Kelvarhin: What are your thoughts on superstring theory?

MrCere: Well, theoretical physics isn’t quite my area of specialty, mostly because math is my own personal Durin’s Bane. But like others, I am troubled by the five different string theories. However, I buy into some of the possible crazy, theoretical ramifications of the theory, especially when dealing with the eternal nature of intelligences.

Wait – that question was a joke, wasn’t it? (Kelvarhin: Paging Demosthenes )

Kelvarhin: Which is your preferred form of transport; Planes, Trains or Automobiles?

MrCere: The correct answer is, “It depends” but for purposes of getting to know me better, I will say that money makes all the difference when it comes to transportation and I don’t have much these days.  To really answer I need to know: Am I driving a Bugatti or riding in a crowded Pinto or driving through a hurricane with Quickbeam, Justin and Grimlock?  If I have top-notch rail accommodations, “train” is my answer. Windows and scenery and freedom to move or recline are pretty great and the point of the journey is not always to arrive.

Having said that, I never fly first class but due to the kindness of one person, one time, I have. And wow, that was a great experience. I have travelled a lot in the last three years and I enjoyed some of each but the more money a person can spend on transportation, the better it is.  There is nothing wrong with a bicycle or a bus.  Thinking a bit, I think in the last three years I have more miles behind me than the rest of my life combined.

Kelvarhin: Do you buy any of the movie related Collectibles?

MrCere: Is this another trick question? [Kelvarhin:  Now would *I* do anything like that? 3:) ]

Assuming that Middle-earth movies are what is being asked about, yes. I was a heavy collector during the LOTR days and I also did freelance writing for Sideshow Collectibles, which allowed me to pick up items way beyond my reach otherwise.

I find the high-end collectibles of Middle-earth monsters to be much more satisfying than the character figures.  I love, love, love the series of mini-helms that Sideshow made and Weta Workshop now releases. I have many, including some really rare ones (the crown of the Witch King and King Elessar’s crown) but I am missing a few in the line and they are all but impossible to get now. They are all displayed and look cool.

I also bought all the LOTR action figures, and family literally gave them to me as Christmas presents, but they are boxed and in storage and I should sell them. I display some LOTR things in my Man Cave other than just the helms. The most dramatic piece I have is a large armoured Sauron figure that is displayed with a different piece, his mace, and a large, heavy and metal helm that might be 1:4 scale so I guess it is a shrine to Sauron on one shelf. I have a sweet Lurtz and a few others.

Now I really only collect Middle-earth books, including Tolkien books, because I am a student instead of a working man and there is no disposable income. I haven’t picked up Weta’s Hobbit movie books yet but I saw them in the production phase and they are mind-alteringly good. How can everybody not want those?

Really crazy pop-culture stuff still entices me though. For example I have a two full sets of the Burger King FOTR toys; one set opened, one set still in individual plastic bags. I had to eat a lot of Whoppers to get those. When the LOTR Pez sets came out, they were a must-buy.

What I really collect are comic book character Daredevil items which has been a life-long effort, but nobody here wants to read about that.  I am a hopeless collector is so many ways.

Kelvarhin: How did you find TORn and why did you stick around?

MrCere: Well, the short version is Chris (Calisuri) adopted me. A couple of face-to-face exposures to him and he invited me to contribute, which changed my life. I love being part of a team that I feel is working for a good cause and I admired and still admire the TORn staff for doing what they do because of passion and not money. I also was really passionate about TORn Line Parties for the LOTR films.

But, before being asked to join the staff, I read the message boards from very early on but didn’t contribute for a long, long while and then contributed a lot. I am back to not contributing these days because my exposure to the Hobbit films is such that anything I type there can and will be used against me in a court of law and because I don’t quite feel like I fit in with all the speculating that goes on. I make it less fun for others I suspect.

Kelvarhin: And how is it to be invited by WB to attend the world premiere of The Hobbit? How much stress does it bring along? Can you do anything fun or is it just being ordered around where you have to be for the next press moment?

MrCere: Warner’s invitation brought zero stress with it. I was a journalist for much of my adult life and covering things like that event are pretty easy. I was very anxious before the invitation came because I felt strongly that TORn should be there and should be reporting and needed to not only regurgitate other news agencies but understand the fan’s viewpoint in our coverage.

This might be too much disclosure but that was shortly after the death of my father and so in real life perspective, covering a studio-generated event to generate press for its film is super easy, even relaxing and fun.

