Check out this wonderful Entertainment Weekly interview with Peter Jackson about his experiences with, and memories of, the actor who brought J.R.R. Tolkien’s wizard Saruman to life for millions of loving fans. You’ll chuckle at PJ recalling some comical moments, but have a box of tissues ready because you just might shed a tear too. Read more…Posted in Christopher Lee, Director news, Fran Walsh, Hobbit Movie, Lord of the Rings, LotR Movies, LotR Production, Movie Fellowship of the Ring, Movie The Two Towers, New Zealand, Peter Jackson, The Hobbit
Archive for the ‘Fran Walsh’ Category
Here’s a nice story from stuff.co.nz: Sir Peter Jackson has come to the rescue of a historic Wellington church. Jackson and wife Fran Walsh have bought St Christopher’s Church in the suburb of Seatoun for $1.06 million in a move that saves the earthquake-prone church and neighbouring hall from potential demolition. The couple made their latest purchase to ensure the buildings would not be lost from the peninsula, trust chairman Richard Stubbs said. According to Stubbs, the community would have faced a huge fundraising effort were it not for Jackson and Walsh stepping in.
“They’ve rescued it. They’ve totally relieved us of that obligation, and that means we can get on and run the facilities … their involvement here is absolutely pivotal. They’ve done this for the people of the peninsula, and indeed for Wellington.”
Read the rest of the article on the stuff.co.nz website here.Posted in Director news, Fran Walsh, Peter Jackson
In the USA, from March 24th, the last in Peter Jackson’s Middle-earth movies will be available for you to take home. (It’s been available in digital version in many countries since March 3rd; but from Tuesday you can get your hands on a ‘hard’ copy.)
Many fans, of course, like to wait for the Extended Edition release before purchasing a copy; but speaking personally, my collection isn’t complete unless I have the theatrical cut as well. I was thrilled to get my hands on a review copy of the Blu-ray Combo pack, which includes copies of the movie on Blu-ray, on DVD and a Digital HD copy – as well as various extras. (more…)Posted in Billy Boyd, Blu-Ray, DVD/Blu-Ray, DVDs, Fran Walsh, Hobbit Movie, Ian McKellen, Lord of the Rings, LotR Movies, Martin Freeman, Merchandise, New Zealand, Peter Jackson, Philippa Boyens, Production, Shop, Studios, The Hobbit, The Hobbit: The Battle of the Five Armies, Warner Bros.
MIRAMAR, New Zealand — The director’s tent.
Inside a sound stage, or outside on location, it is a constant and central fixture on a movie shoot. It is home base for Peter Jackson and his team.
It is sacred ground — more or less.
The decisions made inside it, by the team, under Jackson’s direction, are crucial to the project where it is determined what will later happen in front of the camera.
So every day, whatever happens to a set or a sound stage overnight, the tent is there set up and waiting for the core of the shooting unit.
Editor Jabez Olssen, Script Supervisor Victoria Sullivan and First Assistant Director Carolynne Cunningham call it home during the shoot. Cunningham is outside of the director’s tent a lot, Olssen and Sullivan less so and Producer Zane Weiner is always near. Jackson’s assistant Sebastian Meek is in and out at all times, bringing badly needed tea and watching the door from outside to eliminate distractions inside.
Jackson lives on tea and Meek has a talent for having it handy at the perfect moment.
In April, 2012, as a representative of fandom via TheOneRing.net, I was invited to be on set during five weeks of the filming of the Hobbit films. At the time, it was still scheduled to be two movies and the production had just settled in to shoot in studio instead of on location. Much was unknown then, that now is completely familiar to fans.
When I first arrived at Stone Street Studios, the publicity team took me to set, showed me the ropes and left me to my own devices during the rest of my stay to meet folks and get interviews, which was great — no time and no need for babysitting.
I was there to be a good guest and to observe. Two weeks later I was definitely convinced I had no chance of talking to Peter Jackson, except for an occasional, “Hello, how are you getting on?” from him during my time there.
Fans world-wide know from production diaries, how exhausted Jackson gets during the shooting phase of filmmaking. It is important to really understand why.
Peter Jackson is a busy guy. Particularly when he is shooting, there is a lot to do in a day and a lot of people that need to understand his vision in order to do their jobs well; he is the hub of the great spinning wheel.
