{"id":2353,"date":"2005-09-09T19:03:41","date_gmt":"2005-09-10T00:03:41","guid":{"rendered":"http:\/\/www.theonering.net\/torwp\/2005\/09\/09\/an-angel-in-middle-earth\/"},"modified":"2005-09-09T19:03:41","modified_gmt":"2005-09-10T00:03:41","slug":"an-angel-in-middle-earth","status":"publish","type":"post","link":"https:\/\/www.theonering.net\/torwp\/2005\/09\/09\/2353-an-angel-in-middle-earth\/","title":{"rendered":"An angel in Middle Earth"},"content":{"rendered":"<p class=\"intro\">With her ethereal voice, Hayley Westernra seems so much a part of The Lord of the Rings trilogy that Middle Earth would sound empty without her. FARIDUL ANWAR FARINORDIN talks to this best-selling artiste. IF elf king Lord Elrond from The Lord of the Rings trilogy had a female singer in his enchanted kingdom of Rivendell, she would possess Hayley Westernra&#146;s magical voice. It was her angelic voice and ethereal-sounding falsetto range that prompted music composer Howard Shore to feature her in The Lord of the Rings Symphony: Six Movements for Orchestra and Chorus&#146; concert series in the United States and Canada last year. [<a HREF=\"http:\/\/www.nst.com.my\/Current_News\/NST\/Friday\/Features\/20050908164218\/Article\/indexb_html\" TARGET=NEW>More<\/a>]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>With her ethereal voice, Hayley Westernra seems so much a part of The Lord of the Rings trilogy&#8230;<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[130],"tags":[],"class_list":["post-2353","post","type-post","status-publish","format-standard","hentry","category-old-main-news"],"aioseo_notices":[],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p1tLoH-BX","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.theonering.net\/torwp\/wp-json\/wp\/v2\/posts\/2353","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.theonering.net\/torwp\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.theonering.net\/torwp\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.theonering.net\/torwp\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.theonering.net\/torwp\/wp-json\/wp\/v2\/comments?post=2353"}],"version-history":[{"count":0,"href":"https:\/\/www.theonering.net\/torwp\/wp-json\/wp\/v2\/posts\/2353\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.theonering.net\/torwp\/wp-json\/wp\/v2\/media?parent=2353"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.theonering.net\/torwp\/wp-json\/wp\/v2\/categories?post=2353"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.theonering.net\/torwp\/wp-json\/wp\/v2\/tags?post=2353"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}