“The only way he knows how to resolve conflict is with those damn Eagles,” is one of the most persistent complaints about Tolkien. “They’re such a deus ex machina,” the complainer will add if he wants to make it absolutely clear that he went to college.

As a storyteller, Tolkien was no flailing amateur, hurling his characters into conflicts that he could not extract them from. Whether or not you like his style of resolution, it was quite intentional. He even coined a word – “eucatastrophe” – to refer to this type of sudden deliverance, which he detailed in his essay “On Fairy Stories”:

The consolation of fairy stories…the sudden joyous “turn” (for there is no true end to any fairy tale): this joy, which is one of the things which fairy stories can produce supremely well, is not essentially “escapist,” nor “fugitive.” In its fairy-tale or otherworld setting, it is a sudden and miraculous grace: never to be counted on to recur. It does not deny the existence of dyscatastrophe, of sorrow and failure: the possibility of these is necessary to the joy of deliverance; it denies (in the face of much evidence, if you will) universal final defeat and in so far is evangelium, giving a fleeting glimpse of Joy, Joy beyond the walls of the world, poignant as grief.

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The day-to-day operation of the website, and the events we host, require a lot more resources than when we first started nearly 15 years ago. We sometimes find it hard to ask our readers for the help we need to keep running, so we began discussing what it is that makes TheOneRing.net worth helping out. It started out as a search for the Top Ten Moments of TORn, but the list got so long because each staff member had their own idea of important moments in TORn history. Here, instead, is something more encompassing: Ten Ways TORn helps serve Tolkien and Lord of the Rings fandom (listed in no specific order).

And, if you enjoy what we do, consider a donation (no amount too small, because every bit does help!) to keep us running!

If you can’t, that’s fine as well — keep reading, commenting and contributing. Because TORn is as much you as it is us!

If you’ve ever sent in an article, submitted a photo or report, posted on our messageboards, visited our chat, or commented on our twitter, facebook or g+, you’re the reason TheOneRing.net is among the largest and most-respected pillars of the Tolkien community on the web.

• Spy Reports

• Spy reports were a big part of our content when the website first started. From casting announcements to secret location pictures to leaked images of important plot points, spy reports were our bread and butter stories. Some of the reports were from random, anonymous sources, while others were official leaks from cast and crew. In fact, there were many production members who said they used TheOneRing.net to keep track of what some of the other filming units were doing. Other spy reports were just someone stumbling upon a film location and sending in a story or images and then we’d all try and guess what location it actually was. Some of our biggest spy reports were of Arwen at Helm’s Deep (which subsequently didn’t happen), Saruman’s prone body on a spiky wheel (which did happen), and TheOneRing.net was given the honor of introducing Thorin to the world. And very soon, we will be seeing stories from MrCere’s visit to the set from his Production Embed last year.

• Hall of Fire Chats and the Message Boards

• Literary discussions on the message boards and Hall of Fire chats – From the very beginning of TheOneRing.net, discussions of the books, chapter by chapter, has been a hallmark. After all, while we waited for news on who would be cast, where filming would take place, and rumors of what might be cut out, we had the books to talk about. Discussions worked by talking about one chapter at a time, and luckily, there are enough books with enough chapters, to keep those discussions going on for a long while. Since the beginning, we’ve looped through the books several times, but luckily, there are always new readers joining the discussion, and new interpretations to be had. And for something a little more dynamic, there are the Hall of Fire chats in Barlimans. Sometimes the talk is about a specific chapter, or a certain character, and sometimes it is about current events, such as new character images or reviews of a recently released trailer. No matter which forum you use, there is always someone to talk to about some aspect of Tolkien, the books or our fandom.

• TORns Live Videos

• We began with TORn Live, which consisted of Red Carpet interviews at premieres, awards ceremonies and special events like Cannes 2001 and SDCC. These would be recorded, edited and released online a few days or weeks later. But technology now allows for live streaming interviews and vlogs and the like. Quickbeam hosts a weekly TORn Tuesday event with interviews and discussions, while he interacts with a live chatroom. The Happy Hobbit ladies record and post their vlogs and post them within a day or two of their recordings, for a much quicker turnaround on video content. And right now we have the Road to DragonCon in full swing with live streaming from across the country.

• Conventions

• Convention appearances – Calisuri and Quickbeam hosted a panel at San Diego Comic Con in 2001, before the release of FOTR, and since then barely a year has gone by that TORn hasn’t had a presence at at least one convention. At many of the conventions we appear at we also have a presence on the exhibit hall floor where we have sold some of our classic TORn shirts. We love it when we get up on stage for a panel and half the people in the audience are wearing some of our older shirts.