The real stress started when the logic board on my laptop died on the day of the premiere, which means I had no way to send news back to TORn. I had to beg and borrow time on others’ computers to even post what I managed to post. I hated that and felt that I let the site down and fans down. There was abundant coverage, but not doing all I could, as well as I could, left me heartsick. However, we had the live feed, so that was better than anything I could write.

The saving grace? I had a video camera and friend Dan who paid his own way to be there, to shoot it and edit it. So, there was things like this I could share later.

Also, the rest of the TORn staff killed it that day, so no readers suffered.

I did some other stories from the same trip.

The answer to the second part of the question: Nearly all my time was scheduled, which was absolutely fine with me. We visited and reported on a lot of the people who made the films, not just the one-day event.

The booth folks at Comic Con are the same people working back at home as tradespeople and Tolkien fans and they were behind this year’s excellent poster. They also made the “Good Luck” pins worn by the folks from the LOTR and Hobbit productions that were nominated for academy awards. They make a lovely One Ring too — obviously! They financially sponsored our Live Stream this year from Con so we are always in their debt. Here is their website so enjoy!

The House That Bilbo Built: Tolkien’s Literary Legacy
by Clifford “Quickbeam” Broadway

Fans of J.R.R. Tolkien have a distinctly creative way of expressing what they like; and perhaps that is the very quality that makes them the greatest fandom to propagate a literary phenomenon. It has been said there’s Life within the words of a great book. The ultimate expression of that can be seen in the inspired individual who builds his Life from the words. Those are the types of fans who carry their love so strongly forward, into bookstores and cineplexes alike, that everyone gets swept up. Their friends and children inevitably receive the books from them when the time comes; each parent, with a knowing smile, handing the key to Middle-earth to their young ones. I sometimes wonder what Professor Tolkien would think of ‘The House That Bilbo Built:’ a wave of cultural influence and entertainment begotten by the high romantic world he invented, along with so many original languages and alphabets, such a long time ago.

Talk about longevity! THE HOBBIT just celebrated its 75th anniversary. First published in 1937, well before the first volume of THE LORD OF THE RINGS came out (1954), the whimsical adventure of the diminutive Bilbo Baggins stands as a giant among 20th century fiction. Certainly few other books sustain the same revolving fandom over decades. I don’t believe in the least that TWILIGHT or THE HUNGER GAMES will have this measure of adoration in 75 years (but POTTER damn well might). Don’t underestimate how beloved and emulated Tolkien’s books are to a surprisingly different quilt of nations, regions, and times. The world’s appetite for Tolkien’s uniquely rich fantasy storytelling caused the actual “Fantasy” section to appear in bookstores; a niche market broadened tremendously, a statement was made to the publishing industry, and there was certainly no going back. Elves, Hobbits, Wizards, Goblins and Dragons were here to stay.

So much of my own creative life has sprung from my love of Tolkien and willingly have I swam the subculture that embraces his work. Ringer fans are counted among the best of friends and talents I’ve had the pleasure to meet. They never cease to surprise me in their endless originality. Interviewing them for our documentary, RINGERS: LORD OF THE FANS got me really up-close; and I take joy in exploring this never-ceasing question: why are these readers so deeply connected to Bilbo’s and Frodo’s story? Why does this phenomenon keep expressing itself in the desire for cosplay, spontaneous music, academic symposiums, boisterous conventions, movie adaptations, and profuse indulgence in second breakfasts? I keep asking through all my interviews and meetings and moots; yet the answer is mercurial.

And what humble, delicate beginnings for a behemoth like THE LORD OF THE RINGS! Let’s take a look at Tolkien’s remarkable publishing history, and thence pop cultural history, because it almost didn’t happen, for many reasons.

Tolkien started off developing the languages, and the foundational cosmological basis for his “secondary world,” while he was still a youngling in college, earning a degree in English Language & Literature. Then World War I arrived with death and disruption. Tolkien survived unwounded but his friends did not – he was medically discharged himself with trench fever. While on sick-leave in 1917 his wife Edith assisted him with hand-copying one of his earliest tales: “The Fall of Gondolin,” a fictional wandering that would ultimately become part of THE SILMARILLION (in fact, much of the content of THE SIL was created in Tolkien’s earlier years).

