Ringer Spy Andy Goodman<\/b> from New York City worked hard and provided us with a complete list of Academy Award nominations<\/b> for the three films.<\/p>\n
2001 ACADEMY AWARDS – FELLOWSHIP OF THE RING NOMINATIONS<\/b>
Nominations announced February 12, 2002. Awards presented March 24, 2002<\/p>\n
Winners denoted with a star (*)<\/p>\n
BEST PICTURE
The Lord of the Rings: The Fellowship of the Ring<\/p>\n
BEST DIRECTOR
Peter Jackson – The Lord of the Rings: The Fellowship of the Ring<\/p>\n
BEST SUPPORTING ACTOR
Ian McKellen – The Lord of the Rings: The Fellowship of the Ring<\/p>\n
BEST ADAPTED SCREENPLAY
Fran Walsh, Philippa Boyens, and Peter Jackson – The Lord of the Rings: The Fellowship of the Ring<\/p>\n
BEST CINEMATOGRAPHY
* The Lord of the Rings: The Fellowship of the Ring<\/p>\n
BEST ART DIRECTION
The Lord of the Rings: The Fellowship of the Ring<\/p>\n
BEST COSTUME DESIGN
The Lord of the Rings: The Fellowship of the Ring<\/p>\n
BEST ORIGINAL SCORE
* Howard Shore – The Lord of the Rings: The Fellowship of the Ring<\/p>\n
BEST ORIGINAL SONG
“May It Be,” Enya, Nicky Ryan, and Roman Ryan – The Lord of the Rings: The Fellowship of the Ring<\/p>\n
BEST EDITING
The Lord of the Rings: The Fellowship of the Ring<\/p>\n
BEST MAKEUP
* The Lord of the Rings: The Fellowship of the Ring<\/p>\n
BEST SOUND
The Lord of the Rings: The Fellowship of the Ring<\/p>\n
BEST VISUAL EFFECTS
* The Lord of the Rings: The Fellowship of the Ring<\/p>\n
2002 ACADEMY AWARDS – THE TWO TOWERS LIST OF NOMINATIONS<\/b>
Nominations announced February 11, 2002. Awards presented March 23, 2003<\/p>\n
Winners denoted with a star (*)<\/p>\n
BEST PICTURE
The Lord of the Rings: The Two Towers<\/p>\n
BEST ART DIRECTION
Grant Major, Dan Hennah and Alan Lee, The Lord of the Rings: The Two Towers<\/p>\n
BEST SOUND
Christopher Boyes, Michael Semanick, Michael Hedges, and Hammond Peek, The Lord of the Rings: The Two Towers<\/p>\n
BEST SOUND EFFECTS EDITING
* Ethan Van der Ryn and Michael Hopkins, The Lord of the Rings: The Two Towers<\/p>\n
BEST VISUAL EFFECTS
* Jim Rygiel, Joe Letteri, Randall William Cook, and Alex Funke, The Lord of the Rings: The Two Towers<\/p>\n
BEST ACHIEVEMENT IN FILM EDITING
Michael Horton, The Lord of the Rings: The Two Towers<\/p>\n
2003 ACADEMY AWARDS – THE RETURN OF THE KING LIST OF NOMINATIONS<\/b>
Nominations announced January 27, 2004. Awards presented February 29, 2004<\/p>\n
Winners denoted with a star (*)<\/p>\n
BEST PICTURE
* The Lord of the Rings: The Return of the King<\/p>\n
BEST DIRECTOR
* Peter Jackson, The Lord of the Rings: The Return of the King<\/p>\n
BEST ADAPTED SCREENPLAY
* Fran Walsh, Philippa Boyens, and Peter Jackson, The Lord of the Rings: The Return of the King<\/p>\n
BEST ART DIRECTION
* Grant Major (art direction) and Dan Hennah and Alan Lee (set decoration), The Lord of the Rings: The Return of the King<\/p>\n
BEST COSTUME DESIGN
* Ngila Dickson and Richard Taylor, The Lord of the Rings: The Return of the King<\/p>\n
BEST ORIGINAL SCORE
* Howard Shore, The Lord of the Rings: The Return of the King<\/p>\n
BEST ORIGINAL SONG
* “Into the West,” music and lyric by Fran Walsh and Howard Shore and Annie Lennox, The Lord of the Rings: The Return of the King<\/p>\n
BEST EDITING
* Jamie Selkirk, The Lord of the Rings: The Return of the King<\/p>\n
BEST MAKEUP
* Richard Taylor and Peter King, The Lord of the Rings: The Return of the King<\/p>\n
BEST SOUND MIXING
* Christopher Boyes, Michael Semanick, Michael Hedges, and Hammond Peek, The Lord of the Rings: The Return of the King<\/p>\n
BEST VISUAL EFFECTS
* Jim Rygiel, Joe Letteri, Randall William Cook, and Alex Funke, The Lord of the Rings: The Return of the King<\/p>\n","protected":false},"excerpt":{"rendered":"
Ringer Spy Andy Goodman from New York City worked hard and provided us with a complete list of…<\/p>\n","protected":false},"author":19,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[138],"tags":[],"class_list":["post-24877","post","type-post","status-publish","format-standard","hentry","category-old-special-reports"],"aioseo_notices":[],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p1tLoH-6tf","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.theonering.net\/torwp\/wp-json\/wp\/v2\/posts\/24877","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.theonering.net\/torwp\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.theonering.net\/torwp\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.theonering.net\/torwp\/wp-json\/wp\/v2\/users\/19"}],"replies":[{"embeddable":true,"href":"https:\/\/www.theonering.net\/torwp\/wp-json\/wp\/v2\/comments?post=24877"}],"version-history":[{"count":0,"href":"https:\/\/www.theonering.net\/torwp\/wp-json\/wp\/v2\/posts\/24877\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.theonering.net\/torwp\/wp-json\/wp\/v2\/media?parent=24877"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.theonering.net\/torwp\/wp-json\/wp\/v2\/categories?post=24877"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.theonering.net\/torwp\/wp-json\/wp\/v2\/tags?post=24877"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}