Readers who are skeptical after seeing the title of this piece have a right to be. English professors have been known to find all sorts of things in books which the authors never put there. In addition, at first glance Middle-earth seems a particularly non-religious place. We find no mention of God in The Hobbit, no prayers, Bibles, churches, priests, or ministers — none of the things typically associated with the Christian faith.
Fans also know Tolkien was a Professor of Anglo-Saxon and that his writings were influenced by the myths of Northern Europe which he and his friend, C. S. Lewis, loved to read aloud with the circle of friends that later grew into their famous writing group, the Inklings.
So how might it be claimed that The Hobbit is a Christian story? (more…)
Cardiff Metropolitan University is offering another great online course: J.R.R. Tolkien: Myth and Middle-earth in Context. Online registration is available now for the course that begins September 19 and runs for twelve weeks. The course is available to anyone who can access the internet – you don’t need to live in the U.K. However, only a limited number of students may enroll, so all enrollments will be treated on a first-come, first-served basis. While this is an accredited course at Masters level, students can take it for credit or just for pleasure. Students will have access to Cardiff Metropolitan University’s Electronic Library (which includes a wealth of e-books, databases such as JSTOR and Literature Online), as well as relevant journals such as Tolkien Studies and Mythlore in electronic format. According to our friends at Cardiff, this unique course will not be offered again for at least a year or two, so be sure to register soon!
Parma Eldalamberon (The Book of Elven-tongues) is a journal of the Elvish Linguistic Fellowship, a special interest group of the Mythopoeic Society. This new issue presents previously unpublished writings by J. R. R. Tolkien about an early version of one of his invented scripts, edited and annotated by Arden R. Smith, under the guidance of Christopher Tolkien and with the permission of the Tolkien Estate.
The Qenya Alphabet is an edition of Tolkien’s charts and notes dealing with the circa-1931 version of the writing-system later called Fëanorian Tengwar. It includes 40 documents in which Tolkien’s examples of the scripts are reproduced using electronic scans of black-and-white photocopies of the original manuscripts. (more…)
Our own Cliff “Quickbeam” Broadway got the chance to have a few words with Richard Armitage in the Hall H press session. Armitage read The Hobbit as a young child of seven, and (among other things) spoke about the responsibility that comes with taking on a role in a universe with such depth that it feels like it could have existed.
Choice quote: “…and then actually putting the costume on and trying to make that character live and breath and walk and talk. It’s like you’re given this responsibility to every other person who’s read them, who’s reading the books for the first time or who has read them when they were seven. That’s the responsibility — and you have to own that for everyone.”
It started innocently enough. I wanted to commemorate what I considered no small achievement: reading all 12 volumes of the History of Middle-earth in one year. I made the pledge and started the trek in January of 2011, and managed to turn the last page in mid-December of that year. (I wrote about the experience here and here)
So what could I do to mark this considerable milestone?
I’d had every opportunity in my younger days to become one of the Inked. Lived with several bands, traveled around with all sorts of characters in a circus-like caravan for years before pretending to settle down and got a “real job”.
But never once did I feel the urge to get a tattoo. Big, small, cool or silly, it never crossed my mind as anything I would ever want to do. “How permanent!” “Do I really want everyone to see and judge me?” “Wouldn’t it affect my job or the impression customers and co-workers would get?” All of that crossed my mind, but not in any sort of huge, conflicting way. I just never wanted one.
So why, when searching for an appropriately Big Sign statement to mark the conclusion of my most recent Tolkienian Journey, was that one of the first things that came to mind?
Mayhap, as some have speculated (myself included), it’s a sort of midlife crisis, only instead of a Porsche I got some ink. (By the way – if this truly is the midpoint of my life, 50% gone and 50% still to come, I’ll take it, say thankee-sai.)
Others have said, simply, “I think he’s lost his mind…”
Back in 2001, I wrote Glossopoeia for Fun and Profit (also reprinted in The People’s Guide to J.R.R. Tolkien), for our Green Books department, in which I discussed three examples of invented languages: Esperanto, Elvish, and Klingon. For those who found that necessarily brief article of interest, University of Indiana linguistics professor Michael Adams has now edited a new book, From Elvish to Klingon: Exploring Invented Languages (Oxford University Press, 2011), comprising eight essays (including his a general introductory essay by Adams) about linguistic invention, though not precisely the “invented languages” suggested by the book’s title, as we will see. Each essay is accompanied by an appendix by Adams that extends or clarifies some aspect of the essay.
Adams’s introductory chapter deals with the spectrum of linguistic invention, and considers the motivations for such inventions. He considers whether invented languages are an attempt to re-create “the language of Adam”, i.e., a perfected language as spoken by Adam before the fall (it appears that Adams takes the Biblical texts quite literally here), and considers slang and poetry as examples of human linguistic creativity; Adams is the author of Slang: The People’s Poetry(Oxford Press, 2009).
The latest episode of the BBC2′s “Planet Word” has Stephen Fry, cast in the role of the Master of Laketown, speaking with Peter Jackson about Tolkien’s use of languages in The Hobbit and The Lord of the Rings.
Roads go ever, ever on, under cloud and under star, Yet feet that wandering have gone, return at last to home afar. Eyes that fire and sword have seen, and horror in halls of stone, Look at last on meadows green, and trees and hills they long have known.
Stephen Fry’s recital of Tolkien’s poem sets the tone for his little discussion with PJ in a most apt setting – the Bag End set down in New Zealand, where filming for the upcoming Hobbit films is currently on in full swing.