He was to become an Oxford philologist, dedicating his scholarly life to the study of languages. What better way to explore them than inventing your own! There’s a term for it: glossopoeia. As explained by TORn staff contributor Ostadan: “The word glossopoeia is a coinage derived from Greek, meaning ‘the making of tongues.’ As Tolkien explains, the creation of languages offers both intellectual and aesthetic satisfaction, but at the time he wrote, there were few such creations known to the public.”

By 1917 he was on his way to inventing Quenya and Sindarin – Elvish languages yet to be uttered by Orlando Bloom. Tolkien toyed with bits of poetry and his own slant on languages that he fancied (Finnish, Old Norse, Welsh), an effort which, oh-so-gradually over forty years, became an entire universe. He was also intent on creating a new mythology for England, which he felt lacked its own panorama of deities and “epicness” as Norway did. So THE HOBBIT was begun somewhere around 1930-31 (Tolkien recalls scribbling on a blank sheet of paper while marking examination papers, ‘In a hole in the ground there lived a hobbit’).

In 1936 Sir Stanley Unwin of Allen & Unwin Publishers got his 10-year-old son Rayner on board as the first ‘early reviewer,’ believing a child was the best judge of children’s fiction. Rayner loved it and wrote a glowing report, describing it as ‘very exciting.’ So THE HOBBIT launched in September 1937, to considerable acclaim and boffo sales.

Sir Stanley quickly asked for a sequel; and the Professor sent them THE SILMARILLION, a woefully different ball of wax, with oddments of archaic manuscripts, a dense mine of data about Middle-earth’s pre-history, genealogies and somewhat biblical-style tracts that didn’t suit anyone’s taste at the publisher’s office. They wanted something with furry feet and gentle appeal.

Saying politely, “No thanks, but give us more material akin to THE HOBBIT,” they received in 1937 the first chapter Tolkien could manage – “A long expected party,” which reveled in much more hobbity sensibilities. The publishers loved what they read. But in so small an act can the hand of destiny be changed. The writing of the damn thing spiraled entirely out of control.

Tolkien felt endless pressure but wrote to Sir Stanley: “The work has escaped from my control and I have produced a monster.” This new epic was to take nearly 13 years, some say 17, during which time he held a chair at Oxford; and then, quick as you can say schnell, World War II arrived. THE LORD OF THE RINGS was finally finished in 1949. Tolkien was nigh 60 years old.

Over those years Tolkien had become quite miffed at Allen & Unwin for saying “no” to THE SILMARILLION. In 1949 he got entangled in a lengthy flirtation with Collins Publishers, hoping a new relationship would yield a home for his greatest effort.

He eventually went back to Allen & Unwin under terms of a new agreement: they would indeed publish THE LORD OF THE RINGS, even though there was a critical paper shortage during wartime. Sir Stanley did not take on THE SILMARILLION, either, another stroke against it (after Tolkien died it finally saw print in 1977, thanks to his son Christopher’s tireless efforts).

The decision to split LOTR into three volumes left the Professor rather unhappy. But he settled on the main title as THE LORD OF THE  RINGS, with sub-titles for three distinct volumes (containing two “Books” each)– THE FELLOWSHIP OF THE RING, THE TWO TOWERS and THE RETURN OF THE KING. He would much rather it had been THE WAR OF THE RING, which he sensed would reveal much less of the actual plot, but that didn’t stick.

It was the High Summer of 1954 – Bill Haley and His Comets would rock around the clock, just as Frodo Baggins made the scene in Volume 1 of LOTR; then Volumes 2 and 3 would arrive later in 1955.

The first wave of fandom simply ate up copies regardless of its mixed reviews. Tolkien’s good friend (and fellow Inkling) C.S. Lewis came to the books’ spirited defense, declaring famously: “Here are beauties which pierce like swords or burn like cold iron. Here is a book which will break your heart.” W.H. Auden also lauded: “No fiction I have read in the last five years has given me more joy.”

Steady sales and continued profits were nice, but when the American counterculture embraced THE LORD OF THE RINGS some ten years later it really skyrocketed. Over a few months time in 1966, THE LORD OF THE RINGS became a campus craze and books were seen everywhere through dormitory halls – even the University of Southern California Irvine Campus had a housing section renamed a lá Middle-earth. Causing admiration and titters alike (depending on your level of fandom) 1700 students to this day lounge in halls with such names as “Rivendell” or “Quenya.” The first and strongest wave of Western pop culture, the hippie movement, was staking its claim on how Tolkien was perceived and enjoyed by a broadly literate youth generation. Then there was the scandal of the “bootleg paperback version” of LOTR that were completely unauthorized (the guilty party being ACE Paperbacks) but that was resolved with the support of students/fans protesting booksellers who carried ACE and thus a new Ballentine edition was soon printed with Tolkien’s note on the back cover — much of this fuss we cover in greater detail in our documentary.