He is the director, a writer and a producer — each a big job on its own. Many films have one of each of those, or several of some, all working together. But Jackson was all of them at once and combining titles didn’t mean there was less work to be done. Just because he was reviewing shots didn’t mean the script didn’t need his touch or that the art department didn’t need his input or the next day’s schedule didn’t need approval. Others were partners on all of these roles but they also required Jackson.
In a day he might need to meet with the effects supervisor, set designers, concept designers, costume designers, the composer or see actual costumes for approval, or changes, to name just a few of the many things that require his time. He will confirm the schedule with his Assistant Director, producers and spend time with the Second Unit Director Andy Serkis, to make sure all is to his liking. They need sets built, greens grown, existing sets decorated, concept guys working ahead, materials guys building everything, maximizing actors’ time, feeding all of those people, screening extras, bringing in the right number of prosthetic artists for the day’s schedule of actors and extras and on and on. In short, there is never a shortage of people who need Jackson’s input to work on his vision and it takes the logistics of — dare I say — planning a battle with five armies.
In short, everything goes through Peter Jackson.
Those are the reasons “The Hobbit: The Desolation of Smaug,” and his other Hobbit movies are genuinely Peter Jackson movies. It also means he is booked.
THE FINAL HOURS
And so it was, the last day of my time on The Hobbit set, after several assurances that my interview with Peter Jackson would happen — it did.
Lunch happened and on the location set of Dale, up on a hill overlooking Evans Bay to Wellington, I was invited to that nearly sacred director’s tent to sit and talk with PJ — just the two of us alone. (One editor asked me if we ate together in the tent but I don’t think so, but why many memories are crystal clear of that meeting, anything we ate or didn’t eat isn’t clear. I just have no idea.)
I had been inside before, but not often. The day I shadowed him, I spent several hours, trying to melt into the background. This was his sanctuary and office.Posted in Alan Lee, Andy Serkis, Characters, Crew News, Director news, Director Rumors, Evangeline Lilly, Fans, Fran Walsh, Headlines, Hobbit Book, Hobbit Cast News, Hobbit Movie, J.R.R. Tolkien, Locations Sets, LotR Movies, MrCere in New Zealand, New Zealand, Orlando Bloom, Other Tolkien books, Peter Jackson, Production, Silmarillion, Studios, Terry Notary, The Hobbit, The Hobbit: The Battle of the Five Armies, Tolkien, Tolkien Estate, Uncategorized, Warner Bros.
The winners of last month’s Hobbit Fan Contest that got to go to New Zealand and watch an in-progress cut of “The Hobbit: The Battle of the Five Armies,” and experience the beautiful scenes of the north and south islands and the hospitality of Air New Zealand and Tourism New Zealand, won their spots by producing short films.
As reports from the experience suggest, there was a great bonding of the 75 winners and their guests during the week-long tour of Middle-earth. These bonds are on display in a “thank you” video that the group organized to give to Peter Jackson and all the many folks who helped make the trip amazing. There is even a nod to TheOneRing.net which honestly touches us.
Turns out that crew can make a pretty great video with parts from all around the world. Their sincerity and appreciation really comes through and will make all fans proud. Enjoy! #HobbitFanContestPosted in Contests, Events, Fans, Film Screenings, Fran Walsh, Hobbit Fan Contest, Hobbit Movie, Hobbit: Battle of the Five Armies, J.R.R. Tolkien, Jed Brophy, John Callen, Locations Sets, Mark Hadlow, Meet Ups, Peter Jackson, Philippa Boyens, Richard Taylor, Stephen Hunter, Studios, The Hobbit, The Hobbit: The Battle of the Five Armies, Tolkien, Warner Bros., Wellington, WETA Cave, WETA Digital, WETA Workshop
We finally know Billy Boyd (Pippin from The Lord of the Rings trilogy) will be performing the end credits song for the final film set in Peter Jackson’s cinematic Middle-earth. Warner Bros. have posted their ‘For Your Consideration’ list for “The Hobbit: The Battle of Five Armies” listing all the people and categories they want Hollywood to pay attention to come Awards Season. On that list for ‘Best Original Song’ is “The Last Goodbye” written by Billy Boyd, Philippa Boyens and Fran Walsh, and performed by Billy Boyd. It now seems that the use of Pippin’s song “The Edge of Night” in the recently released teaser for the film was a bit of foreshadowing. That song, with the lyrics coming from the last stanza of Tolkien’s ‘A Walking Song’ and the melody written by Billy Boyd himself, demonstrates a great level of empathy on the part of Billy for the melancholic feeling at that point of “The Return of the King”. It seems almost too perfect that Billy should be called upon again to deliver what promises to be a very emotional and fitting ending to all things Middle-earth. And because it’s fun to speculate, you will notice 15 other categories listed ‘For Your Consideration’ on that list, many names familiar to us all. Who do you think might get a nomination this Awards Season?Posted in Billy Boyd, Fran Walsh, Hobbit Movie, Hobbit Movie FAQ, Hobbit Movie Rumors, J.R.R. Tolkien, Lord of the Rings, LotR Movies, LotR Production, Movie Return of the King, Music, Peter Jackson, Philippa Boyens, soundtrack, Studios, The Hobbit, The Hobbit: The Battle of the Five Armies, Tolkien, Warner Bros.
