Many Middle-earth fans will be familiar with the spectacular work of artist Donato Giancola. His art has graced the covers of Tolkien editions as well as calendars, and last year saw a fabulous exhibition of his work at the Huntsville Museum of Art. Visitors there were lucky enough to see his massive new painting, ‘Beacons of Gondor’ – a breathtaking, gigantic rendering of sweeping scenery and drama.

If you live in the New York area, this Saturday you could see that painting – and more – for yourself. Giancola is holding an Open Studio in Brooklyn, 11am to 6pm, May 13. This is an incredible opportunity to meet the artist himself, as well as seeing many of his amazing pieces up close. Not only that, but the first 25 visitors will receive a fabulous gift – a signed copy of Giancola’s now out of print first edition art book ‘Middle-earth: Visions of a Modern Myth’. Copies will also be embossed with the sigil of the Kings of Gondor!

Giveaway for those unable to attend in person

Those visiting the open studio could WIN a Giancola original painting; AND there is even an online giveaway which can be entered by folks who can’t visit in person! So there’s something for everyone. Here’s all the info you need:

Donato Arts OPEN STUDIO

Saturday May 13, 2023

11am – 6pm

397 Pacific Street

Brooklyn, NY 11217

This May will see the return of the annual hosting of an Open Studio here at our place in Brooklyn. We will showcase an abundance of new oil paintings, drawings, and projects as well as scores of classics from my 30+ year career as an illustrator. Come eat, drink, and commingle with fellow artists, professionals, and fans of the genre as we plow our creative paths forward in these changing times.

The massive Middle-earth canvas The Beacons of Gondor will anchor the studio at 78″ x 114″. This is my largest work ever and was created for the exhibition at the Huntsville Museum of Art in Alabama this past winter.  I am excited to share this with the New York area audience.

Also back from traveling shows are a couple of my favorites, ‘I threw down my enemy’ of Gandalf defeating the Balrog on Zirak-zigil, and the intimate ‘Shadow of the Past’, as well as The Walls of Moria and the Fellowship in Hollin.  There are also numerous pages around the home from David Wenzel’s graphic novel of The Hobbit!

A dedicated Wall of Magic displaying over thirty recent Magic: The Gathering oil paintings and preliminary sketches as well as a handful of my earliest works for Wizards of the Coast will be set up in the studio.

New fantasy works will be shown from the cover of Kristen Britain’s forthcoming novel The Spirit of the Wood to interior illustrations for the new novel King-Killing Queen by author Shawn Speakman of Grim Oak Press . The latest Empathetic Robot painting in now finished titled, Remembering, and Portfolios filled with large, preliminary drawings and studies will also be available to peruse through.

Visit Giancola’s website for all the details – and to enter the online giveaway.

In 1953, J.R.R. Tolkien visited the University of Glasgow, to give a lecture on the medieval poem Sir Gawain and the Green Knight. Later this month, the university’s Centre for Fantasy and the Fantastic will celebrate the anniversary of the event – and you can join them, in person or online!

With an illustrious panel of speakers, chaired by Dr Dimtra Fimi, the event includes a pop-up exhibition featuring a handwritten letter from the Professor.

Here’s what the University’s official press release tells us:

UNIVERSITY OF GLASGOW TO CELEBRATE LORD OF THE RINGS AUTHOR JRR TOLKIEN  

A event to mark Tolkien's visit to University of Glasgow - the image shows some of Tolkien's books

A selection of books by JRR Tolkien including Sir Gawain and the Green Knight (above)

Today he is remembered as the “father” of modern fantasy literature and the author of two of the best-loved and biggest-selling books of all time.

When JRR Tolkien visited the University of Glasgow 70 years ago, he had written The Hobbit to great acclaim and was on the cusp of publishing the 1st volume of The Lord of the Rings.

In 1953, Tolkien, then Oxford University Merton Professor of English Language and Literature, was in Scotland to give a lecture on late 14th-century poem Sir Gawain and the Green Knight – a key text in the Arthurian tradition featuring young King Arthur himself, the knight Sir Gawain, a mysterious green knight, and the sorceress Morgan le Fay. The poem is itself a source text for modern fantasy and was an inspiration for Tolkien in his Middle-earth mythology.

But it was obvious Tolkien’s popularity as a fantasy writer was on the rise in 1953, as the ticketed WP Ker Memorial Lecture was at its capacity with 300 people in attendance.

Now academics at the Centre for Fantasy and the Fantastic are celebrating Tolkien’s Glasgow connection with a special event to mark the 70th anniversary of Tolkien’s Sir Gawain and the Green Knight lecture.