Then the Rock & Rollers picked up the books. An entire section of the RINGERS film covers that dynamic period where Tolkien unwittingly affected musicians of the time. Marc Bolan (of T-Rex) and David Bowie hit the underground “Middle-earth Club” on the seedy side of London. Connect the musical dots to Led Zeppelin; whose albums are rife with LOTR references and characters due to Robert Plant’s fertile affection for Tolkien’s books. I had a revealing chat with director Cameron Crowe who confessed: “Oh you’ve got to talk with my wife Nancy (Wilson of Heart), because she just loves it!” Then there was Geddy Lee (Rush), and nowadays we have Justin Timberlake – hardcore Ringers one and all.

Tolkien was uncomfortable with the explosion of attention. He was a tweedy Oxford don, after all, and wanted nothing to do with the drug-addled young people tramping across his rose garden and peeping into his windows while he worked. He once called them “my deplorable cultus.” After his death in 1973, and the posthumous publication of THE SILMARILLION, the wave of pop surrounding Bilbo and Frodo became a unique beast of another color.

The holiday animation company Rankin/Bass (yes, the folks who did stop-motion Rudolph and Frosty) brought us THE HOBBIT in less than 90 minutes of Japanese-produced 2D glory in 1977. Then Ralph Bakshi rotoscoped his drop-acid take on the first half of LOTR, but he never got to make his finale. Yet the fantasy explosion of the Eighties was off to a roaring start. Tolkien fueled all this, without dispute, and up sprang authors like David Eddings, Terry Brooks, Stephen R. Donaldson, and Marion Zimmer Bradley. Someone with a polyhedral die and several pages of Middle-earthy maps invented a pen & paper game that you might vaguely recall. And you can bet your Muggle face that J.K. Rowling was devouring the Professor’s books at the time, storing it all away for future inspiration.

Enter onto the 1990′s digital stage TheOneRing.net – an online fan community affectionately known as TORn – the largest, longest-running, all-volunteer web portal unique to a single fandom. As contributors to TORn, we spend our energy reporting news, presenting special panels coast-to-coast at massive Comic-Cons and Dragon*Cons, moderating forums, chat rooms, and Facebook timelines with an endless flow of fans who collide as much as confer. We produced three gobsmacking Oscar Parties just for Ringers, one event yearly for each of Peter Jackson’s sprawling films, which were attended by the trophy-bearing cast and crew. On the year of THE RETURN OF THE KING’s 11-Oscar sweep, the Kiwi filmmakers were especially eager to greet the grassroots fan audience that so avidly showed them three years of love (and repeat ticket sales). We also produced a hellzapoppin’ Oscar event for the HOBBIT: AUJ in 2013, providing a unique atmosphere for aficionados to celebrate a shared affection for Tolkien with creators from behind the camera.

Now the newest excursion into Tolkien’s legendarium is upon us with the late 2012 release of THE HOBBIT: AN UNEXPECTED JOURNEY. Not to mention the attendant merchandising and collectibles now flooding the market. Jackson and his team of film artisans surmounted terrific odds to return all the familiar players to New Zealand. The anticipation has left most fans breathless; while many purists may bemoan the stretching of an episodic 280-page children’s story into 3 extra long films. The level of involvement among fans hasn’t lessened, instead reaching a new zenith by way of shared electronic media.

On our weekly live webcast aptly named “TORn Tuesday,” actors and artists ranging from Sean Astin to Peter S. Beagle join me for a merry discussion of how THE LORD OF THE RINGS has impacted their lives. They definitively illuminate how Tolkien remains so relevant. These artists have lived and breathed the magic of Middle-earth in myriad ways. Nearly 60 years later Tolkien’s masterworks have reached countless millions; and there’s a vibrant community online that supports many great events and causes, all sharing the same literary joy. I’ve never witnessed another phenomenon like it. A shared passion for the Professor’s 1200 page opus is the very liferoot of it all.

As I said, Ringer fans really do know what they like.

