THERE is a certain amount of creative license that enters into any film adaptation of a book. And history teaches us that no matter how faithful (or unfaithful) a film adaptation is with respect to its original source, someone will complain about the movie’s (un)faithfulness to the books.

For example, I loved the first two “Harry Potter” movies, which I felt were extremely imaginative and creative. I had never seen children’s movies before where the actors were actually called upon to ACT. Compare the lively, engaged performances of the adults in “Harry Potter and the Sorceror’s Stone” with the wooden performances of otherwise perfectly good actors in classic children’s films like “Mio in the Land of Faraway”, “The Witches”, “The Neverending Story”, and so on. You almost have to go back to Edmund Guinn in “Miracle on 34th Street” to see anything like an adult actor taking a children’s story seriously enough to treat it with respect (well, “Mary Poppins” and “Chitty Chitty Bang Bang” were pretty good).

But I digress from the main point. Movies can be very faithful to the book, and one of the criticisms that my Harry Potter fan friends who had read the books before watching the movies complained about was that the movies were boring and predictable. They followed the books very closely (even while cutting out a bit of material).

But then along came “Harry Potter and the Prisoner of Azkaban”, which Alfonso Cuarón directed — totally changing the tone and character of the film franchise — and people complained that his film was too UNLIKE the book. Talk about injecting a Goldilocks Syndrome into a fanbase, you just cannot find people agreeing on when the “Harry Potter” movies are just right even up to the last film (which some people hate for all sorts of reasons — but I loved it).

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Since I had so little direct linguistic information about Black Speech to go on other than what could be gleaned from the Ring-inscription (object suffixes -ul, -ulûk; verbal infinitive (perhaps) ending -at; abstract ending -um in burzum “darkness”, containing the same burz element seen in Lugbúrz “Dark Tower”; postposition -ishi “in”) I had to go on à priori notions of what a language such as Black Speech might be like — I had to get inside the mind of Sauron, and try to figure out what somebody like the Dark Lord of Mordor might put into his language.

As a matter of fact, this is something I had thought about some years before. As an undergraduate in college, I had contributed to a set of ongoing stories, where each participant wrote additional chapters and introduced characters and events as he or she pleased. Into one of these stories I introduced the character (played partly for humor, partly tragically) of a misfit Orc who, sometime after the fall of Mordor, had found himself transported through time and space into a new environment. On introducing this Orc, I thought it would add a touch of realism to let him speak in his own language; so I sketched the outline of what I imagined Black Speech might be like, and wrote a couple of paragraphs in it.

I have no idea if any copy of this text survives somewhere in my files. At any rate, I made no direct use of it, except for one small element that I retained in memory, the first person pronoun za — possibly suggested by Avestan azəm.

What I did retain, however, was the overall notion of Black Speech as a complex but consistent language, rich in affixation and inflection, but with a wholly transparent morphology. Indeed, the transparency of the morphology, the lack of any phonetic alterations between morphemes that could obscure the structure, would help explain the prevalence of clashing consonant clusters; morphemes ending in one consonant were jammed up against morphemes beginning in another, with nothing to ease the transition.

Sauron, I imagined, was an enormously practical person, who would have made the Black Speech as “perfect” (according to his notions of perfection) as he could make it, with a rigorous consistency and logic, but without making any allowance for æsthetics. It would not eschew borrowings from other languages of Middle-earth, but it would adapt them to its own style. It would in fact have been, as my friend Helge Fauskanger terms it, Sauron’s Esperanto.

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Art student Jemima Catlin, an avid JRR Tolkien obsessive, was just 23 when her work fell into the lap of literary giants Harper Collins – and little did she know that she would go on to illustrate none other than her beloved epic, The Hobbit.

Long after she first read Tolkien’s classic novel, Jemima decided to illustrate one of the author’s short stories, Roverandom [ed note: in the original article it's misspelled as Rover Random], as part of a university project.

“I only had three months to complete the university project, so I’d decided to illustrate Rover Random, a short story Tolkien wrote about a little dog who became a toy dog,” the 26-year-old told The Big Issue.