Dr Dimitra Fimi, Senior Lecturer in Fantasy and Children’s Literature at the University of Glasgow and the Co-Director of the Centre for Fantasy and the Fantastic, said: “It was a thrill to discover more about Tolkien’s lecture at Glasgow and this fascinating connection to the city, including the venue it was held, and the handwritten letter by Tolkien in our archives.

“Today 70 years later at the University of Glasgow, Tolkien’s own work is on the curriculum of our Fantasy MLitt programme, and we have various PhD students working on Tolkien.”

Dr Andoni Cossio, Postdoctoral Fellow, Centre for Fantasy and the Fantastic, said:  “As a schoolboy, Tolkien had a great affection for Sir Gawain and the Green Knight poem, which even led to occasional recitations of certain passages for his friends.

“By the time of the Glasgow lecture, Tolkien had a deep knowledge of the poem that he put to good use in his university teaching, supervision and lectures. Tolkien had also prepared and published an edition of Sir Gawain and the Green Knight in 1925 (together with his colleague EV Gordon), which is remains today an important textbook for students studying the poem and helped establish it as a canonical text in medieval studies.

“During his 1953 W. P. Ker lecture, Tolkien quoted from his own Sir Gawain translation, which was later broadcast by the BBC. The University of Glasgow lecture was only accessible much later to a wider audience when it was published in 1983. 


The Tolkien Sir Gawain lecture 70th anniversary event is hybrid – both in person at the University of Glasgow and online. For those attending on-campus, there will be an opportunity to see a pop-up exhibition with documentation related to Tolkien’s appointment as the 1953 WP Ker Memorial Lecturer (including a hand-written letter by Tolkien), in collaboration with Archives & Special Collections, University of Glasgow.

Tolkien and Glasgow

On 15 April 1953, Tolkien delivered the WP Ker Memorial Lecture, on Sir Gawain and the Green Knight, to an audience of 300 at the University of Glasgow. The essay was published posthumously, in 1983, in The Monsters and the Critics and Other Essays, edited by Christopher Tolkien.

Join us at Glasgow on Thursday 27 April 2023, 5-6:30pm, on-campus (Joseph Black Building) or online, to celebrate the 70th anniversary of the lecture and its significance, Tolkien’s links to Glasgow, and the importance of the Sir Gawain poem in Tolkien’s creativity.

Our panel of speakers will feature:

  • Professor Jeremy Smith, Honorary Senior Research Fellow, University of Glasgow      
  • Dr Lydia Zeldenrust, Lecturer in Middle English Literature, University of Glasgow        
  • Dr Andoni Cossio, Postdoctoral Fellow, Centre for Fantasy and the Fantastic         
  • Chair: Dr Dimitra Fimi, Senior Lecturer in Fantasy and Children’s Literature, and Co-Director of the Centre for Fantasy and the Fantastic

It’s free to attend this event – either in person or online – but you do need to book via Eventbrite.

Milwaukee magazine has a great little background story on how an enormous cache of J.R.R. Tolkien’s personal notes and papers ended up at Marquette University in Wisconsin.

It started with Marquette’s Library Director William Ready (1914-81), who actively sought out Catholic authors. Ready approached Tolkien through an intermediary in 1956 and negotiated the purchase of his manuscripts for The Hobbit and the three volumes of his magnum opus, The Lord of the Rings (as well as lesser-known works), just a year after the last of those books were published. 

“Ready was in the right place at the right time and had the good sense to pursue those manuscripts,” says William Fliss, an archivist in the department of special collections at Marquette

It’s timely because Marquette tomorrow (August 19) opens a new brand-new exhibit titled “J.R.R. Tolkien: The Art of the Manuscript” at the Haggerty Museum of Art.

The exhibit will feature original manuscripts created by J.R.R. Tolkien for his The Hobbit, The Lord of the Rings and other works. It will consider Tolkien’s work through the lens of manuscripts, in terms of both the materials that he studied as a medieval philologist and the manuscripts that he created while developing his legendarium.

The museum will also be hosting three seminars by prominent Tolkien scholars. are free to attend. In-person tickets are already all sold. However, the presentations will also be streamed for audiences who wish to attend virtually (great for people not in the USA!).

You can reserve a place to attend the lectures here.

Special Note: even if you only want to attend virtually, you must still pre-register your interest through the Eventbrite.

Watch a walkthrough of the exhibit courtesy of Die Deutsche Tolkien Gesellschaft e.V.