Much too hasty,

‘Quickbeam’

Clifford Broadway

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Clifford Broadway, longtime contributor and webhost for TheOneRing.net, is co-author of the bestseller “The People’s Guide to J.R.R. Tolkien” (2003) and co-writer/producer of the award-winning RINGERS: LORD OF THE FANS (Sony Pictures Home Entertainment, 2005).

Follow us on Twitter:

TheOneRing.net @theoneringnet

Cliff Scott Broadway @Quickbeam2000

This thing went nuts with 200,000 views in 7 hours! With a busy Facebook timeline like ours at TheOneRing.net, it is always cool to see what stands out as a favorite popular post.  Today’s image of Aragorn having a fun soliloquy about the day we STOP loving The Lord of the Rings became our most widely-seen and mega shared post of the year!

So why are fans so quickly drawn to a declarative statement like: “Other Fandoms may ebb and flow, but Tolkien fans are committed to these stories for life?” Quickbeam has pondered that very thing: and here is his article from this week, above

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This month we’re asking questions of our one and only greendragon.

Thanks so much Kirsten for agreeing to take part this month

Kelvarhin: Have you done anything through TORn or your LOTR fandom that you wouldn’t have got to do otherwise?

greendragon: Oh absolutely LOADS of things!!  Where to begin…?  Of course there are the really exciting things which my work for TORn has brought me: meeting celebs, doing interviews, going to fun events, writing articles, etc.  I’m very lucky to have had all those experience; but I have to say the greatest thing which TORn has brought me is friendship.  I have SO many wonderful friends whom I would never have met without TORn.  I’ve travelled to wonderful places, either with those friends, or to visit those friends. I couldn’t say for sure that I wouldn’t have been to various places without TORn; but I certainly wouldn’t have been there in the company of such excellent and admirable fellow fans.  And THAT is a great blessing.

Kelvarhin: Did you ever imagine when you came to TORn that you’d become so involved? Traveling to NZ (more than once!), interviewing cast members, singing onstage with Emerald Rose and Beecake? What’s it been like for you… this Tolkien/TORn journey?

greendragon: Actually I’ve only been to NZ once – but one day my path will lead me back there!  Did I ever imagine I would become so involved…?  Well, I tend to throw myself 100% into anything and everything I do, so I’m not really surprised to be so wrapped up in TORn – but I am of course thrilled to be part of such an amazing group, and being senior staff is an honour.  It’s been an incredible journey – mostly because of my fellow travellers, as mentioned above. TORnados/TORnsibs are amazing people – may our roads together go ever on and on!

Kelvarhin: How were you introduced to Tolkien, and did Tolkien have any influence on how/where you first met up with the inimitable L. Ron Halfelven?

greendragon: My Dad read The Hobbit and The Lord of the Rings to my brothers when I was little. I was far too young really, but insisted on listening in anyway! Then I was mad about the Rankin Bass Hobbit film – or rather, an LP my brother had from the film; but the Bakshi Lord of the Rings scared me!

Tolkien – or more accurately, TORn – was of course what led me to meet L.Ron Halfelven, fellow TORnado! It was in the June after Fellowship of the Ring had come out, and I discovered it was still playing in a cinema near me. I posted on the message boards to see if anyone else was local and would care to join me for a viewing; L.Ron responded, and we’ve been great friends ever since.

Kelvarhin: Have you got a favourite chapter (or paragraph etc.) from The Lord of the Rings, and why is it your favourite? If you haven’t got a favourite, why not?!

greendragon: Hmm – that’s a tricky one.  It’s very hard to pick a favourite part – there are so many wonderful lines, rich characters, moving moments…  In terms of a whole chapter, I think ‘Fog on the Barrow-Downs’ is probably my favourite.  I’ve always enjoyed a good ghost story, and as a child, this chapter gave me delicious chills!  Wonderfully creepy.  Plus, I’m a big Tom Bombadil fan (and I adore Goldberry); so I like Tom coming to the rescue in that chapter.

Kelvarhin: What backstage gossip can you share from TORn events?

greendragon: You know, backstage is actually not all that exciting or glamorous!  Generally it’s just about work; being backstage means running around and trying to get things done!  Although, here’s a fun story from DragonCon one year: fellow staffer deej and I were meeting Sean Astin and Brad Dourif backstage before they went out for a panel. I was going to be fielding questions from the floor – so I told the gents that I would weed out anyone who wanted to ask the dreaded, ‘Can I have a hug??’ question.  Immediately, both Brad and Sean gave me a big hug.  ‘There you go,’ says Brad. ‘You’re our proxy hugger; we’ve hugged you, so now if anyone wants a hug you can pass it on to them!’

