It really was the best of times. Not just the opening night of The Lord of the Rings: The Fellowship of the Ring (or whenever you saw the film for the first time). What about when you first found out that Lord of the Rings films were being made? Maybe, like staffer Garfeimao, it prompted you to start searching the internet and you found TORn. Perhaps, like staffer Magpie, you had been longing for something different and/or better than the animated movies (no matter how sentimental and quaint they seem now). Perhaps you were a lifelong fan of J.R.R. Tolkien, and had misgivings like deej and JPB. For me, it was all of the above!
Please enjoy reading the memories and impressions of some of our core staff, and share your own memories of how you learned of the LOTR movie, how you found TheOneRing.net and/or what your first impressions of FOTR were, either in the comments section, or on our Lord of the Rings Movie discussion forum.
Due to the holidays, we’ll be continuing our stories related to the 15-year anniversary of the release of FOTR into this week. No series about The Fellowship of the Ring would be complete without mentioning the amazing music of Howard Shore and some of the talented people who brought it to life.
From the minute the screen lit up to the end of the credits, Shore’s Oscar-winning score held us spellbound. As the music accompanied the action of the movie, unique themes for the cultures of Middle-earth, even The One Ring itself, wove themselves through the movie seamlessly. Haunting solos and full-voiced choirs added both poignancy and excitement to the film. If you’re like me, you literally wore out your first CD of the score! Fortunately, there were a number of opportunities to acquire other editions such as The Lord of the Rings: Fellowship of the Ring Complete Recordings.
Peter Jackson made a recent announcement on his facebook page that his next movie project will be adapting Philip Reeve’s book, Mortal Engines. The book is set in a post-apocalyptic future where cities move about on wheels, devouring smaller cities for their resources. The book is the first in a series of four books, presenting the opportunity for ‘sequels’ down the road.
The project will bring together many of the crew who worked on The Lord of the Rings and The Hobbit franchises, including Fran Walsh and Philippa Boyens who adapted the Mortal Engines script. The movie will be directed by Christian Rivers, the VFX master of The Hobbit. From Deadline Hollywood:
“Christian is one of my closest collaborators,” says Jackson in a statement. “The combination of emotion and jaw-dropping visuals in Mortal Engines makes this the perfect movie for his move into feature directing. What Christian intends to do with Philip Reeve’s terrific story is going to result in an original and spectacular movie. I wish I could see it tomorrow!”
The text of PJ’s facbook post is below
OUR NEXT MOVIE!
It’s been a quiet few months, but I’m very happy to tell you that our next project is now underway.
WingNut Films be producing a feature film based on Philip Reeve’s book Mortal Engines, to be directed by Christian Rivers. The script has been written by Fran Walsh, Philippa Boyens and myself.
Some of you may recall that Christian was going to direct the Dambusters a few years back. Since then he’s kept himself busy, making short films, and directing Second Units on The Hobbit and Pete’s Dragon.
Our involvement in Mortal Engines actually pre-dates Dambusters (which is still happening) – Christian actually worked on Mortal Engines previs way back in 2009. It’s very exciting to finally get it underway!
We’ve had the rights to Philip’s book series for several years, but have had to wait for the right time to make it.
If you haven’t read the books, you should. They present a stunning look into the future, when all of Earth’s major cities are now mounted on wheels, roaming across the landscape as massive “Traction Cities”. Our society has build itself on the principals of Municipal Darwinism – this basically involves the bigger cities hunting down, and consuming, the smaller ones. And that’s only the backdrop to an original and emotional personal story.
Philip Reeve has created a range of intriguing characters, following their adventures in our strange future world through four books – “Mortal Engines”, “Predator’s Gold”, “Infernal Devices” and “A Darkling Plain”.
The moment we read these novels, we knew what exciting movies they’d make. I literally can’t wait to see them!
The movie will be financed by MRC and Universal, and shooting will get underway next March, in New Zealand. Producers Zane Weiner and Amanda Walker, who both worked on the Hobbit, will be spearheading the NZ based team, along with Deborah Forte in the US.