“The dog upsets a wizard and ends up going to lots of different places – like the moon and the sea. It’s a really interesting story.

“I decided I would bind it all together in a book with the illustrations between the text and that I would contact Harper Collins to send them a sample of the illustrations.

“David Brawn, their estate’s publisher, invited me up to see him. He really liked the work and sent it off to the Tolkien Estate.”

However, typical of a Tolkien tale, the journey wasn’t a fairytale from start to finish. What happened next was disappointing – but it didn’t knock the Dorchester-based student off her fiery journey.

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If you like what we do, and would like to see your Tolkien community keep growing and growing, consider making a contribution to our Pledge Drive. Every bit helps defray our costs!

I’ve also been reading other what others have had to say in the media. This piece, by Tolkien scholar John Garth, is a good place to start if you’re interested.

Early in The Fall of Arthur, long awaited by fans of J.R.R. Tolkien and now edited for publication by his son Christopher, an army rides to Mirkwood where they see in a storm above it, Ringwraith-like:

wan horsemen     wild in windy clouds
grey and monstrous     grimly riding
shadow-helmed to war,     shapes disastrous.

But this isn’t Middle-earth: it is Europe on the brink of the Dark Ages, and the army is led by Arthur and Gawain. Mirkwood is simply the old name for Germany’s eastern forests, which Tolkien borrowed for the children’s story he was writing in the same period in the early 1930s, The Hobbit.

Tolkien was a writer of endless stories. And as with most of them, The Fall of Arthur is literally endless: unfinished. It’s been lying among his vast legacy of papers, almost unknown but for a paragraph in Humphrey Carpenter’s 1976 biography and a single reference in Tolkien’s published letters. Publication follows that of the more difficult The Legend of Sigurd and Gudrún in 2009, which Christopher Tolkien probably elected to publish first because it was complete. Like Sigurd and Gudrún, The Fall of Arthur is in alliterative verse, a mode last fashionable in the 14th century.

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“The only way he knows how to resolve conflict is with those damn Eagles,” is one of the most persistent complaints about Tolkien. “They’re such a deus ex machina,” the complainer will add if he wants to make it absolutely clear that he went to college.

As a storyteller, Tolkien was no flailing amateur, hurling his characters into conflicts that he could not extract them from. Whether or not you like his style of resolution, it was quite intentional. He even coined a word – “eucatastrophe” – to refer to this type of sudden deliverance, which he detailed in his essay “On Fairy Stories”:

The consolation of fairy stories…the sudden joyous “turn” (for there is no true end to any fairy tale): this joy, which is one of the things which fairy stories can produce supremely well, is not essentially “escapist,” nor “fugitive.” In its fairy-tale or otherworld setting, it is a sudden and miraculous grace: never to be counted on to recur. It does not deny the existence of dyscatastrophe, of sorrow and failure: the possibility of these is necessary to the joy of deliverance; it denies (in the face of much evidence, if you will) universal final defeat and in so far is evangelium, giving a fleeting glimpse of Joy, Joy beyond the walls of the world, poignant as grief.

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We have some fabulous, exclusive pieces up for grabs – including some things which, usually, money can’t buy! Here’s just three that might tickle your fancy:

TORn Collector’s Ed of The Hobbit Magazine signed by grammaboodawg

This is a new copy of TheOneRing.net’s premier magazine tribute toThe Hobbit! A collaborative effort between Topix Media Lab and your friends here at TheOneRing.net, it covers everything you need to know about The Hobbit movies from a fan perspective. Side-bars and feature articles, contributed by our own volunteer staff, include interviews, a feature on book vs. the movie, articles on games and collectibles, a Middle-earth timeline, and much more! The high-quality, glossy paper used for this magazine is also packed with colorful pictures of cast and crew members, locations, collectibles, gorgeous fan art and a few exclusives! One thing that makes this truly a collector’s edition is that there are only two ads in the entire 82-page magazine.

