The stars are aligned for today’s *live* webcast TORn TUESDAY, where viewers can be part of the show and ask questions directly to our celebrity guests! Today we are joined by the creative team behind the wildly popular “FELLOWSHIP! The Musical” — an award winning stage production that rips on the first book of Tolkien’s trilogy! I’ve seen it a few times and it’s hysterically good (check out TORn’s previous podcast interview here). Our special guests today include Comedy Central’s RENO 911! star CEDRIC YARBROUGH (who plays Gandalf) and composer ALLEN SIMPSON! There will be mischief aplenty as we also turn our attention to WETA Costume Contest winner NICOLE ROBERTS, who recently completed her trip to New Zealand and has great stories and surprise photos to share. Tune into our show TORn TUESDAY, hosted by Clifford Broadway (Quickbeam), by clicking to our Live Event page. As always, you can participate starting at 5:00pm PDT — There’s a built-in Barliman’s chat room or come in via Skype in TheOneRing.net’s Stickam page. Check out our LIVE Event section right here every week! [LIVE Event Area] (See All Times)Posted in Barlimans, Events, Fans, Lord of the Rings, LotR Stage, Movie Fellowship of the Ring, Stage Productions, TheOneRing.net Announcements, TORn TUESDAYS Live!, Uncategorized
Archive for the ‘LotR Stage’ Category
Can’t make it to New York City for the TTT Radio City Music Hall event? We invite you to stop by the TORn message boards where we’ll be hosting a virtual concert, giving you another way to celebrate and enjoy the great music from the LOTR films. The Virtual Concert will be conducted in four “Movements” — two on Friday, and two on Saturday. Each Movement will be in the form of a discussion thread covering several tracks from the TTT Original Soundtrack disk. So, break out your TTT Soundtrack disk and stop by to post a comment on your favorite tracks. We encourage our NYC-bound friends to drop in and share some thoughts on the Live Concert, too! The Virtual Concert will begin at noon EST Friday on our “‘Main” message board and will be available to participate in all weekend.Posted in Concerts, Events, Howard Shore, Lord of the Rings, LotR Stage, Movie The Two Towers, Music, Other Events
Tickets are now on sale for the highly anticipated The Lord of the Rings: The Two Towers, which will be presented live to film at Radio City Music Hall for two performances only, on Friday, October 8th and Saturday, October 9th, 2010. Following the success of The Lord of the Rings: The Fellowship of the Ring’s concert last October, the Academy Award®-nominated film The Lord of the Rings: The Two Towers gets the same treatment at the world-famous Radio City Music Hall. Beneath an immense 60-foot screen, Howard Shore’s Grammy®-winning complete original score will be performed live to Peter Jackson’s award-winning epic. Click here for high resolution images.
The music of Middle-earth will be brought to life by more than 300 musicians: Switzerland’s 21st Century Symphony Orchestra, The Grammy Award®-winning Brooklyn Youth Chorus, and renowned soprano Kaitlyn Lusk, all under the direction of celebrated Maestro Ludwig Wicki.
Last fall, over 10,000 people filled Radio City for The Fellowship of the Ring shows. The New York Times said “the music of Middle-earth soared at Radio City Music Hall,” while Entertainment Weekly said “it was a terrific night at the theater.” (more…)Posted in Concerts, Events, Film Screenings, Lord of the Rings, LotR Movies, LotR Stage, Movie The Two Towers, The Two Towers, TheOneRing.net Announcements
TORn friend Charles Ross continues to gradually conquer the world with his One Man Lord of the Rings show. He is set to perform at the must see Edinburgh Fringe August 6 -16. TheOneRing.net is seeking a a fan who can attend the event to give us a spy report. We also want to hear from anybody planning to attend in a LOTR costume. Ross performed at our ORC event several years ago and was magnificent, hilarious and surprisingly touching. Read all the details inside. (more…)Posted in Events, Lord of the Rings, LotR Movies, LotR Stage, Stage Productions
The Musical Spectacular “THE LORD OF THE RINGS” will complete its run at the Theatre Royal Drury Lane, London on 19 July, 2008 after 492 performances. The show has already played to an audience of over 446,000 in London since previews began on 9 May 2007. Due to the popularity of the London Production among international visitors, discussions are under way for the production to re-open in Germany in November 2009 with a German-speaking cast. “THE LORD OF THE RINGS” creative team is also developing a touring version to launch in New Zealand in 2009 before being presented in cities across Australia and the Far East. This new production will bring the show’s ground-breaking musical score and J.R.R. Tolkien’s beloved story to a global audience. Producer Kevin Wallace said today, “The show’s creative team has proven just how enchanting, exhilarating and powerfully entertaining The Lord of the Rings can be live on stage. We will continue to bring this incredible theatrical event to audiences in London until 19 July, and we look forward to presenting the show to new audiences abroad from 2009.” (more…)Posted in Events, LotR Stage, Stage Productions
2007 has been quite an exciting year for Tolkien fans! There’s been an abundance of news and events from across the globe including openings of musicals, new book releases and new movies in the pipeline: something to satisfy just about any geeky preference! As a thank-you for following all the developments of the year with us, we thought we’d put together a retrospective of the top Tolkien stories of 2007 in one convenient list. The list below is in chronological order.