No casting to announce yet, but Weta Workshop and Weta Digital are both onboard.
With the wheels now rolling on Mortal Engines, I’ll bring you a lot of news and sneak peeks at what we’re doing over the coming months.
Today we received official word from Tolkien publishers (in the USA) Houghton Mifflin Harcourt: ten years on from the last Middle-earth related Tolkien publication, there will be a new book for fans of the Professor to enjoy!
Here’s what HMH say in their official press release:
‘RETURN TO MIDDLE-EARTH FOR HOUGHTON MIFFLIN HARCOURT
Houghton Mifflin Harcourt has acquired the U.S. rights to publish BEREN AND LÚTHIEN by J.R.R. Tolkien, edited by Christopher Tolkien and illustrated by Alan Lee, in May 2017.
Christopher Tolkien explains:
‘The tale of Beren and Lúthien was, or became, an essential element in the evolution of The Silmarillion, the myths and legends of the First Age of the World conceived by J.R.R. Tolkien. Returning from France and the battle of the Somme at the end of 1916, he wrote the tale in the following year.
‘Essential to the story, and never changed, is the fate that shadowed the love of Beren and Lúthien: for Beren was a mortal man, but Lúthien was an immortal Elf. Her father, a great Elvish lord, in deep opposition to Beren, imposed on him an impossible task that he must perform before he might wed Lúthien. This is the kernel of the legend; and it leads to the supremely heroic attempt of Beren and Lúthien together to rob the greatest of all evil beings, Melkor, called Morgoth, the Black Enemy, of a Silmaril.
‘In this book Christopher Tolkien has attempted to extract the story of Beren and Lúthien from the comprehensive work in which it was embedded; but that story was itself changing as it developed new associations within the larger history. To show something of the process whereby this legend of Middle-earth evolved over the years, he has told the story in his father’s own words by giving, first, its original form, and then passages in prose and verse from later texts that illustrate the narrative as it changed. Presented together for the first time, they reveal aspects of the story, both in event and in narrative immediacy, that were afterwards lost.’
Published on the tenth anniversary of the last Middle-earth book, the New York Times bestseller The Children of Húrin, this new volume will similarly include drawings and color plates by Alan Lee, who also illustrated The Lord of the Rings and The Hobbit and went on to win Academy Awards for his work on The Lord of the Rings film trilogy.’
Not to sound as alarmist as Fredegar Bolger rousing the Hobbit-folk in the wee hours of a peaceful Shire morning, but perhaps the time has come for fans of Howard Shore’s scores to sit up and reconcile themselves to a very dismaying possibility – that the unheard music of Middle-earth might well in fact never be heard.
It’s Earl, your soundtrack-obsessed TORn-staffer, and the reason I’m venturing to make this statement is because of the recently announced Limited Collector’s Edition of the movies, which makes it almost excruciatingly clear that the Warner Bros studio is so very, very far removed from knowing what fans really, truly want, and are willing to pay for.
Our friend, Doug Adams, recently confirmed via twitter that the Pittsburgh Symphony Orchestra’s program later this month, The Film Music of Howard Shore, will include the premiere of The Hobbit: Four MovementsRa. This has been long awaited by fans as a logical progression from Shore’s The Lord of the Rings Symphony, released on CD in September 2011. No word yet on if and when it might be available on CD, but if you’re in or near the Pittsburgh area at the end of this month, the performances are scheduled for Friday, June 24 and Saturday, 25 at 8:00 p.m. with an afternoon concert scheduled for Sunday, June 26. In addition to music from The Hobbit and The Lord of the Rings, the performances will also include music from other Howard Shore scores such as The Aviator, Hugo and The Silence of the Lambs, and more. Get more information and purchase tickets here, on the Pittsburgh Symphony Orchestra’s website.
Update: thanks to Doug, we can now share the official press release for the event! Check it out below, and be sure to purchase your tickets soon if you’re lucky enough to be able to go. Also, don’t forget to send us your reports and pictures from the concert!