At the start of the summer, TORn staffer greendragon had the chance to continue her series ‘Inside the Middle-earth actor’s studio’ – discussing the craft of acting (and other things!) with cast members from The Hobbit and The Lord of the Rings movies. This time she sat down with an actor who has been involved since the beginning of Peter Jackson’s Middle-earth films – the fabulous Jed Brophy. To celebrate the release of TORn’s new book Middle-earth Madness, which features this and other interviews, here’s your chance to read what Brophy had to say.
This is a LONG interview; the conversation went on for more than an hour, and covered topics ranging from how he started out in theatre and how he deals with acting in prosthetics, to what it’s like to have such devoted fans, and what we might expect in the third and final Hobbit film… This is part one of the interview – look for parts two and three later this week!Posted in Books, Fran Walsh, Hobbit Book, Hobbit Cast News, Hobbit Movie, Jed Brophy, Lord of the Rings, LotR Movies, Other Tolkien books, Peter Jackson, Philippa Boyens, Shop, Silmarillion, The Hobbit
The Academy of Science Fiction, Fantasy and Horror Films has just released the nomination list for the 40th annual installment of the Saturn Awards, and The Hobbit: the Desolation of Smaug has tied with ‘Gravity’ for the most nominations. Both received eight.
The gongs that The Hobbit: the Desolation of Smaug is up for are: (more…)Posted in Benedict Cumberbatch, Crew News, Dan Hennah, Director news, Evangeline Lilly, Events, Fran Walsh, Guillermo Del Toro, Headlines, Hobbit Movie, Howard Shore, Joe Letteri, Other Events, Peter Jackson, Philippa Boyens, Production, Richard Taylor, The Hobbit, The Hobbit: The Desolation of Smaug
The home video market is dead or dying — so they say. The digital age has brought on massive changes on how we view movies and in a relatively short time. The ways we consumed the “Lord of the Rings” movie trilogy is vastly different from how we tackle “The Hobbit.”
Many consumers actually jumped to the DVD format from VHS tapes with “Fellowship of the Ring.” But in the digital revolution, that was ages ago, back when everybody bought movies for home use and there was seemingly ever growing stacks of money to be made from that market.
Studios once had a cash cow in DVDs but the milk has dried up now. Once, extravagant DVDs and box sets ruled store shelves while today we visit Red Box and Netflix.
So when a Blu-ray like “The Hobbit: An Unexpected Journey, Extended Edition,” comes to market it is going against the grain, against conventional wisdom and against market trends. It’s also the best home release of 2013.
The film is still the film. If you loved it you will love it more. If you had problems with it, you will still have problems with it. The added time didn’t fix what people say is broken. But if you haven’t seen the film, for the home experience, I do recommend the Extended Edition. The length includes some character moments that make the film more a little more satisfying but not in a major way. A bathroom break is close to mandatory and while you can’t pause a theater, its easy from your own couch.
But while many think about the movie, make no mistake, the real prize here are The Appendicies content; Those who are only looking at this for the film are missing the point entirely. In fact, this collection, is itself a tremendous film that would be worth buying even without the cinema release. The movie itself is essential in the package, but what launches these discs into rare air is everything else that comes with it.
Prone to exercise laudatory caution because I write for TheOneRing, and I realize too much praise causes readers to become dismissive and classify the writer as a fan boy, I still proclaim with no hesitation that this is among the finest home video releases in history. It sits on a shelf in rarefied air with a very few discs that can even compare. Among those are the Extended LOTR editions, of which this is a companion piece.
While we are here talking credentials, let me fully disclose that I was on set to witness “The Hobbit,” being filmed for five weeks and I know (and like) many on all sides of the camera. More than that, I also interned for a couple of weeks with the producers of the behind-the-scenes content. I am even credited for extra interviews, so take my perceptions as you wish.
