Elijah Wood’s film “I don’t feel at home in this world anymore,” won the Sundance Grand Jury prize in the U.S. Dramatic competition at the just concluded 2017 festival.
It was one of 16 films in the category that included “Crown Hights” that won the Audience Award.
The film is summarized like this:
Ruth, a depressed nursing assistant, returns from work to find dog shit on her lawn and her house burglarized, the thief having made off with her silverware and laptop. Losing faith in the police (and possibly humanity as a whole), Ruth starts her own investigation, joining forces with her erratic neighbor–and dog shit culprit–Tony. Upon locating the laptop, they trace it back to a consignment store, leading them to a gang of degenerate criminals and a dangerous, bizarre underworld where they’re way out of their depth.
Macon Blair’s outstanding debut feature has an exuberant storytelling style that’s full of personality, visual inventiveness, idiosyncratic characters, and wildly unpredictable turns. Its dark tone, deadpan humor, and increasingly blood-soaked foray into a twisted moral universe evoke the Coen brothers, but most captivating is the deeply unsettling journey it takes Ruth on, through human vulnerability and escalating violence. Once brought to tears by the notion of an infinite universe, her quest isn’t for her laptop, but for a way of processing a world that no longer makes sense to her.
On the same night, last year’s big Middle-earth alumni film of Sundance 2016, “Captain Fantastic” featured Viggo Mortensen and the cast appeared at the screen actor’s guild where it was nominated but didn’t win. For that film TheOneRing was able to talk with Mortensen about the film, but despite repeated efforts, had no luck speaking with Wood for his film.
But, Wood wasn’t the only Middle-earth actor to show up in a film at this year’s Sundance. Actor Stephen Hunter, who played Bombur in the three films based on “The Hobbit,” appeared in Australian thriller “The Killing Ground.” The film received a warm reception and has a good chance to be seen in theaters. I saw it and think it’s a gripping thriller that handles its violence well. It deserves to be seen but will disturb some because of its violence.
Hunter plays a key supporting role that the Sundance festival described like this:
When young couple Sam and Ian escape the confines of urban living for a weekend getaway at a remote campsite, they arrive to find a neighboring tent set up with its inhabitants nowhere in sight. As day turns to night and then to day again, the young couple becomes increasingly concerned about the whereabouts of their unknown fellow campers. When they discover a toddler wandering alone on the campground, things go from bad to worse, thrusting them into a harrowing fight for survival in a place miles from civilization, where no one can hear them scream.
Teeming with dread and unnerving tension, the debut feature of writer/director Damien Power draws heavy inspiration from Michael Haneke’s Funny Games and Sam Peckinpah’s Straw Dogs, utilizing the film’s sparse locations to considerable effect. As jagged pieces of the puzzle are carefully revealed one by one, Killing Ground evolves into a brutally violent thriller that will force you to think twice the next time you dare venture beyond the city’s bright lights
Wood also appears in another film, this one a documentary about the classic Alfred Hitchcock “Psycho.” The film, called “78/52,” breaks down the historic and absolutely groundbreaking shower scene in the film that is credited with launching the horror genre of film in a new way. He is seated with other actors sharing his perspective, especially insightful when examining the performance of Anthony Perkins. Guillermo del Toro also is featured and is a delight.
The film has been purchased and will likely get a new or extended title and will be released in major film markets. The festival title refers to the number of set ups and film cuts the master of suspense used in the scene. For anybody interested in film, I absolutely recommend it. Actually, I recommend it for anybody who has ever watched a film.
The festival describes it:
“In 78 setups and 52 cuts, the deliriously choreographed two-minute shower sequence in Psycho ripped apart cinema’s definition of horror. With a shocking combination of exploitation and high art, Alfred Hitchcock upended his own acclaimed narrative structure by violently killing off a heroine a third of the way through his film, without explanation, justification, or higher purpose. Psycho played out like a horrific prank, forcing audiences to recognize that even the most banal domestic spaces were now fair game for unspeakable mayhem.
With black-and-white film-geek reverence, director Alexandre O. Philippe breaks down this most notorious and essential scene shot for shot, enlisting the help of film buffs and filmmakers alike—including Guillermo del Toro, Bret Easton Ellis, Karyn Kusama, Eli Roth, and Peter Bogdanovich. 78/52 examines Janet Leigh’s terrified facial expressions and the blink-and-you-miss-it camera work, not just within the context of the film but also with an eye toward America’s changing social mores—revealing how one bloody, chaotic on-screen death killed off chaste cinema and eerily predicted a decade of unprecedented violence and upheaval.”
Not to sound as alarmist as Fredegar Bolger rousing the Hobbit-folk in the wee hours of a peaceful Shire morning, but perhaps the time has come for fans of Howard Shore’s scores to sit up and reconcile themselves to a very dismaying possibility – that the unheard music of Middle-earth might well in fact never be heard.
It’s Earl, your soundtrack-obsessed TORn-staffer, and the reason I’m venturing to make this statement is because of the recently announced Limited Collector’s Edition of the movies, which makes it almost excruciatingly clear that the Warner Bros studio is so very, very far removed from knowing what fans really, truly want, and are willing to pay for.