Can’t make it to Milwaukee? Me neither. Watch this 30-minute walkthrough that Die Deutsche Tolkien Gesellschaft e.V. has put together. It’s great!

The speical lecture schedule

Thursday, Sept. 22, 5 p.m.: “Editing the Tolkienian Manuscript,” presented by Carl Hostetter

Carl Hostetter is a computer scientist at NASA who has earned a reputation as one of the leading experts on J.R.R. Tolkien’s invented languages. He is a key member of the Elvish Linguistic Fellowship, an elite group of four Tolkien scholars whom the Tolkien Estate has entrusted with special access to the author’s unpublished linguistic manuscripts. These linguists have published extensively on Tolkien’s invented languages, including in “Vinyar Tengwar,” a peer-reviewed journal that Hostetter edits.

Hostetter is one of the most experienced students of Tolkien’s manuscripts. His ability to read and interpret Tolkien’s notoriously difficult handwriting is second to none. Christopher Tolkien (1924-2020) entrusted Hostetter with editing his father’s last volume of published writings, released in 2021 under the title, “The Nature of Middle-earth.” Hostetter’s work is highly regarded by Tolkien scholars. His volume “Tolkien’s Legendarium”—co-edited with Verlyn Flieger—is considered one of the best collections of essays on the history of Tolkien’s secondary world.

Thursday, Oct. 13, 5 p.m.: “Tolkien’s Faith and the Foundations of Middle-earth,” presented by Holly Ordway

Holly Ordway is a rising star among Tolkien scholars. Her 2021 book “Tolkien’s Modern Reading” is a tour de force destined to become a classic in Tolkien studies. Ordway demonstrated that Tolkien, usually pigeonholed as a medievalist, was remarkably well read in modern literature.

Her work shows how many modern works affected Tolkien’s creative output. Currently on faculty at Houston Baptist University, Ordway has taught English at the University of North Carolina-Chapel Hill and MiraCosta College. She specializes in J.R.R. Tolkien and, more generally, in mythopoeic literature. Ordway’s current research project is a book-length treatment of Tolkien’s Catholicism, fitting for a Catholic, Jesuit university such as Marquette.

Thursday, Nov. 17, 5 p.m.: “Whispering Leaves: How Tolkien’s Manuscripts Reveal the Secrets of His Creativity,” presented by John Garth

Trained as a journalist, John Garth has gained an international reputation as a leading writer about J.R.R. Tolkien and a popular commentator on Tolkien’s works and life. His published works include the recent “The Worlds of J.R.R. Tolkien” (2020). His earlier masterpiece, “Tolkien and the Great War” (2003), is universally acknowledged as a classic in the field of Tolkien Studies.

Garth, who has made a special study of Tolkien’s manuscripts, will focus his lecture on a manuscript that is part of Marquette’s collection and has never previously been exhibited or published. He will demonstrate his renowned historical research skills by analyzing the manuscript and using it to tease out insights about Tolkien’s experiences during the Second World War.

Tickets for the “J.R.R. Tolkien: The Art of the Manuscript” exhibition are on sale now. Tickets are $10 for general admission and $8 for senior citizen and active military (with I.D.). Friends of the Haggerty Museum of Art members, K-12 educators, children aged 17 and under, and Marquette University students, faculty members, and staff members are free with advance reservations and a valid I.D. The exhibition will be open until 8 p.m. on the night of each lecture.

About the Haggerty Museum of Art

The Haggerty Museum of Art at Marquette University is an innovative nexus of interdisciplinary learning where creativity, intellect and social justice intersect. Located in the heart of the Near West Side, adjacent to downtown Milwaukee, and open daily, the museum is one of the most accessible arts venues in the city.

“The Short Lay of Earendel, Earendillínwë,” Version K, ca. 1949–1953
“The Short Lay of Earendel, Earendillínwë,” Version K, ca. 1949–1953. Raynor Memorial Libraries, Marquette University. Credit: © The Tolkien Estate Limited 2022.

Before we plunge into news junkets and global premiers, here’s one more look-back at SDCC 2022.

This was my 5th adventure with TORn for an experience that continues to be as overwhelming as it is incredible. Bookending Covid closures, the cons of 2019 and 2022 were completely different for TORn. Three years back we were in 20th Anniversary mode, and our panel of familiar faces brought both reminiscent nostalgia as well as the “rare good ballast” of Dispatches from Middle-earth that our faithfully devoted Comic Con fans love (hello the Button Lady!), as well as a discussion of the then far-off Rings of Power series.