•  

  

  Baggins Birthday Party sign

  Line Parties and Fan Events

• Line Parties and other fan hosted events – TheOneRing.net has always been a grass roots type of fan-site and that is no more apparent then looking at the Line Parties of years past. Whether it is just a few friends, or some hundreds of people signing up on the website to attend, fans like you all over the world hosted Line Parties. A few even took place over several days, and included costume contests and trivia games for prizes. Other fan hosted events over the years have been the Hobbit Day/Baggins Birthday Bash events on Sept. 22, the Tolkien Toast on Jan. 3 and the Tolkien Reading Day on March 25. TORn staff in Los Angeles have been hosting a Baggins Birthday Bash party for 11 years now, but there are fan groups around the world that have hosted similar events. Smaller moots happen around the world all the time, there is a very active group in Wellington and one in Croatia. If you are hosting a fan event in the next year or two, please feel free to tell us about it.

• The Oscar Parties

• Originally conceived as a fan event to help raise funds to buy TORn a new server, who could have imagined the Cast and Crew actually showing up to the FOTR oscar party? Even more surprising, who could have imagined the ROTK sweep and all those Oscars on stage at a fan hosted party?

• O.R.C and E.L.F.

• TheOneRing.net hosted conventions – The One Ring Celebration on the West Coast (O.R.C.) and the Eastern Lord of the Rings Festival on the East Coast (E.L.F.) were co-productions with a professional convention company, but they definitely had a TORn stamp on them. The conventions allowed us to combine our love of the films by interacting with cast and crew with our love of the books through academic discussions, the art shows and costume displays. We really did break the mold on how a commercial scifi convention is run and hope everyone who attended had a blast.

• Academic essays and editorials

• TORn has long standing relationships with many in the academic community who have posted guest essays and editorials. Over the year several staffers have posted in depth analysis to fan questions on the site as well. In fact, we have a whole section on the ‘old TORn’ (pre-crash) called Green Books for academic posts. This section had so much good stuff in it, we published a book called “The People’s Guide to J.R.R. Tolkien” and a sequel book as well.

• Driving fan initiatives

• After Return of the King was done and Peter Jackson moved on to do King Kong, the fans waited to see what would happen with The Hobbit afterwards. Months turned to years and still no word while studios went bankrupt, copyrights issues got tangled up and various lawsuits were filed for missing payments. Finally, a few fans decided they had had enough and started a petition to ‘Make the Hobbit Happen’. They brought it to TORn and we got thousands of you to sign so that a big pile of names was delivered to TPTB. A similar thing happened when there was talk that the production would be moved out of New Zealand. The fans could see no where else as Middle-earth, so the ‘Keep the Hobbit in NZ’ campaign was born, but this time on Social Media. And most recently, there was an explosion of Tolkien fan love over the #Votebilbo twitter event prompted by an MTV Audience Award.

• TORn Community

• This list compiles many of the things that TheOneRing.net does to keep you informed, entertained and engaged, but there is really just one thing that makes TheOneRing.net so important to keep around. And that is the community of fans that convene on our message boards, in Barliman’s chat, on Facebook and Twitter.

This site was built by fans getting together to discuss what they hoped for from Peter Jackson long before FOTR ever saw the light of day. The fact that a long existing fan-base gathered here meant engaged and informed discussion began from day one, including analyzing all the spy reports about casting and location details. We didn’t have to wait for the release of the films, or for several episodes of a new show to take off before we could discuss the minutia of every detail because our fan base was already well established.

And what is ‘fandom’ if not a community of like minded people passionate about the same thing. Sure, everyone has their own opinions, so every time a new image was released, or a new trailer appeared, the message boards and chatroom erupted into heated discussions. But as the years wore on friendships were made, some turning into marriage, and we all began meeting up at various moots, conventions, concerts, premiere events, trips to New Zealand or just coffee and a movie. How many of you newer fans were galvanized by the #Votebilbo campaign and now have a wider array of Twitter friends because of it? The fact that TORn was able to continue to exist during all those lean years between film productions is due mostly to you, the readers, sticking around to discuss anything and everything to do with Tolkien, and sometimes other bits of pop culture. We know that after the release of The Hobbit: There and Back Again we will see another decline of readership, but we also know that the community is strong, the friendships have been forged and all of you take that fandom with you where ever you go next.