Kelvarhin: How did you come to be in the field of study you’re in, and what have been your educational experiences?

greendragon: Ah well – that’s both a direct route and a roundabout path – like all the best journeys!!  Basically I always wanted to work in theatre/performance.  When I was very young I was obsessed with ballet and started classes; this developed into my interests in dance, theatre and music . Meanwhile my love for literature grew; I just couldn’t get enough of reading and analysing text!  So I had to take a degree in English Lit, of course!  My undergrad and my first postgrad degrees were in English Lit and then English and Theatre; then I took further postgrad degrees in Voice (various different aspects of music/singing/performing!)  So it was a kind of varied background but which, in the end, all combined in what I currently do – which is directing/staging opera and theatre, performing as a singer myself, and coaching singers in areas such as successful auditioning and creating a character.

Kelvarhin: What inspires you, when it comes to singing?

greendragon: Generally the piece itself, whatever it may be, is inspiration enough. I’m a huge fan of text, as I wrote above; very little is as exciting to me as getting to grips with words, and trying to understand what the writer wanted to say. Add to that the composer’s interpretation of those words into music, and you have a pretty heady mix! It thrills me to try to communicate, in performance, something about life, about art, about being human; some emotion or an experience, whatever that may be. As a performer, you look for the message given by the writer and composer, and then reinterpret that to pass it along to an audience.

Kelvarhin: How did you find yourself working “across the Pond” in Boston, and would you be willing to recount for us your hair-pulling green card experience which culminated in your being proclaimed an “Alien of Extraordinary Ability”?

greendragon: I came to the US as a student (for my final postgrad degree) – Britain is home! I was planning on staying one year, but I was offered a job which tempted me, so I stayed – and I’m still here!

The greencard saga is too long winded (and tedious, believe me!) to go into here; suffice to say it ain’t easy, especially when one is ‘self-sponsoring’ (which requires proving that you are in the top percentage in your field). It’s also an expensive process! But it was all worth it; especially for the fun of receiving a letter from the United States government, officially declaring me an Alien of Extraordinary Ability! I was so excited when I got that letter – and amused, of course.. .Still not sure what my special alien skill is.

I always warn everyone that the questions we get can be a little on the crazy side, and the next two are probably the craziest I’ve ever seen! (I’m also a little confused, never heard of “Thrills chewing gum”)

Kelvarhin: The gown you wore to the One Party is the same colour as Thrills chewing gum… coincidence?

greendragon: Absolutely not! My appearance at the party was sponsored by Thrills gum, hence the careful choice of dress.

Kelvarhin: Have you ever tried Thrills chewing gum? If so, are you in the tastes like soap camp?

greendragon: I’ve actually never heard of Thrills gum; so my reply above might possibly be false.  Further, I have no idea what soap camp tastes like…

If anyone can help greendragon and I out on this one, reply below

Kelvarhin: Aunt Dora Baggins would like to know “When will you be making another visit to Colorado?”

greendragon: As soon as I can find the money and/or an excuse!  What a wonderful state Colorado is; L.Ron and I had a fantastic time there, enjoying the incredibly scenery AND catching up with great friends from TORn. If money and time were no object, I’d be back in a heartbeat!  This is the only drawback to all the dear friends TORn has brought me – they’re too scattered around the world!  We’ve often chatted about the fantasy of all living in a TORn commune; I think we could make it work…

Kelvarhin: Which would you rather have in your house for a week; a bunch of rowdy Dwarves, a pack of Hobbits who eat several times a day, or a group of Elves who won’t stop singing the entire time?

greendragon: Oh blimey I couldn’t stand the singing. I get enough of that at work!! And I cannot bear people being vulgar – I just hate anything like belching or farting. So the elves and the dwarves are out.  But I do LOVE to cook, especially when I have people for whom to do it – so it would have to be the hobbits, no contest.

Kelvarhin: What was your favourite cartoon when you were growing up?

greendragon: Battle of the Planets.  My Dad made me a little cap with a plastic beak so I could pretend to be Keyop (who, by the way, I had assumed was actually ‘Cheops’ – I though his name had something to do with the Great Pyramid!!) I never wanted to be Princess – male characters are generally more interesting! But I was obsessed with that show.  When I was about seven I had a best mate with whom I used to act out scenes from Battle of the Planets – either that or scenes from Star Wars (when I always wanted to be Luke, but was usually made to be Leia!!)