This copy’s article on the Middle-earth timeline is signed by its author, grammaboodawg. Based on TORn’s Today in Middle-earth posts in the TORn Discussion Boards, the 4-page colorful article highlights major events confronting both The Fellowship in The Lord of the Rings and Bilbo & Company in The Hobbit throughout the history of The One Ring.

TORn Collector’s Ed of The Hobbit Magazine signed by grammaboodawg Auction

NIB Exclusive LOTR PEZ gift set by Walmart featuring the Eye of Sauron

This limited edition Lord of the Rings Pez Gift Set comes with 8 themed dispensers and 12 rolls of candy. The dispensers are Bilbo Baggins, Frodo Baggins, Samwise Gamgee, Gandalf, Aragorn, Legolas, Gimli, and Gollum.

LOTR PEZ Gift Set Auction

The People’s Guide to J. R. R. Tolkien by TheOneRing.net Staff (2003, pbk)

Author J.R.R. Tolkien created his mythical Middle-earth as the setting for his greatest works,”The Lord of the Rings” and “The Hobbit”. Director Peter Jackson’s “Lord of the Rings” film trilogy has created an even greater awareness and curiosity about Tolkien’s creation.

This guide to J.R.R.Tolkien is an exploration of Tolkien’s world from the writers of the Tolkien fan website, TheOneRing.net. This volume includes new articles as well as familiar favourites from the website. The essays are grouped around themes such as defending fantasy literature from the accusation of triviality; why people become Tolkien “fans”; whether Tolkien’s notions of Good, Evil and Free Will are relevant to a changing world; the inspiration fans draw from his work; and the ideas from which Tolkien himself drew inspiration, both in his life and in his love of ancient literature and European myths. This volume also looks at the impact of the wildly popular cinematic version and answers the most common questions asked about Middle-earth.

The People’s Guide to J.R.R. Tolkien Auction

The day-to-day operation of the website, and the events we host, require a lot more resources than when we first started nearly 15 years ago. We sometimes find it hard to ask our readers for the help we need to keep running, so we began discussing what it is that makes TheOneRing.net worth helping out. It started out as a search for the Top Ten Moments of TORn, but the list got so long because each staff member had their own idea of important moments in TORn history. Here, instead, is something more encompassing: Ten Ways TORn helps serve Tolkien and Lord of the Rings fandom (listed in no specific order).

And, if you enjoy what we do, consider a donation (no amount too small, because every bit does help!) to keep us running!

If you can’t, that’s fine as well — keep reading, commenting and contributing. Because TORn is as much you as it is us!

If you’ve ever sent in an article, submitted a photo or report, posted on our messageboards, visited our chat, or commented on our twitter, facebook or g+, you’re the reason TheOneRing.net is among the largest and most-respected pillars of the Tolkien community on the web.

• Spy Reports

• Spy reports were a big part of our content when the website first started. From casting announcements to secret location pictures to leaked images of important plot points, spy reports were our bread and butter stories. Some of the reports were from random, anonymous sources, while others were official leaks from cast and crew. In fact, there were many production members who said they used TheOneRing.net to keep track of what some of the other filming units were doing. Other spy reports were just someone stumbling upon a film location and sending in a story or images and then we’d all try and guess what location it actually was. Some of our biggest spy reports were of Arwen at Helm’s Deep (which subsequently didn’t happen), Saruman’s prone body on a spiky wheel (which did happen), and TheOneRing.net was given the honor of introducing Thorin to the world. And very soon, we will be seeing stories from MrCere’s visit to the set from his Production Embed last year.

• Hall of Fire Chats and the Message Boards

• Literary discussions on the message boards and Hall of Fire chats – From the very beginning of TheOneRing.net, discussions of the books, chapter by chapter, has been a hallmark. After all, while we waited for news on who would be cast, where filming would take place, and rumors of what might be cut out, we had the books to talk about. Discussions worked by talking about one chapter at a time, and luckily, there are enough books with enough chapters, to keep those discussions going on for a long while. Since the beginning, we’ve looped through the books several times, but luckily, there are always new readers joining the discussion, and new interpretations to be had. And for something a little more dynamic, there are the Hall of Fire chats in Barlimans. Sometimes the talk is about a specific chapter, or a certain character, and sometimes it is about current events, such as new character images or reviews of a recently released trailer. No matter which forum you use, there is always someone to talk to about some aspect of Tolkien, the books or our fandom.