Here’s to a 2008 that’s just as exciting! Stay tuned! (more…)Posted in Books Publications, Events, Headlines, Hobbit Book, Hobbit Movie, Howard Shore, J.R.R. Tolkien, LotR Stage, Movie Return of the King, Music, Peter Jackson, PJ New Line, The Hobbit
(PRWEB) November 15, 2007 — India’s premier airline Jet Airways have announced their sponsorship worth 15 million rupees for the London original cast album of the Lord of the Rings that is currently being recorded. The stage version of Lord of the Rings, which is now booking three months in advance, opened at the Theatre Royal Drury Lane in June 2007, and has proved to be a huge hit with reviewers and audiences alike. The first major stage adaptation of J.R.R. Tolkien’s classic, the Lord of the Rings (http://www.lotr.com/), has now been seen by over 300,000 people in London. (more…)Posted in LotR Stage, Stage Productions
Anonymous writes: Here are some reviews from the British press which I don’t think you have yet, First off from the New Statesman, some of the Sunday papers put their reviews on the web, other didn’t. This is from the Independent and the Guardian, and finally here is a roundup from The Times.Posted in Events, LotR Stage, Old Main News, Stage Productions
A fan’s review of the London Lord of the Rings musical
You can’t squeeze a book the size of the Lord of the Rings into a 3 hour musical and satisfy either the hard core fans or those new to the story. But, I think they did a great job regardless. The pace is breath taking, but the core of the story comes through. The music suited the mood well enough and the staging and the solutions to bring much loved characters to life worked brilliantly. The hobbits came on stage while the audience was still coming in, and performed a little skit about catching fireflies, which was very endearing, and morphed into a song which without further fuss opened the musical.
The toughest characters to portray well were fantastic. Gollum was a writhing, menacing, wretched little creature. The dark riders were a marvel, scary and imposing. They were created by an actor on stilts, with the body and head of the horse supported by a pole that the actor manipulated, which was at square angles to the stilts. The ents you can’t really do on stage, but the solution to put the actors on stilts resulted in dignified beings with booming voices. Shelob was truly terrifying and the audience’s reaction was a pleasure to behold. The effect was created by several actors in dark outfits who worked the legs and the body – in much the same was as the Treebeard puppet was made to move in Peter Jackson’s movie. With the dark stage, all you initially saw were the long legs, advancing on poor Frodo.
Which brings me to the parts that didn’t work so well. With little time to develop character or portray favorite scenes from the book, many characters were pale shadows of themselves, or wholly missing. For me the main disappointments were Aragorn and Gimli. Aragorn was too theatrical, with too little heart. However, his scene with dying Boromir was very moving, and the scene in front of the gates of Mordor where he gives a passionate speech to his fellow men in arms was thrilling. Gimli was cast based on his short stature and the actor’s voice had too high a pitch – but John Rhys Davis is a tough act to follow. Gandalf, Sam, the other hobbits and Galadriel all moved me well enough.
For a musical there wasn’t actually that much music, beyond the music that set the mood in the background – no doubt the result of cutting 40 minutes of the length. Even then, I slightly resented the moments when characters burst out into song, unless it was appropriate to the story (e.g. singing at the Prancing Pony). Musicals aren’t really my thing, though, so others may feel wholly different on this. Also, the three different types of music didn’t always interact harmoniously. Varttina’s music was mostly used for ominous parts and the evil characters. The hobbit-y music and elvish music were very different from each other and from Varttina’s, which in itself was fine, but the transition from one to the other was sometimes jarring.
