br \/>Shay Casey, Daily Reviews, http:\/\/www.daily-reviews.com<br \/>Jill Cozzi, MixedReviews.net, http:\/\/www.mixedreviews.com<br \/>Nick Davis, Nick&#146;s Flick Picks, http:\/\/www.nicksflickpicks.com<br \/>Michael Dequina, Film Threat\/MoviePoopShoot, <br \/>http:\/\/www.moviepoopshoot.com\/flimflam<br \/>Bryant Frazer, Deep Focus, http:\/\/www.deep-focus.com\/flicker<br \/>Mark Freeman, Critical Eye, http:\/\/home.vicnet.net.au\/~freeman<br \/>Ed Gonzalez, Slant Magazine, <br \/>http:\/\/www.slantmagazine.com\/index.asp<br \/>Stephen Himes, Film Snobs, http:\/\/www.filmsnobs.com<br \/>Dan Jardine, Apollo Guide\/Netflix, http:\/\/www.apolloguide.com<br \/>MaryAnn Johanson, FlickFilosopher.com, <br \/>http:\/\/www.flickfilosopher.com<br \/>Jeremiah Kipp, Culture Dose\/Matinee Magazine, <br \/>http:\/\/www.culturedose.com<br \/>Nathaniel R., The Film Experience, <br \/>http:\/\/www.thefilmexperience.net<br \/>Gabriel Shanks, MixedReviews.net, http:\/\/www.mixedreviews.com<br \/>Vern, Then Fuck You, Jack, http:\/\/www.geocities.com\/outlawvern<br \/>Jeff Vorndam, About Film, http:\/\/www.aboutfilm.com<br \/>Brian Webster, Apollo Guide\/Netflix, http:\/\/www.apolloguide.com<\/p>\n<p>For further information about Cinemarati or the 4th Annual <br \/>Cinemarati Awards, please email gabrielshanks@cinemarati.org, or call (201) 686-9131.<\/p>\n<p>http:\/\/www.cinemarati.org<\/p>\n","protected":false},"excerpt":{"rendered":"<p>(New York City) &#8212; 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