So again, if you are so inclined to help support us and keep the website going, please do make a pledge or bid on one of the many cool auction items we’ve been posting about the past few days. On behalf of the All Volunteer Staff at TheOneRing.net, you have our deepest gratitude for all the support over the years.

Azog the Defiler

In particular, he examines whether persistent criticism of this key villain might be a result of flaws inadvertently introduced by the relatively late switch from two films to three.

Did Azog defile An Unexpected Journey?

By Rud the Spud

Azog is an aspect of The Hobbit: An Unexpected Journey that has perturbed me for some time now.

Did he or didn’t he work in An Unexpected Journey? And, if not, was he the victim of the late change from two to three films?

I don’t know if it was the massive hype (which I’m glad there is less of for Desolation of Smaug), the huge expectations off the back of The Lord of the Rings movie trilogy or whether it was simply the basic love for the book itself, but I found An Unexpected Journey mildly disappointing.

Don’t get me wrong, I enjoyed it and I loved so many aspects of it but there remains an uneasy feeling that I’ve only recently been able to define.

And that is Azog.

AZOG IN THE TOLKIEN’S LEGENDARIUM

The Battle of Azanulbizar.

In Tolkien’s Legendarium, the Battle of Azanulbizar was fought in retaliation for this dishonour.

In An Unexpected Journey, the battle is condensed into Thrór’s large-scale attempt to retake Moria. It is during this battle that Azog decapitates him in the film. Events are altered: in the book it was Náin, father of Dáin Ironfoot, who Azog slew. And it was Dáin (who will be played by Billy Connolly in There and Back Again) who leapt after Azog and hewed off his head before Moria’s East Gate.

At Azanulbizar, Thorin did fight off several orcs with an oak branch, but Tolkien does not report that he went near Azog. But the upshot is that Azog was truly slain in the battle. He does not return; it is his son, Bolg, who nurses the grudge against Dáin and the dwarves. And it is Bolg who leads the wargs and goblins into the Battle of the Five Armies. Bolg’s role in the movies is yet to unfold.

The alteration of events for the sake of making a concise screenplay is understandable and acceptable. The filmmakers instead use the Azanulbizar to emphasise the heroism of our central character Thorin and establish back stories for Balin and Dwalin. Even the survival of Azog wasn’t a major issue for me initially. It was a little contrived how Thorin believed him to be dead (doesn’t he know how movies work?) but even that was acceptable.

It was the depiction of Azog that irks me the most.

On the Main board this week, Ethel Duath invited us all to create an anthem for the fictional country of Tolkenia.

Whilst in the Reading Room, noWizardme wants to know which Tolkien book character would you have lunch with, and why? 

The Hobbit board is buzzing over why we haven’t seen any major images of Bolg, Dain or Beorn (apart from the blurry Sonic Hedgehog image of Beorn and a toy of Bolg).

In Off Topic we’ve been checking up on our friends in the Wellington area after the big earthquake last week.

And in the Pollantir, Maciliel wants to know how many books we have in our personal libraries.

We’ll share more topics next week. We hope you’ll come and join in the conversations!  Don’t forget, TheOneRing.net’s message boards have over 9,950 registered Tolkien fans, just like you.  Let your voice be heard!

Also, this weekend (Saturday August 17 at 6pm EDT (New York time)) we’ll be focusing on a movie topic — Beorn. That’s right, the shapeshifter of the Vales of the Anduin and hero of the Battle of the Five Armies. What do you think of Mikael Persbrandt, what are your thoughts on Beorn’s demense and hall so far, and what do you think of the spy image that we revealed last Friday? Those are just a few of the questions we’ll touch on, so don’t miss it!

In last week’s article, I started with a simple question: how do book lengths, as measures by word count, compare to their adapted movie run times, as measured by seconds? I was mostly looking for a statistical basis to express my displeasure at The Hobbit: An Unexpected Journey (and by extension, parts 2 and 3 of this unnecessary trilogy), but I wound up comparing the density of the Hobbit movies, as measured in Words in Book per Second of Movie (WIBPSOM), to other prominent movie adaptations of books: The Lord of the Rings, The Hunger Games, and the Twilight franchises.

The findings were interesting in and of themselves (TL;DR: The Hobbit Books have way smaller WIBPSOM values than the other franchises), but they begged for a larger scale analysis, both in size of dataset and scope of inquiry. To address the size of the dataset, I found all of the (English language) entries on this list of best-selling books that have theatrically-released, non-silent movie adaptations. After including multiple movie adaptations of the same movie and excluding movies where I couldn’t find any data on book length as measured by word count, I came up with a dataset of 59 movie adaptations of best selling books.