The Film Music of Howard Shore
Pittsburgh Symphony Orchestraorld Premiere:
FOUR MOVEMENTS FOR SYMPHONY ORCHESTRA
with many more favorites from his outstanding career
June 24, 2016 – June 26, 2016 at Heinz Hall
Special Guest Howard Shore
Howard Shore, special guest
Ludwig Wicki, conductor
Jon Burlingame, interviewer
Lydia Kavina, Theremin
The Pittsburgh Symphony Orchestra
Pittsburgh Symphony Orchestra concludes another spectacular Pops season with a one of a kind evening: an audience with the Academy Award-winning composer Howard Shore. The Pittsburgh Symphony Orchestra celebrates the outstanding career and achievements of a true icon, with performances of his best known scores and live interviews, by acclaimed film music writer Jon Burlingame, with the composer from the stage. Audiences will thrill to the music from his legendary scores to The Lord of the Rings trilogy and the world premiere of music from The Hobbit with scores from his films: The Aviator, Mrs. Doubtfire, The Silence of the Lambs, Hugo and many more. This is an epic evening filled with amazing music and the composer’s own insights.
While Tolkien was a British writer, his readership and influence extend far beyond the English language. Middle-earth transcends both time and culture as we have seen again and again when having the pleasure to meet fellow fans from around the globe through both TheOneRing and Happy Hobbit. That said, sometimes it takes a little longer for Tolkien events and/or specials in other languages and countries to reach our ears. Fortunately for you, dear reader, famed Tolkien artist and scholar John Howe sent a message our way via thrush to let us know about a delightful Franco-English documentary he narrated in 2015 about the source material for Tolkien’s The Hobbit titled A la Recherche du Hobbit (Looking for the Hobbit).
You can watch the first episode of five in English below:
If you’re confident enough to navigate the French website (all you have to do is click on the shopping cart icon!) you can purchase a region-free English version here, and the series is available in French on DVD and streaming here (along with a preview). You can also peruse several delightful behind the scenes photos on their Facebook page.
John Howe at Hobbiton in Matamata, NZ.
What’s more, John Howe has taken the time to provide us with his thoughts on why, even after all this time, he was excited to contribute to yet another exploration of Tolkien.
Peter Jackson has agreed to direct the upcoming film, The Jumping Bean Surprise, according to Court Five Producer Mark Ordesky. Conceived by Tyler H. Jacobson, the story is set in the 1870s and involves four teenagers using a time machine to journey back three hours to scare their past selves by dressing up as clowns. When one of them falls in love with his past self, however, a love triangle develops that challenges the boundaries of time and space.
“It’s a science fiction story, a horror story and a love story all in one,” Ordesky said in his announcement. “And we knew we needed somebody who could bring all these elements together. That somebody is Peter Jackson.”
Set for release in January of 2018, Ordesky added that Jackson is so excited, “he’s already setting aside a suit for the Oscars.”
Peter Jackson is the author of The Hobbit and The Lord of the Rings, the latter of which was adapted into a feature film directed by Jackson and produced by Ordesky.
Alright, we’ll come clean: as most of you have guessed, this is just an April Fool’s Day joke! The story idea for this film, written by one of our staffers, is only a proposal that he is currently attempting to gain funding for. If you’d like to donate, visit: www.kickstarter.com/projects/jumpingbeansurprise
How time flies! Exactly a year ago today, February 21st 2015, many of us gathered in Hollywood for The One Last Party. Fans and TheOneRing.net staffers were joined by movie cast and crew members, brought together by a love of Tolkien and of Peter Jackson’s Middle-earth trilogies. Many more fans around the world tuned in to watch TORn’s live stream coverage, led by staffers Quickbeam and Justin. Bruce Hopkins (Gamling) acted as MC for the night, PJ himself sent a special video greeting, and the Professor’s great-grandson Royd Tolkien came all the way from Britain for the celebration. Partygoers danced the night away to the music of Emerald Rose and William Kircher’s group The California Dreamers. It was indeed a night to remember!