The first time I watched The Hobbit: An Unexpected Journey Extended Edition, I mistook a hobbit in the marketplace scene for Sean Astin. Upon pausing the film, however, I realized it wasn’t Sean at all but rather an actor who strongly resembled him… holding a baby. I’m certain the filmmakers also noticed this resemblance, which begs the question: is this Gaffer Gamgee and Samwise?!
Remember, Hobbits are a longer-lived race than Men. They come of age at 30, after all. In The Fellowship of the Ring (book), Frodo celebrates his 50th birthday shortly before embarking on the Quest to destroy the One Ring. The events of The Hobbit are said to take place roughly 60 years before Frodo steps out his front door on that fateful day. Sam is stated to be younger than Frodo in the books, but given the altered timeline of the films, Samwise (who looks older than Frodo in FOTR) could be around 60 years old when he joins his friend on the adventure, which could justify this (possible) baby cameo.
Samwise is ready for an adventure!
After all, Jackson’s Middle-earth films are a magical place in more ways than one: that stumbling man in Bree is still eating a carrot 60 years later, unchanged by time!
What do you think? Is this baby Sam Gamgee? Or perhaps baby Hamfast (Gaffer) and his father? At the very least, they must be some Gamgee relation!
Sam and his daughter Eleanor at the end of ROTK
Only one thing is abundantly clear: baby hobbits are adorable.
The marketing campaign of #OneLastTime for “The Hobbit: The Battle of the Five Armies,” might have been a little short-sighted as now that most readers of TheOneRing.net and other rabid Tolkien fans have seen the film (sorry Australia friends, paddle over to New Zealand) studios are probably thinking they should have gone with #OneDozenMoreTimes.
But the Sting can’t be too great, because the film is creating liquid gold that is flowing from consumers around the world. Rentrack, that tracks such things, shows that it has a robust domestic box office, so the little film from New Zealand has earned $90 million in Yankee coin. That is a more than solid five-day total and while it could have optimally earned closer to $100 million, that number is far from disappointing. In fact, the studios should use it to pour a floor like the one in Thorin’s hall of madness to, you know, impress the other studios.
The film has such white-hot, world-wide appeal however, that unlike some films that rely on U.S. consumers, this film hardly needs them in its march to $1 billion. Now, to be clear, that billion with a “B” sounds pretty nice but should the movie “only” make, say $900 million, all but inevitable now, that is still a pretty incredible figure. Our consumer brains like to hear the “B,” but the movie is a hit either way and don’t let anybody tell you otherwise.
Globally, it is on fire, doing great business in virtually every territory, sucking up a figure of $265 million since its open. Both the previous Hobbit movies earned more than $700 million internationally and this film is ahead of those in virtually every market. Domestic tracking would put it at $250 million plus for a conservative total of $950 million. My gut tells me the sentimental “last chance for Middle-earth in the theater” (you are welcome movie studio marketing departments) will give this film a little extra run. So the real question is: Will the Hobbit make more than the last Transformers movie? That shows at Boxofficemojo.com with a total of $1.08 billion. One of those two films is destined to be the biggest financially of the year. I generally dislike movie vs. movie comparisons, but I am both cheering for WB’s fantasy flick and against Michael Bay’s painful, loud snooze fest.
TOTALS: Domestic: $ 90.6 million + International: $265 million = Total worldwide: $355.6 million.
It is funny how big hits like “Guardians of the Galaxy,” and “The Lego Movie,” both fall well short of that $1 billion mark and are praised as giant successes — which they are. But, anybody remember some of the negative buzz with last year’s “Desolation of Smaug” being “disappointing?” It only made $958 million. Before that, some folks tried to say “The Hobbit: An Unexpected Journey,” was “doomed to failure” and then when it obviously wasn’t doomed or a failure, it was then termed as “not quite so bad, but still has no shot at $1 billion.”
First, that is just an arbitrary mark that looks good on a resume but it did cross that arbitrary mark despite the cries of “failure.” Bad buzz, even when it is fake, can hurt the box office. I got mad and wrote Death of ‘Hobbit’ at box office greatly exaggerated. I will not lie, punching holes in absurd journalism made it one of my favorite pieces I have ever put together for TORn. Also, it is relevant to how BOTFA is kicking some trash. So yeah, I had to link to it #OneLastTime.
Guardians will out-earn Hobbit in the U.S., but can’t touch it internationally. Marvel/Disney’s world-wide total will be approximately the same as Hobbit’s international-only money. Warners could have let everybody in the U.S. watch it for free and it would have earned the same as Guardians. #NotAFailure
The latest Hunger Games flick, “Mockingjay: Part 1,” is sitting around $640 million for its world total. Great numbers, but not Hobbit numbers. And Lego, as great a success as it is (and a great movie), isn’t half Hobbit 3’s final — even with Gandalf in it. In fact BOTFA is closing in on it fast.