As for scope of inquiry, well, let’s get down to brass tacks: is there any relationship between the density of a book’s movie adaptation, as measured by WIBPSOM, and the quality of the movie, as measured by its IMDB rating?

In a word, the answer to this intriguing question is an emphatic “no.”

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Also, this coming weekend (Saturday August 17 at 6pm EDT (New York time)) we’ll be focusing on a movie topic — Beorn. That’s right, the shapeshifter of the Vales of the Anduin and hero of the Battle of the Five Armies. What do you think of Mikael Persbrandt, what are your thoughts on Beorn’s demense and hall so far, and what do you think of the spy image that we revealed last Friday? Those are just a few of the questions we’ll touch on, so don’t miss it!

John Rhys-Davies is Welsh and a screen actor and voice actor. He is perhaps best known for playing the dwarf Gimli and Treebeard in The Lord of the Rings trilogy and the charismatic Arab excavator Sallah in the Indiana Jones films. He also played Agent Michael Malone in the 1993 remake of the 1950s television series The Untouchables, Pilot Vasco Rodrigues in the mini-series Shōgun, Professor Maximillian Arturo in Sliders, King Richard I in Robin of Sherwood, General Leonid Pushkin in the James Bond film The Living Daylights, and Macro in I, Claudius. Additionally, he provided the voices of Cassim in Disney’s Aladdin and the King of Thieves.

And a reminder, next weekend (Saturday August 3 at 6pm EDT (New York time)) we’ll be discussing the next chapter in our read-through of The Lord of the Rings: The Two Towers: Book III, Chapter XI: The Palantir. It’s the final chapter of Book III, so don’t miss it!

Yet there are a number of minor (some even without a name!) characters who either serve an important purpose, give us a great deal of food for thought, or even go against established yet hard-to-overcome stereotypes about the content of Tolkien’s writing.

In no particular order, here are my leading six.

1) Sam’s dead Southron warrior.

“…suddenly straight over the rim of their sheltering bank, a man fell, crashing through the slender trees, nearly on top of them. He came to rest in the fern a few feet away, face downward, green arrow-feathers sticking from his neck below a golden collar. His scarlet robes were tattered, his corslet of overlapping brazen plates was rent and hewn, his black plaits of hair braided with gold were drenched with blood. His brown hand still clutched the hilt of a broken sword.”
Of Herbs and Stewed Rabbit, The Lord of the Rings.

A common criticism of Tolkien is that evil is evil and good is good and ne’er the twain shall meet. The bad guys only exist to be Othered… and then gloriously hacked to death. Yet Sam’s thoughts on the dead Southron are a direct repudiation of this view.

Sam wonders at the man’s name, where he came from. The questions run thick and fast. Was he was really a bad man? Was he deceived into serving Sauron to march far from his home to die fruitlessly in the woods of Ithilien? Would he really rather have stayed there in peace?

The narrator gives no answers, but the questions in themselves are a powerful reminder that conflict cannot be easily reduced to “us” and “enemy”.

“It was Sam’s first view of a battle of Men against Men, and he did not like it much.”

Considering Sam, of all the hobbits, is our perspective character — the “Everyman” — it’s more important than you might think. Pippin has similarly uneasy thoughts as he watches Saruman’s forces march away south to Helm’s Deep from Isengard.

2) Ghân-buri-Ghân

“There sat Théoden and Éomer, and before them on the ground sat a strange squat shape of a man, gnarled as an old stone, and the hairs of his scanty beard straggled on his lumpy chin like dry moss. He was short-legged and fat-armed, thick and stumpy, and clad only with grass about his waist.”
The Ride of the Rohirrim, The Lord of the Rings.

Another misunderstood criticism: evil is always ugly, and those on the side of good are strikingly handsome. Enter the Woses of Drúadan Forest. The descendents of the solitary and tribal Drúedain folk who fought in the First Age against Morgoth, and abandoned Numenor long before its destruction, there’s nothing pretty about the Wild Men of the Woods. Yet, they assist the Rohirrim to reach the Pelennor in time to save the folk of Gondor.

Of course there are other examples. Most prominently, Sauron assumed a fair form to deceive the elves of Eregion and start the chain of events that leads to the forging of the One Ring.