• TORns Live Videos

• We began with TORn Live, which consisted of Red Carpet interviews at premieres, awards ceremonies and special events like Cannes 2001 and SDCC. These would be recorded, edited and released online a few days or weeks later. But technology now allows for live streaming interviews and vlogs and the like. Quickbeam hosts a weekly TORn Tuesday event with interviews and discussions, while he interacts with a live chatroom. The Happy Hobbit ladies record and post their vlogs and post them within a day or two of their recordings, for a much quicker turnaround on video content. And right now we have the Road to DragonCon in full swing with live streaming from across the country.

• Conventions

• Convention appearances – Calisuri and Quickbeam hosted a panel at San Diego Comic Con in 2001, before the release of FOTR, and since then barely a year has gone by that TORn hasn’t had a presence at at least one convention. At many of the conventions we appear at we also have a presence on the exhibit hall floor where we have sold some of our classic TORn shirts. We love it when we get up on stage for a panel and half the people in the audience are wearing some of our older shirts.

•  

  

  Baggins Birthday Party sign

  Line Parties and Fan Events

• Line Parties and other fan hosted events – TheOneRing.net has always been a grass roots type of fan-site and that is no more apparent then looking at the Line Parties of years past. Whether it is just a few friends, or some hundreds of people signing up on the website to attend, fans like you all over the world hosted Line Parties. A few even took place over several days, and included costume contests and trivia games for prizes. Other fan hosted events over the years have been the Hobbit Day/Baggins Birthday Bash events on Sept. 22, the Tolkien Toast on Jan. 3 and the Tolkien Reading Day on March 25. TORn staff in Los Angeles have been hosting a Baggins Birthday Bash party for 11 years now, but there are fan groups around the world that have hosted similar events. Smaller moots happen around the world all the time, there is a very active group in Wellington and one in Croatia. If you are hosting a fan event in the next year or two, please feel free to tell us about it.

• The Oscar Parties

• Originally conceived as a fan event to help raise funds to buy TORn a new server, who could have imagined the Cast and Crew actually showing up to the FOTR oscar party? Even more surprising, who could have imagined the ROTK sweep and all those Oscars on stage at a fan hosted party?

• O.R.C and E.L.F.

• TheOneRing.net hosted conventions – The One Ring Celebration on the West Coast (O.R.C.) and the Eastern Lord of the Rings Festival on the East Coast (E.L.F.) were co-productions with a professional convention company, but they definitely had a TORn stamp on them. The conventions allowed us to combine our love of the films by interacting with cast and crew with our love of the books through academic discussions, the art shows and costume displays. We really did break the mold on how a commercial scifi convention is run and hope everyone who attended had a blast.

• Academic essays and editorials

• TORn has long standing relationships with many in the academic community who have posted guest essays and editorials. Over the year several staffers have posted in depth analysis to fan questions on the site as well. In fact, we have a whole section on the ‘old TORn’ (pre-crash) called Green Books for academic posts. This section had so much good stuff in it, we published a book called “The People’s Guide to J.R.R. Tolkien” and a sequel book as well.

• Driving fan initiatives

• After Return of the King was done and Peter Jackson moved on to do King Kong, the fans waited to see what would happen with The Hobbit afterwards. Months turned to years and still no word while studios went bankrupt, copyrights issues got tangled up and various lawsuits were filed for missing payments. Finally, a few fans decided they had had enough and started a petition to ‘Make the Hobbit Happen’. They brought it to TORn and we got thousands of you to sign so that a big pile of names was delivered to TPTB. A similar thing happened when there was talk that the production would be moved out of New Zealand. The fans could see no where else as Middle-earth, so the ‘Keep the Hobbit in NZ’ campaign was born, but this time on Social Media. And most recently, there was an explosion of Tolkien fan love over the #Votebilbo twitter event prompted by an MTV Audience Award.