Before

Roughly two decades earlier, the convention was a much smaller enterprise, and so were we. Hall H was just a room with a lot of seating capacity and a big screen. A handful of us presented on our panel and we didn’t have so much as a folding table on the exhibit hall floor. The Lord of the Rings films were a great big unknown for most not too far beyond the bounds of Tolkien fandom. Weta’s 1st line of FotR movie collectibles were on display at the Sideshow Toy booth while the Weta team wandered the floor like we did; I was shooting pictures with my mother’s digital camera and couldn’t get the date set right…

We could see the wave coming on some distant horizon. We knew we were building something, part of something. Something that crossed boundaries and minimized identities of nation, ethnicity, faith, gender, economic status, ability. The last thing we were thinking about was 2022.

A merry gathering

For me, this year’s Comic Con was absolutely an unexpected party. Two panels, a booth, and hosting the Prime Video Rings of Power fan event was not in the early forecast! Understanding the moment, TORn leadership reached out to fandom colleagues we met for the first time in person in London, inviting them to join our panels and staff our booth.

And they came! From London proper and destinations sprinkled throughout the US, they came by planes, trains, and yeah – automobiles. Planes dead on the tarmac, nasty weather, overnight flights, crazy transfers and rerouting, driving through 115 degree heat… nothing stopped these new friends from coming together to do what we love the most: celebrate the writings of JRR Tolkien.

Celebrate we did! And represent. And engage. Crowds at the booth were often five people deep, in an area dedicated to books that is usually pretty quiet by con standards. Willie (Knewbettadobetta) holding court alongside Matt (Nerd of the Rings) and Jed Brophy (Nori, orcs #5, 6 & 7, elf #5, Ringwraith, writer…). Kaitlin’s (Tea with Tolkien) calming presence. Kellie (author and Happy Hobbit) sharing her books and signing for her fans. Kris (Elf_boi) scripting the names of fans in elvish on an iPad. Lauren in her now-famous Galadriel cosplay. Chris (TORn Tuesday camera man and all-around ninja) tirelessly handling exchanges to move the small mountain of merch we had to sell. Cliff (our own Quickbeam) booming trivia with the voice of an ent. Tireless Justin (TORn Tuesday) seeming to be everywhere and nowhere, the nuclear power making it all happen.

Panels, halls and a party

This year we hosted not one, but TWO panels. Thursday’s set featured a more typical TORn offering, with Justin at the helm, engaging staffers Cliff, Kellie, Cathy (Garfeimao), and Josh (Collecting the Precious), and special guest Kris. Richard Taylor and Philippa Boyens kicked of the conversation with a War of the Rohirrim-themed welcome video! (Demosthenese interviewed Boyens recently re: WotR here.)

Straight from the panel this Took struck out to find the Day Before line for Hall H. Highlights: Hanging with LadyNico and her intrepid British Posse; scoring a ticket to see Shatner on Shatner from Cathy; late night blues with Varking and Knewbettadobetta, literally sleeping on the concrete wrapped in a thin blanket; meeting Dianne from our Discord; jamming to the disco cabs riding by (also a low-light); finally getting banded and marching to the next line.

As you may have heard, the Prime Video Rings of Power Hall H panel was astounding. Check out this piece by staffer Garfeimao for details.

Two hours after Hall H ended, it was time for our staff to report for duty at what promised to be the fan event of the weekend: the Prime Video party! Showrunners Patrick McKay and Lindsey Weber mingled with us after a special cast signing for holders of a Golden Mallorn (leaf) ticket. Actual costumes graced the hall, as you can see in this post by staffer Mithril. The event was spectacular, and being able to select cosplayers to meet the cast was truly memorable.

Sunday, TORn’s second panel was serious, funny, and exemplary. Moderated by Justin, the focus was on Middle-earth’s 2nd Age, and it was a whopper. Tolkien Professor Corey Olsen, Cliff, Willie, Anna Marie, and Matt held some serious court in a room fixated on every word. Time compression seemed to actually happen as a rich discussion of the 2nd Age’s known elements, and the wide open spaces between them inviting new storytelling, unfolded. Here it is!

TORn 3.0

This isn’t just a new era for Middle-earth storytelling – it’s a new era for Tolkien fandom too. After a long slog by many faithful and hard working staff, TORn 3.0 has bloomed! It’s incredible to be here. Hosting and sharing Comic Con with our friends in fandom enriched everyone’s experience and illustrative of how times have changed. We look forward to continued collaborations as the community swells and the influence of JRR Tolkien broadens through time and place. Forth Ringers!