Staffer Mithril posted recently about the beautiful Red Book she made, containing the names of all who contributed to the crowdfunding campaign to make The One Last Party happen; this lovely book was sent to Sir Peter as a ‘thank you’ from all of us to whom his movies have meant so much. In another look back to that wonderful night a year ago, here are just a few moments captured from that night, and put together by film maker and TORn friend Dan McBride. Let’s reminisce – and hope that it isn’t really the last such event. We may yet have an excuse, one day, for an unexpected party…
From stuff.co.nz: Peter Jackson along with fellow Oscar winner Jamie Selkirk stepped down from Sir Richard Taylor’s Miramar workshop on December 31, Companies Office documents show. The change comes ahead of new legislation which would make directors personally liable for health and safety, which the Institute of Directors said demonstrated that directors needed to be across all aspects of the business. Jackson and Selkirk both still own about one third of Weta Workshop.
Weta Workshop senior communications manager Erik Hay confirmed the law change was behind the move for Jackson and Selkirk. “The reason was centred around the law change, which will require them to be more involved on a daily basis. As a manufacturing business, it’s important they are. Peter felt he was not and decided to step out of the piece. They will still retain shares in the company.” Read more…
Check out this wonderful Entertainment Weekly interview with Peter Jackson about his experiences with, and memories of, the actor who brought J.R.R. Tolkien’s wizard Saruman to life for millions of loving fans. You’ll chuckle at PJ recalling some comical moments, but have a box of tissues ready because you just might shed a tear too. Read more…
The long-rumored movie museum for Wellington took a step toward realization after the team behind the dream presented its vision to the Wellington City Council.
Fans of the cinematic versions of Middle-earth will rejoice that the team behind the proposal is led by none other than Sir Peter Jackson and Sir Richard Taylor. The company, The Movie Museum Limited, or TMML, hopes to bring together material from the duo’s many film projects as well as their own “world-renowned movie collections,” according to a release after the meeting this week.
“There is a vast collection of incredible material from the world-famous movies that have been worked on by the companies in Miramar,” said project director George Hickton. “What is less well-known is that Peter and Fran (Walsh), Richard and Tania (Rodger) also have their own personal collections of film and television memorabilia which is one of the best in the world.”
Richard Taylor and Peter with team on King Kong.
It is expected that the museum will offer both permanent and temporary exhibition spaces, a cafe, offices and a retail shop.
The presentation, according to the release, was part of considering a new site proposed for the museum that will also include a space for gatherings, such as conventions.
Hickton said Wellington has been known for world-class film making for two decades.
“For much of that time, the driving force behind Wellington’s success has been Peter Jackson and Richard Taylor and their partners Fran Walsh and Tania Rodger as well as the Weta Group of companies they established on the Miramar Peninsula.
“From small beginnings, Wellington is today a thriving centre of film-making creativity and excellence, creating thousands of jobs for New Zealanders and attracting major film and television productions and some of the best directors, producers, actors, artists and technicians from around the world.”
Peter Jackson, Richard Taylor and their team on Heavenly Creatures
The concept means the Wellington City Council will provide TMML with a long-term lease of a building built with a museum in mind, constructed and owned by the council. The movie museum organization, if the proposal is accepted, would be responsible for setting up the museum, day-to-day operation and maintenance of the facility.
The hope would be to give Wellington a tourism draw, both to New Zealand and internationally. Readers of of TORn can probably imagine the appeal.
A three-story building is expected, with top floor dedicated to a meeting space for 1100 with the bottom two floors to house the museum with 10,000 square meters of space. The museum is near Te Papa, Wellington’s world-class museum and sit between Wakefield and Cable Streets.
More details, the release said, would be released once the council decides on the proposal and planning and construction begins.
TORn will update this story with more details as they are available. Click on any of the photos for a larger version. (Cinema fans, this is highly recommended.)
Peter Jackson’s Chitty Chitty Bang Bang car
Richard Taylor and Peter Jackson on Heavenly Creatures
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