{"id":22759,"date":"2001-11-01T09:48:34","date_gmt":"2001-11-01T15:48:34","guid":{"rendered":"http:\/\/www.theonering.net\/torwp\/2001\/11\/01\/more-on-enya-december-19th-connection-2\/"},"modified":"2001-11-01T09:48:34","modified_gmt":"2001-11-01T15:48:34","slug":"more-on-enya-december-19th-connection-2","status":"publish","type":"post","link":"https:\/\/www.theonering.net\/torwp\/2001\/11\/01\/22759-more-on-enya-december-19th-connection-2\/","title":{"rendered":"More On Enya &#038; December 19th Connection?"},"content":{"rendered":"<p class=\"intro\">From: <b>Gothmog and Wife<\/b><\/p>\n<p>The December 2001 edition of the UK edition of Dreamwatch magazine has an article about Enya&#8217;s contribution to the FOTR soundtrack. Specifically, it mentions registering two tracks with the American Performing Arts Organisation: Aniron and Here Comes Desire. I was under the impression that May It Be was the second track (to be utilised over the closing credits). Has there been a change of direction here? Also, following the small article in issue 39 of UK film mag, Total Film magazine -confusingly the December issue- issue forty (the November issue-on sale Friday the 30th November) will contain a major article on the fast approaching FOTR. Lastly, just something to perhaps develop debate?<\/p>\n<p>I have recently re-read Christopher Tolkien&#8217;s edited, History Of The Lord Of The Rings: Part One, The Return Of The Shadow (Unwin 1988). At the beginning of the first chapter &#8216;A Long Expected Party,&#8217; he cites his father, writing to the publishers of The Hobbit about their desire for a new book about Hobbits-what would of course, become The Lord Of The Rings. This was on December 19th 1937. Happy coincidence?<\/p>\n","protected":false},"excerpt":{"rendered":"<p>From: Gothmog and Wife The December 2001 edition of the UK edition of Dreamwatch magazine has an article&#8230;<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[134],"tags":[],"class_list":["post-22759","post","type-post","status-publish","format-standard","hentry","category-old-spy-reports"],"aioseo_notices":[],"aioseo_head":"\n\t\t<!-- All in One SEO Pro 4.9.8 - aioseo.com -->\n\t<meta name=\"description\" content=\"From: Gothmog and WifeThe December 2001 edition of the UK edition of Dreamwatch magazine has an article about Enya&#039;s contribution to the FOTR soundtrack. 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