So what was in and what was out? Highlight to read on!
Tom Bombadil was out, which is no surprise. Rohan and the characters of the Golden Hall, along with the battle of Helm’s Deep and the love story between Eowyn and Faramir were completely cut. However, Boromir looked more like Eomer, complete with long, blond hair, and Denethor’s failing health and subsequent resurrection by Gandalf reflected more Theoden than the Denethor of the books. Wormtongue and Theodred weren’t included either. Pippin and Merry’s journeys are very much pruned: Pippin doesn’t look into the Palantir (in fact Palantirs are not even mentioned), neither pledges alliegence their chosen kings, and their role in the destruction of Orthanc is hardly mentioned. Scouring of the Shire was gone, although the Shire had been badly spoiled by Saruman’s passing by and Sam got to use his gift from Galadriel. And, Saruman lives! There’s a confrontation between Gandalf and Saruman earlier, after which Saruman is allowed to leave. Later, on the hobbit’s return to the Shire, there are two lines about Saruman having passed that way and being of no further harm to anyone.
Passing mention is made of the evolution of Gimli and Legolas’s relationship from antagonism to friendship. Faramir is a minor side character (blink and you’ll miss him), which means that the meeting of Frodo, Sam and Faramir never takes place. Celeborn I either missed completely or wasn’t there. Also, Gimli’s love of Galadriel gets a short nod. Frodo is stabbed in the Prancing Pony, not Weathertop.
We do have the long awaited party, Gandalf and Saruman scene in Orthanc where Saruman’s treachery is revealed, and a few times where Bilbo and Frodo disappear when they put on the ring (the first time, when Bilbo uses the ring at his party was so well done, that I don’t know to this day how they did it!). Moria and Balrog’s battle with Gandalf were well done, except that the face of the Balrog creature looks silly.
Arwen and Aragorn’s story is fairly well developed, which is why the fact that Arwen wasn’t part of Aragorn’s coronation was so shocking. They do share a moment and a kiss earlier on, and also during the end when the actors come to bow to the audience.
All in all, I was delighted with the musical, cuts and all. If you do have a chance to see it, I can highly recommend it!Posted in Events, LotR Stage, Old Special Reports, Stage Productions
Boris writes: I just wanted to tell you that there is a new Tolkien Musical being done in Hamburg. It is called a “world premiere” apparently scheduled for February 2008 in a big theatre (3000 seats), with a big symphony orchestra (90 piece), three choirs and over 100 actors. And the photos look nice! The website is here. Unfortunately there is no english version yet!
Ben writes: I noticed that you guys were reporting on the opening of LOTR in London, and I thought I’d get in touch with you about a related project of mine: “The Lord of the Rings: The Musical: The Musical!” For about 8 months now my writing partner and I have been working on this, and on July 4th the show is going to premiere at the Toronto Fringe Festival. The show tells the story of the LOTR musical’s run in Toronto: the massive hype leading up to opening night and the show’s very sudden failure. The main character is a naive, LOTR-loving writer who is trying to make his dream of an LOTR-musical come true, but he runs into trouble when he falls in love with the wife of the evil British producer. Our show is going to have seven performances for the duration of the festival, and we’re hoping to organize another run later in the Summer.
I’m trying to get the word out to as many LOTR/theatre fans as possible and I was wondering if you guys knew of any Toronto-based LOTR organizations/communities that might be interested, or if you had any ideas for sending the message out to Toronto’s LOTR fans. I also understand that your staff is located all around the continent, so if any of you happen to be in Toronto in July we would of course love to have you come to the show.
If you want more information about our show, check out www.lotrtmtm.com.Posted in Fans, Lord of the Rings, LotR Stage, Old Special Reports
LONDON–It’s gotten better; it’s gotten worse. The revised production of The Lord of the Rings that opened at the Drury Lane Theatre last night is not unlike a friend who’s been hitting the Botox a bit too heavily. At first glance, they may seem sleek and lovely, but look closer and you’ll find that everything underneath is frozen and unmoving. What has the show gained since its run in Toronto? A more effective use of its sets and lighting, a clearer storyline in Act III and a smashing performance from Laura Michelle Kelly as Galadriel. [More]Posted in Lord of the Rings, LotR Stage, Old Main News