BONUS TEASERS: While we are here, I will take a second to tease a pretty incredible Ian McKellen interview coming in the next day or so. That sounds immodest of me to say since it is my piece, but it is the journalist getting out of the way and letting Sir Ian talk. I really think it will connect with readers. He spoke at length about a lot of things including who else he thinks could have played Gandalf in The Hobbit films if he decided not to return. We also have some exclusive set photos of Peter Jackson coming in a day or two, one of which I included here in a small version. And if you haven’t heard, we are throwing a party! Details below.
You know, that crazy dwarf – king-to-be character – who was supposed to make an appearance in The Desolation of Smaug – but clearly didn’t. Upon seeing the first two films in The Hobbit trilogy, Thráin II (son of Thrór, father of Thorin Oakenshield) appears to be a rather key ingredient in the whole narrative – despite his lack of participation in the story.
ATLANTA — Prompted by Hobbit actor John Bell, Jed Brophy took the ALS Ice Bucket Challenge while a guest at this year’s DragonCon in Atlanta. Jed was there as part of the “Tolkien’s Middle-earth” programming track and along with Craig Parker, Adam Brown, Manu Bennett and Billy Boyd, served as celebrity guest for the show.
As part of his efforts, he visited the swimming area at the Marriott Marquis and took the icy plunge to raise money and awareness for ALS, or Lou Gehrig’s Disease. He also challenged Parker and Brown to accept the challenge.
BONN — HobbitCon 2, in Bonn, Germany is just hours away from starting with a hotel packed full of special guests, lecturers, and fans from around the world.
The Maritim Hotel in Bonn hosts the entire event, which takes over the whole property for the weekend. A full slate of lectures and presentations are scheduled starting just a few hours from now. All of the 13 dwarves from The Hobbit movies are present save Richard Armitage, who is at WonderCon, James Nesbitt who was scheduled but had to cancel and Aiden Turner. That means Adam Brown, Jed Brophy, John Callen, Ken Stott, Mark Hadlow, Peter Hambleton, Stephen Hunter, Dean O’Gorman, Graham McTavish and William Kircher are all involved. (That means three trolls are here as well!) The gentlemen were present and were rumored to have been observed hanging around the hotel last night talking together and to each other. Reportedly, 26 countries are represented at the event.
The first HobbitCon
Richard Taylor and Royd Tolkien were also in the house as was Mark Atkin — Thorin Oakenshiled in scale size. TheOneRing.net has three panels scheduled for the weekend, including one tomorrow evening, speculating on the third film in Peter Jackson’s adaptation. With the entire event scheduled in one place, it gives the whole affair a remarkable, intimate feeling that is a little challenging to explain. Its one of those things where you have to be there.
In fact, European fans can still make that happen, buying tickets by walking up to the hotel. Details can be found RIGHT HERE. TORn would love to see you in person around the hotel and at the first panel at 5 p.m.!
As we celebrate September 22 and the birthdays of two of our favourite hobbits, Bilbo and Frodo Baggins, we are joining with our friends over at WaterTower Music to give away some special little mathoms – 5 digital copies of Howard Shore’s The Hobbit: An Unexpected Journey Original Soundtrack.
All you have to do is email firstname.lastname@example.org with the subject “Hobbit Day” before midnight EST on September 22.
ATLANTA — The 2013 edition of Dragon Con was so vast and so epic that the stories and highlights just keep on coming. While thousands flocked to Atlanta to catch 28 unique Tolkien programming panels, many others just couldn’t attend. So, in order to share the event as widely as possible (and encourage you to attend next year) we brought filmmaker Dan McBride with us this year to run a one man film crew. He recorded many hours of footage and has winnowed it down to a few highlight videos, the first of which is a 10-minute overall big picture view of parts of the Tolkien Track, featured below. It stars Dragon Con’s guests at the event: Manu Bennett, Slyvester McCoy, William Kircher and Graham McTavish. (You can also catch a glimpse of TORn staffers Deej, greendragon, MrCere and Thor.) Enjoy and share the video and look for more in upcoming days including highlights from the already legendary ’80s Dance Party! McBride will hopefully return next year and just imagine what he could do with lights and a crew!
Tolkien’s love of Anglo-Saxon history is well-known, as are his influences from such Nordic works as Beowulf and the Finnish Kalevala. His passion for these cultures is evident in every race he created for Middle-earth, including the dwarves. Yet as has been highlighted in The Hobbit: An Unexpected Journey, some of the inspiration for the dwarven race may have come from an understated influence: the Celts. (more…)
Welcome to the latest “Getting to know” – questions that need answering. It’s based on the old Getting to know you threads that I occasionally post on the message boards here on TORn, so those familiar with them will know that the questions can be a little crazy and the answers even crazier.
This month we’re asking questions of self-described Online guy at Weta Workshop and all round top bloke, Magnus Hjert.
This site is maintained and updated by fans of The Lord of the Rings and the name and mark ONE RING is used under license from The Saul Zaentz Company, which hold the title thereto. We in no way claim rights in the artwork displayed herein. Copyrights and trademarks for the books, films, articles, merchandise and other promotional materials are held by their respective owners and our limited use of these materials is done by permission or is allowed under the fair use clause of the Copyright Act.