Even if you didn’t love the movie, the exploration of the process is a wonder to behold and the whole is a triumph. And, this triumph comes with WB and MGM financing this content behind-the-scenes content. This level of excellence doesn’t just happen and it isn’t cheap. It takes financial commitment, planning and time. With rumors of late delivery circulating, creating a shortage of discs in some places, I believe I speak for many fans who emphatically say, “So what? The wait is worth it.”
Despite all the greatness on the discs, there are a few things that are disappointing, so lets start with those.
There is nothing about these covers that are exceptional or especially tasteful to tell consumers that these aren’t just another release on a store shelf. For some reason, with few exceptions, the marketing at Warner Bros. insists on slapping a bunch of floating character mugshots in a college for these films at every opportunity. More isn’t better and especially when even the casual audience knows what “The Hobbit,” is. Nobody is saying, “What? Gandalf is also in this movie?!”
A cover with a central visual idea would be a vast improvement and for these discs, there should be a graceful, classic cover, not a garish collection of floating heads. Better still would have been a style match with the LOTR EEs. The back of the 3-disc Blu-ray is actually great and would serve as a nice cover.
While we are here, the Bilbo in front of Erebor “Desolation of Smaug,” poster was infinitely more powerful that the nightmare LSD trip of Middle-earth’s usual suspects in the latest one. Boo. Very much related, if the Hobbit home video release couldn’t be a stylized match with the LOTR releases, at least we could have had a strong central character instead of a collection of them that says nothing.
Gollum and Bilbo exchanging riddles in the dark might be a place to start. The film’s strongest sequence, virtually perfect even, highlights a key moment in Middle-earth, sells us a familiar character and gives us an absolute iconic moment from literature. If things were right in the world, WB would issue an inexpensive replacement slip cover for a couple of dollars that ties this release back to the LOTR EEs. Seriously.
The art on the discs are quite good.
The commentaries with Philippa Boyens (writer, producer) and Peter Jackson (writer, director, producer) are good, but again, this is meant to be a companion disc and viewers really want more commentary perspectives as they were given in the LOTR discs. Obviously the filmmaker’s take are essential but including cast or key figures like Dan Hennah or Richard Taylor might be expensive, and not financially viable by the studios, but they are sorely missed. An unrealistic dream commentary might be to have all 13 main dwarf actors on one track or two tracks with half on each. Careful sound editing would be needed but Jed Brophy, Mark Hadlow, Graham McTavish, John Callen and William Kircher and all the rest, would be brilliant. There are two movies left to get this right.
I am sure there are many who will take exception to comparing the discs but for certain, many consumers are doing it. These are intellectually built to go together.
But, lets move on to the good (great) with a look at what is included on most versions of the film. It is worth noting that there is a Wal-Mart version of the Extended Editions available with minimal extras. (Hate to call them extras because they are main featured content.) Even if consumers think they want to save a few dollars and get that version, they actually don’t. There is no circumstance where that option is a wise choice. Any viewer willing to commit to a three-hour Extended Edition deserves to have the story of the film as well for a few dollars difference. Friends don’t let friends buy foolishly.
Extended Edition of the film with filmmakers’ commentary and
“New Zealand: Home of Middle-earth”
The commentary is mentioned above but the video feature sounds like it might be a commercial for New Zealand. It is actually, with celebrity endorsements. Newsflash: New Zealand is amazing.
The Appendices Part 7: A Long-Expected Journey –
This is a timeline of the movie that breaks down into parts how it was made, more or less, following the chronology of the film. Of course films aren’t made chronologically, but following the organization of the film is helpful. And the docs aren’t strictly about “how we did this,” as much as they highlight interesting stories from a particular segment of the production.
The beefiest is the first, “The Journey Back to Middle-earth,” which also happens to be excellent. It follows the almost absurd series of roadblocks that threatened to keep this film from being made. Viewers who followed TheOneRing will recall those days when it seemed time and again, fate had conspired to kill the film. This is excellent content that wouldn’t be included on many DVDs of other films.
The studios bravely allowed the team to tackle subjects like the financial problems that almost derailed the films and the hiring and departure of Guillermo del Toro.
It would have been much safer to sanitize these events and it happens on many Hollywood “extras” projects but here they are addressed head on — an impressive inclusion. That first documentary is a definite highlight but every single one of them holds up high standards of storytelling and visuals that feel as though the essential moments were not only talked about but captured.