The Haggerty Museum of Art and Raynor Memorial Libraries at Marquette University will be presenting a a lecture series in September in conjunction with the collaborative exhibition “J.R.R. Tolkien: The Art of the Manuscript.

The exhibition — which opens on August 19 — will feature original manuscripts created by J.R.R. Tolkien for his The Hobbit, The Lord of the Rings and other works. It will consider Tolkien’s work through the lens of manuscripts, in terms of both the materials that he studied as a medieval philologist and the manuscripts that he created while developing his legendarium.

All lectures will be held at the Haggerty Museum of Art and are free to attend. They will also be streamed online for audiences who wish to attend virtually (great for people not in the USA!). The museum states that — due to limited capacity — reservations are required. You can reserve a place to attend the lectures here.

Thursday, Sept. 22, 5 p.m.: “Editing the Tolkienian Manuscript,” presented by Carl Hostetter

Carl Hostetter is a computer scientist at NASA who has earned a reputation as one of the leading experts on J.R.R. Tolkien’s invented languages. He is a key member of the Elvish Linguistic Fellowship, an elite group of four Tolkien scholars whom the Tolkien Estate has entrusted with special access to the author’s unpublished linguistic manuscripts. These linguists have published extensively on Tolkien’s invented languages, including in “Vinyar Tengwar,” a peer-reviewed journal that Hostetter edits.

Hostetter is one of the most experienced students of Tolkien’s manuscripts. His ability to read and interpret Tolkien’s notoriously difficult handwriting is second to none. Christopher Tolkien (1924-2020) entrusted Hostetter with editing his father’s last volume of published writings, released in 2021 under the title, “The Nature of Middle-earth.” Hostetter’s work is highly regarded by Tolkien scholars. His volume “Tolkien’s Legendarium”—co-edited with Verlyn Flieger—is considered one of the best collections of essays on the history of Tolkien’s secondary world.

Thursday, Oct. 13, 5 p.m.: “Tolkien’s Faith and the Foundations of Middle-earth,” presented by Holly Ordway

Holly Ordway is a rising star among Tolkien scholars. Her 2021 book “Tolkien’s Modern Reading” is a tour de force destined to become a classic in Tolkien studies. Ordway demonstrated that Tolkien, usually pigeonholed as a medievalist, was remarkably well read in modern literature.

Her work shows how many modern works affected Tolkien’s creative output. Currently on faculty at Houston Baptist University, Ordway has taught English at the University of North Carolina-Chapel Hill and MiraCosta College. She specializes in J.R.R. Tolkien and, more generally, in mythopoeic literature. Ordway’s current research project is a book-length treatment of Tolkien’s Catholicism, fitting for a Catholic, Jesuit university such as Marquette.

Thursday, Nov. 17, 5 p.m.: “Whispering Leaves: How Tolkien’s Manuscripts Reveal the Secrets of His Creativity,” presented by John Garth

Trained as a journalist, John Garth has gained an international reputation as a leading writer about J.R.R. Tolkien and a popular commentator on Tolkien’s works and life. His published works include the recent “The Worlds of J.R.R. Tolkien” (2020). His earlier masterpiece, “Tolkien and the Great War” (2003), is universally acknowledged as a classic in the field of Tolkien Studies.

Garth, who has made a special study of Tolkien’s manuscripts, will focus his lecture on a manuscript that is part of Marquette’s collection and has never previously been exhibited or published. He will demonstrate his renowned historical research skills by analyzing the manuscript and using it to tease out insights about Tolkien’s experiences during the Second World War.

Tickets for the “J.R.R. Tolkien: The Art of the Manuscript” exhibition are on sale now. Tickets are $10 for general admission and $8 for senior citizen and active military (with I.D.). Friends of the Haggerty Museum of Art members, K-12 educators, children aged 17 and under, and Marquette University students, faculty members, and staff members are free with advance reservations and a valid I.D. The exhibition will be open until 8 p.m. on the night of each lecture.

About the Haggerty Museum of Art

The Haggerty Museum of Art at Marquette University is an innovative nexus of interdisciplinary learning where creativity, intellect and social justice intersect. Located in the heart of the Near West Side, adjacent to downtown Milwaukee, and open daily, the museum is one of the most accessible arts venues in the city.

“The Short Lay of Earendel, Earendillínwë,” Version K, ca. 1949–1953
“The Short Lay of Earendel, Earendillínwë,” Version K, ca. 1949–1953. Raynor Memorial Libraries, Marquette University. Credit: © The Tolkien Estate Limited 2022.