• TORn Community

• This list compiles many of the things that TheOneRing.net does to keep you informed, entertained and engaged, but there is really just one thing that makes TheOneRing.net so important to keep around. And that is the community of fans that convene on our message boards, in Barliman’s chat, on Facebook and Twitter.

This site was built by fans getting together to discuss what they hoped for from Peter Jackson long before FOTR ever saw the light of day. The fact that a long existing fan-base gathered here meant engaged and informed discussion began from day one, including analyzing all the spy reports about casting and location details. We didn’t have to wait for the release of the films, or for several episodes of a new show to take off before we could discuss the minutia of every detail because our fan base was already well established.

And what is ‘fandom’ if not a community of like minded people passionate about the same thing. Sure, everyone has their own opinions, so every time a new image was released, or a new trailer appeared, the message boards and chatroom erupted into heated discussions. But as the years wore on friendships were made, some turning into marriage, and we all began meeting up at various moots, conventions, concerts, premiere events, trips to New Zealand or just coffee and a movie. How many of you newer fans were galvanized by the #Votebilbo campaign and now have a wider array of Twitter friends because of it? The fact that TORn was able to continue to exist during all those lean years between film productions is due mostly to you, the readers, sticking around to discuss anything and everything to do with Tolkien, and sometimes other bits of pop culture. We know that after the release of The Hobbit: There and Back Again we will see another decline of readership, but we also know that the community is strong, the friendships have been forged and all of you take that fandom with you where ever you go next.

So again, if you are so inclined to help support us and keep the website going, please do make a pledge or bid on one of the many cool auction items we’ve been posting about the past few days. On behalf of the All Volunteer Staff at TheOneRing.net, you have our deepest gratitude for all the support over the years.

Also, this weekend (Saturday August 24 at 6pm EDT (New York time)) we’ll be returning to our Lord of the Rings book chats. This week we begin the first chapter of book four — The Taming of Smeagol — so be sure to join us for this exciting topic!

Cool quote that gives some insight into the difficulties of translating texts:

But when Bilbo Baggins played with the meaning of his name in a long discussion with the dragon Smaug, Goldstein was forced to admit defeat. “There’s no way to do it, there’s just no way to translate it,” Goldstein said. “So, I put in a footnote and said, ‘This is a pun and I give up.’ ”

For one of his first translation projects after his retirement, Barry Goldstein, a former computer programmer, found an empty table at his local Starbucks in Boston and settled in to work on the “Treebeard” chapter from J.R.R. Tolkien’s Lord of the Rings trilogy. But Goldstein soon realized that he needed something more sizable to occupy his time: 95,022 words later, he had translated the entire text of The Hobbit, the prequel to the Ring series, into Yiddish.

Only a little more than 130 copies of Goldstein’s translation have sold since it was released in December. But as Goldstein tells it, he always knew Der Hobit wouldn’t be a best-seller, and the sales were still double his original two-figure estimate.

In the heyday of Yiddish literature, the translation of literary classics into the mamaloshen was entirely commonplace. The prewar Yiddish readership is estimated at about 10 million—many of whom spoke Yiddish as their first language and had a rabid appetite for the classics of world literature.

Some of the best-selling Yiddish adventure stories included gems like Robert Louis Stevenson’s Treasure Island, Jack London’s Klondike series, and Mark Twain’s The Adventures of Tom Sawyer. “There was a sense that we had to catch Yiddish up with the world and modernism and that any important literary phenomenon that was taking place in the larger world had to be conveyed to the Yiddish-speaking world,” said Miriam Udel, a professor of Yiddish at Emory University. “The cultural ambitions of Ashkenazic Jewry were on the grandest scale, so they didn’t think of themselves as having a small or minority literature or a cultural complex.”