It is in fact the best big-story view on this topic available in either print or film. To better understand sitting down and watching “The Hobbit,” in the cinema, this is essential viewing. It is also great not to start with the first day of pre-production but to have a wider view of the whole works.
One of the best segments, perhaps my favorite, is “A Short Rest: Rivendell and London.” The fact that the production went to London to film Sir Christopher Lee and Ian Holm is common knowledge. A lesser documentary might spend its time making just the fact of traveling from New Zealand to London to shoot the focus of the story. Instead, that is established and then the focus is placed on something far more interesting than it just happening: Lee and Holm.
Jackson and Lee are on camera holding up production so those gathered around can listen to Lee remember parts of his life that are legendary on the silver screen. He also gives Jackson some good-natured crap and it is respectfully returned. Graham McTavish and Adam Brown are also on hand, despite not filming, to listen to Lee and help the storytelling by putting his presence in perspective. It is gold and in fact, it is a pity somebody doesn’t produce an entire film based on the man behind Saruman.
Included in the same section is a pretty incredible give-and-take between Jackson, Cate Blanchett, Fran Walsh on a telephone and Ian McKellen. They discussed character motivations and all the bigger questions behind the dialog on the script page. It is pretty incredible. There are some excellent moments with Hugo Weaving. It all felt intimate, rare and was fascinating.
There are a lot of bright spots here and in fact they are more or less all bright spots, or will be to somebody. The producers and director Michael Pellerin seemingly pushed for excellence and achieved it.
- The Journey Back to Middle-earth
- Riddles in the Dark: Gollum’s Cave
- An Unexpected Party: Bag End
- Roast Mutton: Trollshaws Forest
- Bastion of the Greenwood: Rhosgobel
- A Short Rest: Rivendell and London
- Over Hill: The Misty Mountains
- Under Hill: Goblin Town
- Out of the Frying Pan: The Forest Ledge
- Return to Hobbiton: The Shire
- The Epic of Scene 88: Strath Taieri
- The Battle of Moria: Azanulbizar
- Edge of the Wilderland: Pick-ups and the Carrock
- Home Is Behind, the World Is Ahead
Jackson also appears on an introduction to promise more extended editions with DOS and “The Hobbit: There and Back Again.”
This disc delivers production details, some conspicuously missing from the film. For example:
The Company of Thorin –
The families of the dwarves are grouped together to give us more details and insights into these characters and actors. These associations are pretty tough to pick out on screen but are well presented here. Knowing more about these characters will likely enhance view of “The Desolation of Smaug.” Pity some of this wasn’t woven into the narrative. If you aren’t keeping score the chapters are, by family:
- Assembling the Dwarves
- Thorin, Fili & Kili
- Balin & Dwalin
- Oin & Gloin
- Dori, Nori & Ori
- Bifur, Bofur & Bombur
Martin Freeman enjoys telling the behind-the-scenes cameras they are number one, always with his middle finger or fingers. Here is another case of content many studios would shy away from, but a short collection of Freeman giving the one-fingered salute is part of the reveal of who this Martin Freeman is.
So in the next segment, and perhaps my favorite on this disc, we meet:
Mr. Baggins: The 14th Member
Next we get more tasty features:
- Durin’s Folk: Creating the Dwarves
- The Peoples and Denizens of Middle-earth
- These are broken into chapters:
- The Stone Trolls
- Radagast the Brown
- Azog the Defiler
Realms of the Third Age: From Bag End to Goblin Town — We spend an hour with locations, time well spent.
- The Misty Mountains
- Goblin Town
The Songs of The Hobbit – A look at the realization of Tolkien’s songs in An Unexpected Journey.
This last item is another of my favorites. It demonstrates that despite being last, it isn’t any less interesting that what came before. There isn’t fat here to pad out the disc but instead highly polished, carefully produced, interesting, quality content.
The movie looks and sounds great, showing off how good Andrew Lesnie and his team are at shooting moving pictures. How great does it look? If you go to the audio, visual, home theater or electronics stores, bring the Blu-ray version of “The Hobbit: An Unexpected Journey” with you to test out the things you might buy. The picture is lovely with great details in blacks (Riddles in the Dark) excellent color and all the rich details coming to life. Hate to sound hyperbolic, but when it comes to audio and visual excellence, this disc is leading the industry.
