{"id":23323,"date":"1999-12-06T17:46:28","date_gmt":"1999-12-06T23:46:28","guid":{"rendered":"http:\/\/www.theonering.net\/torwp\/1999\/12\/06\/exclusive-spy-interview-2\/"},"modified":"1999-12-06T17:46:28","modified_gmt":"1999-12-06T23:46:28","slug":"exclusive-spy-interview-2","status":"publish","type":"post","link":"https:\/\/www.theonering.net\/torwp\/1999\/12\/06\/23323-exclusive-spy-interview-2\/","title":{"rendered":"Exclusive Spy Interview!"},"content":{"rendered":"<p class=\"intro\">This exclusive interview with a very relaible source from the set talks about somw sword fighting, Blue Screen CGI and PJ himself!<\/p>\n<p>(Amyd) can I ask you a few questions about the movies?<br \/>\n<br \/>(Source) Sure, shoot.<\/p>\n<p>A- did you by any chance happen to be on the set when WETA guys were around?<br \/>\n<br \/>S- Ummmm, a few.<\/p>\n<p>A- Did you happen to be when they did stuff for later post on computers, or was it just model shooting and stuff like that?<br \/>\n<br \/>S- When there has been cameras present, I&#8217;ve seen guys dressed up as, I assume orcs, but with some of them the standard rubber masks are a bright green; and then we&#8217;ve gone through various practice rallies (sword fights), on a blue-screen set, with the camera set up on some rails, moving to the left, then flying above us, and the wrapping around. I think they may have just been seeing how various things work.<\/p>\n<p>A- Was the camera guided\/moved by  a human or was it automated, controlled by a computer?<br \/>\n<br \/>S- Automated, we had to be pretty exact in replicating the strokes (swings) as well<\/p>\n<p>A- you didn&#8217;t happen to notice the name of the automated camera crane did you?<br \/>\n<br \/>S- No, too busy watching the other guy&#8217;s blade. I only really noticed it because of the way the track curved, it looked like a piece of modern art.<\/p>\n<p>A- So, did they happen to have a computer to preview the shots on or were they just recording for later viewing?<br \/>\n<br \/>S- Oh, they had various monitors, but yeah, I got the opinion they were just looking to see how various moves looked.<\/p>\n<p>A- Did you get to be close to the camera? Did you happen to see what type was it? Arri&#8230; Aaton&#8230; etc<br \/>\n<br \/>S- Nope, it all looks the same to me. I was more interested in the buffet table they had at the back of the room. They&#8217;d set various things up while we ate and drank. I&#8217;m surprised by the amount of food located on any set I&#8217;ve been on. Even for tv commercials. (very true, some buffets are better than the actual production! -Xo)<\/p>\n<p>A- k&#8230; did they actually shoot takes? With camera rolling?<br \/>\n<br \/>S- Well, they played back various shots and asked us to keep out arm in, or step back a bit, at various parts in the rally<\/p>\n<p>A- Did they have a sound crew on location? for live recording?<br \/>\n<br \/>S- No, no sound, I would have noticed that.<\/p>\n<p>A- Did they use a clapper-board?<br \/>\n<br \/>S- yup, but I never saw what was on it. They&#8217;d say &#8220;take&#8221; we&#8217;d hear a small clap, and then someone behind the monitors, (no, not PJ, I would have noticed that) yelled out Go! Well, action<\/p>\n<p>A- Were you present when they did takes with hobbits or supposed elves, when they would have to use force perspective techniques and all that?<br \/>\n<br \/>S- I&#8217;ve never seen the hobbits or the hobbit doubles. I&#8217;ve just seen a couple of women dressed as elves talking to each other as I walked by them off set though that was another time, not that day, when I had the second audition.<\/p>\n<p>S- So, were there guys with weird remote controls being agitated around the set when the camera started rolling?<br \/>\n<br \/>S- Actually, there were people worrying about the lightening of everything, even the blue floor, and they were getting orders about increasing this and dropping that from others behind the monitors.<\/p>\n<p>A- aha&#8230; k&#8230; that would be the gaffers, electricians and ACs  So, did you see Lesnie? the DoP (Director of Photography, AKA Cameraman -Xo)<br \/>\n<br \/>S- ha, beats me \ud83d\ude42 I just recognized the woman from Trio Talent, and they gave us a couple of minders for the group<\/p>\n<p>A- Any particular WETA folks? that you got a name for&#8230; recognized\/etc&#8230;?<br \/>\n<br \/>S- Nope, didn&#8217;t recognize anyone else.<\/p>\n<p>A- what did you think about PJ?<br \/>\n<br \/>S- He was pretty cool and friendly at the second audition. Seemed concerned that if I could see without my glasses, what was I studying, had I seen any of his films.<\/p>\n<p>A- really? what did you say?<br \/>\n<br \/>S- Yes sir, yes sir, yes sir&#8230;.<\/p>\n<p>A- so, he really gets involved in almost every aspect of the filming?<br \/>\n<br \/>S- I said I&#8217;d really been fooled by Forgotten Silver, and how I&#8217;d wanted a part in the Frightners., Well, that was the  first and only time I&#8217;ve seen him<\/p>\n<p>A- oh&#8230; he wasn&#8217;t on the bluescreen set?<br \/>\n<br \/>S- I didn&#8217;t see him<\/p>\n","protected":false},"excerpt":{"rendered":"<p>This exclusive interview with a very relaible source from the set talks about somw sword fighting, Blue Screen&#8230;<\/p>\n","protected":false},"author":34,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[134],"tags":[],"class_list":["post-23323","post","type-post","status-publish","format-standard","hentry","category-old-spy-reports"],"aioseo_notices":[],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p1tLoH-64b","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.theonering.net\/torwp\/wp-json\/wp\/v2\/posts\/23323","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.theonering.net\/torwp\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.theonering.net\/torwp\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.theonering.net\/torwp\/wp-json\/wp\/v2\/users\/34"}],"replies":[{"embeddable":true,"href":"https:\/\/www.theonering.net\/torwp\/wp-json\/wp\/v2\/comments?post=23323"}],"version-history":[{"count":0,"href":"https:\/\/www.theonering.net\/torwp\/wp-json\/wp\/v2\/posts\/23323\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.theonering.net\/torwp\/wp-json\/wp\/v2\/media?parent=23323"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.theonering.net\/torwp\/wp-json\/wp\/v2\/categories?post=23323"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.theonering.net\/torwp\/wp-json\/wp\/v2\/tags?post=23323"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}