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The intrepid reviewer has this to say about Professor Tolkien vs. Peter Jackson:

“The film was action-packed and satisfactory but it could not live up to the brilliance of the book.  [Tolkien's] pen brought to life the nature of the characters, giving each one a mind and attitude in our own brain. Never has a classic ever interested me this much, leaving the usual odd and repetitive topics of orphans or romance or death; and pulling me into a world of pure, dangerous adventure.”

This shining bit of enthusiasm reminds me something I have long held as a side-benefit of the blockbuster success of PJ’s films: if they are delighted by this filmic storytelling, you’ll find it more likely these young minds will be turned on to reading and the expansive world of literature.  And that entails a lifetime of enrichment and further education on all fronts.

Krazy Kesh, using a psuedonym as many of us do on the internet, is between 8 and 12 years old (I would guess closer to 12), and describes himself in rather hobbity terms saying:

“I am chubby with wit, tall with humour, broad with intelligence, polished in conduct, patriotic in gaming, high with responsibility.”

His review of Tolkien’s efforts seemed Déjà vu to me. I could have sworn there was a black cat in the matrix walking back and forth.

Back in 1935, the U.K. publishing house of George Allen & Unwin was looking at new children’s book submissions — and had just the right filter to ascertain what was most likely to succeed.  Sir Stanley Unwin handed a manuscript of Tolkien’s THE HOBBIT to his son, Rayner Unwin (who was only 10 at the time) and said “Have at it. Tell me what you think,” believing that children were the best barometer of children’s lit. He paid Rayner a shilling for every report he turned in on a potential book.

Rayner eagerly lapped up the story, and returned with a sincere report:

“Bilbo Baggins was a Hobbit who lived in his Hobbit hole and never went for adventures, at last Gandalf the wizard and his Dwarves persuaded him to go. He had a very exiting (sic) time fighting goblins and wargs. At last they get to the lonely mountain; Smaug, the dragon who guards it is killed and after a terrific battle with the goblins he returned home — rich!

This book, with the help of maps, does not need any illustrations it is good and should appeal to all children between the ages of 5 and 9.”

Yes, we can all agree that’s fairly old.

However, if you’re interested in Norse myth, Shippey’s thoughts on Tolkien’s parallels with other early fantasists such as William Morris, Lord Dunsany and E.R. Eddison, as well as what he thought of meeting Tolkien himself, then you’ll find (like I did) this a worthwhile read.

Chat Session with Pr. Tom Shippey

Pieter Collier: Welcome Mr Shippey

Tom Shippey: Hi everyone, I’m still figuring out how this works but it’s coming…

Pieter Collier: Welcome Mr Shippey to the release party of the new Tolkien book! We will let you figure out everything first before start asking you questions!

Tom Shippey: I think I’m Ok to answer now, would anyone like to fire away.

Pieter Collier: Have you had a chance to read the Legend of Sigurd and Gudrun? What do you think of it?

Tom Shippey: Yes, I’ve read it – got a proof copy. It is about 80 years old and this shows in the language.

Rafael Juan Pascual: how does your academic background relate to the myths told in the legend of Sigurd and Gudrun?

Tom Shippey: a bit sideways – I’ve always been interested in Norse and Eddic poetry, and have published on it, but it hasn’t been a major topic for me. For one thing, I’ve never done time in Iceland, which you need for a proper grasp of the language

Trotter: Did Tolkien spend any time in Iceland?

Tom Shippey: no, I don’t think he did, though he did have Icelandic connections – through William Morris’s daughter, oddly enough.

Stephen Davis: As a Tolkien scholar, as well as having a heavy interest and background in Germanic and Northern European cultures and myths, particularly where they have influenced Tolkien’s life and work, how excited are you about the publication of Tolkien’s Legend of Sigurd and Gudrun in print? Indeed, how long have you awaited such a thing personally, given what you’ve known for so long about its impact on aspects of Tolkien’s legendarium?

Tom Shippey: well, we’ve known about the existence of these poems since the publication of the Letters, in 1981, and I’ve always felt they were the unpublished pieces I most wanted to read. It’s going to take a while to take it all in and see what difference it makes to our general understanding of the legends – and what has long been called the königsproblem, the main problem of Germanic philology.

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