Folks in the UK can watch the stream via bbc.co.uk, while those located internationally can catch a snippet over on YouTube (4:17 into the video).
A transcript is also up on our message boards courtesy of board member QuackingTroll.
Geek Kon is a relatively young gathering, started in 2007 by students and alumni of the University of Wisconsin-Madison. The fifth con was held this weekend, September 9 to 11, with 1400 fans attending. There were three Tolkien-related events, allinvolving David Salo, an expert on the professor’s invented languages.
David’s main contribution to the scholarly study of those languages has been his book A Gateway to Sindarin. He also, however, acted as the “Tolkien linguist” for Peter Jackson’s film adaptation of The Lord of the Rings. In that capacity, he translated phrases and passages from the script into various Middle-earth languages, primarily Elvish. David also devised passages in Khuzdul (the secret language of the dwarves), including choral portions in the musical score for the scenes in Moria. David also translated the phrases seen engraved on the swords and other armaments, and he recorded readings of his translations for the language coaches to use in training the actors.
(I have known David for years, and in September of 2004 I interviewed him for my book, The Frodo Franchise. I used material from that interview in Chapter 3, “Handcrafting a Blockbuster,” pp. 95-6.)
I don’t think it has been publicly announced yet, but fans will be delighted to know that David is currently performing the same tasks for The Hobbit. Although his contract obviously restricts him in what he can say about the actual filming, his first talk shared with us what he could reveal. (more…)
After watching the Fellowship of the Ring again, I was reminded how much I enjoyed the music and the songs. During the The Council of Elrond scene there is a song sung in Tolkien’s Elvish language “Sindarin“ called ‘Aniron (Theme for Aragorn And Arwen)’ . I did a little digging and have found an interview with Enya where she not only talks about her songs but her love for The Lord of The Rings, how she got involved with the production and Tolkien’s Elvish language’s. Enjoy!
Fantasy writer George R.R. Martin, besides sharing the “double Rs” in his name with J.R.R. Tolkien, is a beloved fantasy author who is in the midst of creating his imaginative masterpiece. Unlike Tolkien, he is able to communicate with and to fans in the digital age. At his “Not A Blog” he wrote today about Tolkien’s skills with linguistics and contrasted it with his own invented language which to date contains only seven words! With an adaptation of his first book in the “Song of Ice and Fire” series headed to HBO, Martin explains what must be done to breath life into his fictional tongue on television while praising The Good Professor.
He starts: “Klaatu Barada Nicto…… or something like that. Truth is, I suck at foreign languages. Always have. Always will. That can be a real drawback for a fantasist working in the tradition of J.R.R. Tolkien, who set the bar very high…”
Read the rest here.
From HarperOne’s blog on C.S. Lewis: “Did C.S. Lewis and J.R.R. Tolkien collaborate on a project that was never published? It is well known that the two were close friends and relished each other’s praise and criticism. However, there is little evidence that the two intended on working together on any manuscript. Steven A. Beebe, professor and chair of communication studies at Texas State University, believes he has found a fragment of an unpublished work. CSLewis.com recently interviewed Dr. Beebe to get more insight on his findings. More…
J.R.R. Tolkien’s newest posthumous work lands in retail today. The body of the non Middle-earth tale is told in two narrative poems told in the form of Norse mythology with a Tolkien lecture and an introduction from his son Christopher. Tolkien was a master of the forms of Old Norse and Old Englsih poetry while for most of us, that brilliance is likely to go unappreciated, there is still treasure to be gleaned in understanding the author and the traditions that led him to construct his own cosmology.
The Guardian in the UK published a faxed interview while while reviews are popping up like mushrooms. Read some here, here, and here.
Readers who are skeptical after seeing the title of this piece have a right to be. English professors have been known to find all sorts of things in books which the authors never put there. In addition, at first glance Middle-earth seems a particularly non-religious place. We find no mention of God in The Hobbit, no prayers, Bibles, churches, priests, or ministers — none of the things typically associated with the Christian faith.
Parma Eldalamberon (The Book of Elven-tongues) is a journal of the Elvish Linguistic Fellowship, a special interest group of the Mythopoeic Society. This new issue presents previously unpublished writings by J. R. R. Tolkien about an early version of one of his invented scripts, edited and annotated by Arden R. Smith, under the guidance of Christopher Tolkien and with the permission of the Tolkien Estate.
Our own Cliff “Quickbeam” Broadway got the chance to have a few words with Richard Armitage in the Hall H press session. Armitage read The Hobbit as a young child of seven, and (among other things) spoke about the responsibility that comes with taking on a role in a universe with such depth that it feels like it could have existed.
From HarperOne’s blog on C.S. Lewis: “Did C.S. Lewis and J.R.R. Tolkien collaborate on a project that was never published? It is well known that the two were close friends and relished each other’s praise and criticism. However, there is little evidence that the two intended on working together on any manuscript. Steven A. Beebe, professor and chair of communication studies at Texas State University, believes he has found a fragment of an unpublished work. CSLewis.com recently interviewed Dr. Beebe to get more insight on his findings. 
J.R.R. Tolkien’s newest posthumous work lands in retail today. The body of the non Middle-earth tale is told in two narrative poems told in the form of Norse mythology with a Tolkien lecture and an introduction from his son Christopher. Tolkien was a master of the forms of Old Norse and Old Englsih poetry while for most of us, that brilliance is likely to go unappreciated, there is still treasure to be gleaned in understanding the author and the traditions that led him to construct his own cosmology.