Icing on the cake, the Woses use poison arrows, and the Marshal of the Mark Elfhelm seems to imply that they’ve even been used on the Rohirrim. If the good folks never resort to foul means to win, the Woses don’t seem to have got the message.

3) Lúthien Tinúviel

“Tinúviel rescued Beren from the dungeons of Sauron, and together they passed through great dangers, and cast down even the Great Enemy from his throne, and took from his iron crown one of the three Silmarils, brightest of all jewels, to be the bride-price of Lúthien to Thingol her father.”
A Knife in the Dark, The Lord of the Rings.

Lúthien doesn’t even directly enter the events of The Lord of the Rings, yet her influence is felt throughout the tale.

Her example, and that of Beren, inspires Frodo to resist the commands of the Nazgúl at the Ford of Bruinen. Her arts of healing — more than once she saved Beren from death’s door — are in a smaller measure seen in her descendents Elrond and Aragorn. And as Sam observes just before he and Frodo enter Torech Ungol, the light of the Silmaril she helps Beren recapture is in the Phial of Galadriel that later proves so vital in keeping hope alive for the Quest.

And make no mistake, Beren could not have wrested the Silmaril from Morgoth alone. Lúthien plays an equal part — probably the key role in my opinion — in the success of that particular quest.

Aragorn is the kind of character that demands a closer look. You must remember the speech that Shrek gives to Donkey about ogres being a lot like onions: “We have layers!” I would also like to use the onion metaphor for Strider. But wait — that’s just one layer. Peel away a bit and you’ll find the outcast orphan-lad who was taken in by the Elves; his mother desperate for some protection. Peel away more layers to find within a skillful fighter, a passionate lover, a delicate negotiator with a voice of great wisdom, a healer and master of herb-lore, and yes… in the very center of his heart, underneath it all, is a King.

It’s no small wonder readers and movie-goers are fascinated by Aragorn. Women of all ages swoon over Viggo Mortensen’s portrayal of this multi-faceted character. No one can possibly imagine Stuart Townsend taking the role, not at this point (sorry Stuart). Men have found themselves admiring a new hero on the silver screen: as cool a cat as Errol Flynn and as swashbuckling as Harrison Ford. “This guy is great, man, he can kick-ass and has all the ladies in Middle-earth after him!”

Yes, but I must remind you that that ‘matinee idol’ image of Aragorn is just the surface. This man has so much on his plate, is so burdened by worries and duty and the hardships of his life, that we can’t help but admire the TRUE Aragorn that’s underneath the rugged exterior. I say the true Aragorn is proven by his actions. Yes, he is truly the Ranger, leader, lover, and King that fills Tolkien’s pages and fills our daydreams.

But he is only able to succeed (for himself and for all us readers) because he proves himself. The verb “to prove” has several meanings. You could say the actual word prove is like an onion too. Proving a thing is true can be done by establishing it with facts and evidence. To prove the existence of the King, and his rightful claim to the throne, you have to show clear facts; real things in the physical world that show Aragorn is the heir. So Aragorn is given the Elessar by Galadriel:

“In this hour,” she said, “take the name that was foretold for you, Elessar, the Elfstone of the Elendil.”

A beautiful eagle-shaped brooch, given with love but also with a sense of hanging doom. But the mere possession of this Elessar does not prove he’s the King — let us not overstate the obvious here. I can also find the passage in Appendix A where Elrond gives Aragorn the Ring of Barahir and the Shards of Narsil. There is also the stunning Sceptre of Annúminas, which Elrond refused to give to the young man at first.

Funny. The Elven Lord of Imladris refused to give Aragorn the great Sceptre. Let’s think about that. No matter what kinds of jewelry, crowns, baubles, or finery you have accumulated, you really aren’t the King just by possessing such items. Holding up the reforged Andúril to glimmer in the light does not a King make. Aragorn could have trotted off to Minas Tirith, entered the Citadel with all his fine raiment and his new sword, and walking right up to Denethor declared: “Here I am! Bow down to me!” Doesn’t take much imagination to guess the Steward’s response.

Speaking of inherited artifacts, that creepy little Palantír belongs to Aragorn too, I should note. It is an heirloom of his own house. None of the Stones belong to Saruman or Sauron or Denethor. When Aragorn reveals his true identity to the Dark Lord, using the Stone from Orthanc…. just think! It is a critical turning point in his life: and a turning point in the story. This Ranger from the North is no longer in hiding. He controls the Seeing Stone like a finely tuned instrument, and gives the Enemy a sucker-punch right in the gut. I can imagine the wild fear and hatred that Sauron must have felt! So Aragorn comes closer to proving himself.