The sound comes in 7.1 surround, meaning it can send seven sounds to seven speakers to create a sound atmosphere, if you home is equipped, showing off the genuine excellence in sound design through out the film. This is a noisy movie with loud characters, loud animals and orcs, some dragon scenes, deep rumbling stone giants and lots of general chaos.
But, the dialog is always ready and easy to hear, including some pretty subtle Ian McKellen lines that come through just fine. In fact, if you have the proper system in your home, sitting in the middle of the sound environment, closing your eyes and just listening is a real pleasure.
This movie is worth owning a Blu-ray player for. The film, no matter how much you like it or don’t, is technically amazing. The extra scenes improve it slightly but just as importantly, there is a wealth of documentaries that are collectively and individually great and paint an excellent picture of what made “The Hobbit,” happen. I meant it when I said it above, this is among the finest home video releases in history. Minor quibbles aside, MGM and Warner Bros. did right by fans and this does stand alongside its LOTR EE predecessors. While this film doesn’t extended as much or as importantly, its extras are as good and perhaps better.
Posted in Blu-Ray, Cate Blanchett, Christopher Lee, Director news, DVDs, Fran Walsh, Guillermo Del Toro, Hobbit Cast News, Hobbit Movie, Hugo Weaving, Ian McKellen, Martin Freeman, Merchandise, MGM, Peter Jackson, Philippa Boyens, Production, Studios, The Hobbit, The Hobbit: An Unexpected Journey, Warner Bros.
In the case of Zane Weiner on “The Hobbit,” it meant getting in touch with someone nobody was meant to get in touch with.
Living in Hawaii, she was a month removed from the birth of her child, email turned off, not taking calls about work and still confined to bed rest.
“So I was still in bed with the baby,” she told TheOneRing.net in full Tauriel outfit and gear during a lunch break on a full day of filming on “The Hobbit.”
This lunch tent, while perhaps not glamorous, is an essential part of Stone Street Studios and making Peter Jackson movies, designed to feed and shelter quite an enormous crowd. Breakfast was served there for anybody wanting to start the day off right. Coffee and tea were available on any sound stage but also in the tent — a first stop for many on a shoot. (more…)Posted in Evangeline Lilly, Fran Walsh, Headlines, Hobbit Cast News, Hobbit Movie, J.R.R. Tolkien, Mark Hadlow, Movie Fellowship of the Ring, MrCere in New Zealand, Peter Jackson, Philippa Boyens, Production, The Hobbit, The Hobbit: The Desolation of Smaug, Tolkien
My favourite quote from Conrad Pope:
Posted in Director news, Fran Walsh, Guillermo Del Toro, Headlines, Hobbit Movie, Howard Shore, Peter Jackson, Production, soundtrack, The Hobbit, The Hobbit: An Unexpected Journey, The Hobbit: The Desolation of Smaug
“It always pays to have great performers. Whenever you are in front of an orchestra you are in front of almost 2000 years of musical experience if you think about it. So you are taking that expressiveness and you are unleashing that. If you have a digital thing it is only one person. That is why it’s so remarkable to have that kind of power in this orchestra here.”
I can’t recall if this has been previously revealed, but this official synopsis — more complete than the short version currently on The Hobbit website — actually has some really interesting implications if you have a read through and examine who’s listed and (more importantly), who’s not.
As folks observed after the debut of the second Desolation of Smaug trailer, Guillermo del Toro is back in the credits for his work on the screenplay. There’s a co-producer nod for the late Eileen Moran as well. Highlight the space below to read the key omissions, and some fairly hefty spoiler analysis of what those omissions could mean for the movie.
The Hobbit: The Desolation of Smaug
From Academy Award®-winning filmmaker Peter Jackson comes “The Hobbit: The Desolation of Smaug,” the second in a trilogy of films adapting the enduringly popular masterpiece The Hobbit, by J.R.R. Tolkien. (more…)Posted in Adam Brown, Aidan Turner, Benedict Cumberbatch, Dean O'Gorman, Evangeline Lilly, Fran Walsh, Graham McTavish, Guillermo Del Toro, Hobbit Movie, Hobbit Movie Rumors, Howard Shore, Ian McKellen, James Nesbitt, Jed Brophy, John Bell, John Callen, Ken Stott, Lawrence Makoare, Lee Pace, Luke Evans, Manu Bennett, Mark Hadlow, Martin Freeman, Mikael Persbrandt, Peter Hambleton, Peter Jackson, Philippa Boyens, Richard Armitage, Stephen Hunter, Sylvester McCoy, The Hobbit, William Kircher