The fortunate greendragon with Richard Armitage

Kelvarhin: Finally, a question that has nothing to do with gowns or chewing gum: what was it like meeting Richard Armitage?

greendragon: I’ve now had the great pleasure of meeting Mr Armitage twice. He is, as you would expect, a charming gent; warm, friendly, erudite and generous with his time, and I’m very lucky to have spent time chatting with him.

One thing I’d like to say on the topic of meeting celebs – sometimes I think fans tend to forget that they’re just people. Talented, generous people (most of them – certainly all the ones I’ve met through TORn!) it is true; but still just people. The only time I’ve ever been overwhelmed when meeting a celebrity was when I was sixteen and I met Kenneth Branagh for the first time – I was a bit of a babbling idiot then! Soon after that, I started working at the Royal Shakespeare Company in London, and I quickly realised that these actors were really no different from anyone else. So, when people ask me, ‘How do you talk to Richard Armitage without being overcome?’ the simple answer is, as delightful as he is, Mr Armitage is, in the end, another human being. He works in the arts and so do I (though clearly he is rather more talented and successful!!) So I enjoy chatting with him as I would with anyone else who explores this fascinating business of creating characters.

Though it has to be said – he looks better in leather trousers than most people… *grin*
I’m sure many of us would agree with this

As always thanks to all our message board regulars, Ataahua, DanielLB, SirDennisC, ryouko, AuntDoraBaggins, grammaboodawg and dernwyn, for this months’ questions.

If you would like to ask any questions yourself, just head over to our Message Boards, the sign up process is pretty painless. A lead post for questions is made at the beginning of each month on the Main board. Or you can just check Main for this months interviewee and email me your questions at kelvarhin@theonering.net.

Till next time from TORn’s resident Tiger.

Kelvarhin.

Fictional Frontiers, a radio show specializing in genre entertainment and located on the east coast of the U.S., was part of the media assembled at The One Expected Party and checks in with an entertaining look at the weekend’s art show and Oscar night’s biggest geek celebration. It showcases each of the Oscar nominees, a few interviews, selections from the art show and a good representation of the musical showcase from the evening. Checking in under five minutes, it’s an excellent capture of the event.

Check out the video and all the amazing things they saw and experienced at the party. Finally, we want to thank you all for helping to make The One Expected Party a huge success.

Last weekend, TheOneRing.net hosted a celebration of The Hobbit: An Unexpected Journey‘s Academy Award nominations by throwing The One Expected Party just down the road from where The Oscars were held in Los Angeles, California.  This is following our tradition of honoring Peter Jackson’s productions of J.R.R. Tolkien’s The Lord of the Rings trilogy.  Now, after years of assisting Jackson in his effort to Make The Hobbit Happen, we’re thrilled to gear up for 3 Oscar Parties following the 3 installments of The Hobbit.  Here are a gathering of the various discussions on the TORn Message Boards for the first Party… with 2 more to go!  Start saving and planning, folks… and join us in LA next year and The One after that!

The One Expected Party posts on The Boards:

The One Expected Party: the set-up   

Photos from The One Expected Party

Happy Hobbit Goes to Hollywood: The Unexpected Art Show

Beecake at The One Expected Party

Monaghan and Boyd at The One Expected Party

Oscars tonight!  post by Bombadil

Weta team will party, but where?

Raffle and Auction Items Announced for ‘The One Expected Party’

The One Expected Party Ebay Auctions

A Recording of The One Expected Party

PS: Keep an eye on the Boards for more pictures from this year’s Party.

After a month-long absence while TORn poster DanielLB has been out of town, he’s returning with a 2-week update on Hobbit Discussion Board Movie News found right here.  Welcome back, DanielLB!

We’ll share more topics next week and hope you can join in on the conversation!  Don’t forget, TheOneRing.net’s Message Boards have over 9,400 registered Tolkien fans, just like you.  Let your voice be heard!

The article starts, ” Dan Hennah may not have picked up another Oscar to add to the one in the dining room in his Orinoco home but he still had a great time at yesterday’s Oscar ceremony in Los Angeles.

The Hobbit, for which Hennah was nominated for production design, lost to Lincoln in that category. Hennah said Lincoln was “a beautiful movie and it was well executed. It got what it deserved”. ”

You can read the rest right here.