Now this is the crux of the matter. This is the true meaning of the verb “to prove.” Peel off another layer of that onion. To prove something you have to test it. You have to put it out there. See how it stands up. That is the Kingly Proof we are looking for.

Aragorn had to prove himself, his worth, and his lineage throughout the War of the Ring. Every task put at Aragorn’s feet, all the difficult choices and furious events, every step forward where his credibility was on the line, was part of his ongoing test. He had to prove that everything hanging over him was indeed his own right to become King. And like Atlas destined to carry such a massive weight, Aragorn proves he is strong enough to hold himself up.

It’s a theme we see often in Tolkien’s world. Characters are pushed to their own personal limits. Sometimes they are given a moral dilemma that must be conquered. Sometimes an army of Orcs. Whatever the test, we are enthralled to read of Aragorn’s exploits. We sense that something inside of him is waking up. It’s something very strange indeed to know that you must prove yourself. I sometimes think it is easier on a person if they don’t know what is at stake. But throughout LOTR Aragorn is painfully aware.

He is not given the Scepter of his forefathers because Elrond doesn’t believe he is yet proven. He is not allowed the hand of Arwen either “….until the time comes and you are found worthy of it.” Going off into the Wild and becoming extremely close in friendship with Gandalf (some would say becoming an apprentice) is how Aragorn responds to this. He must survive many journeys and succeed at many challenges against the Enemy. What must it have felt like for him?

Using the name Strider (or any alias) the servants of the Enemy would not to find him. What a strange dilemma. He had to simultaneously hide himself from Sauron and fight against his encroaching evil as well. All the time thinking to himself that the might of ancient Númenor was flowing like blood in his veins. All the time wondering if he’d be strong enough to live through it. And certainly his own internal conflicts made it more difficult.

Aragorn had so many tests to prove himself it makes your head spin:

1) help the hobbits survive cross-country
2) fend off the Nazgûl attack
3) resist the power of the Ring
4) lead the Fellowship after Gandalf’s fall
5) track down Merry and Pippin’s captors
6) inspire Théoden King at Helm’s Deep
7) survive the Battle of the Hornburg
8) use the Palantír against the will of Sauron
9) traverse the Paths of the Dead and recruit the Oathbreakers
10) defeat the Corsairs of Umbar
11) come swooping in to save the day on the Pelennor Fields
12) heal many suffering and wounded with athelas
13) dismiss the faint-hearted with mercy
14) challenge the Mouth of Sauron and the armies of Mordor

And a dozen other things are thrown at this man that I haven’t even remembered! Does it seem to you that Aragorn was ever once given the easy way out? At what point could he reasonably raise up his hands and disavow himself from all of it? Shouting to the night in exasperation, “Enough already! How much more can I take?”

Yet he never does. And we learn something profound about this man from the fact that he endures so much.

So there you have the reality of “proof.” A lesser man would have been overwhelmed. Aragorn was not. He finds something in his soul that keeps him going. But what is it really? Can we find that final layer underneath it all? What makes Aragorn so strong from within?

The key, I think, is found when the Grey Company rides down from the North, finding Aragorn and the others on the fields of Rohan at night. Halbarad and the other Dúnedain bring him messages and a gift from Arwen. She spent many weeks making a great standard for him to unfurl at the appropriate time. The standard of the White Tree, the mark of Elendil’s house, “wrought in mithril and gold.” She is giving him, in essence, the final acknowledgment that he will become King. That she believes in him no matter what. Something inside Aragorn shifts into place. Tolkien is quietly showing us the point of no return for this character. It is such a revealing moment, yet handled with great subtlety, indeed there is danger the reader might miss it. Aragorn finds his greatest strength from Arwen’s love. He remembers the price she must pay to love him, becoming mortal herself. We must also realize she is paying the ultimate price to be at his side.

Aragorn will pass any test to honor Arwen’s heart — to justly respect and honor what she is giving up for him. He decides to make his heart equally as strong as hers. He is keenly aware of her sacrifice, and it weighs on everything he does. If need be, he will prove himself to the final end of ends. He will fly down the fury of all Sauron’s armies, all the treacherous paths of the world, conquering the Enemy from within and without to honor her. Aragorn’s choices and actions show the true measure of his worth, especially because he understands what others are giving up for him.

That is proof enough for me.

Much too hasty,
Quickbeam
@quickbeam2000

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This article was originally posted on October 3rd 2003 as part of our Green Books area.