(TORn) Just when you think your fandom has run out of Middle-earth related pants, along comes Bakshi Productions with something fresh.
For those of you who don’t know — hopefully none of you — Ralph Bakshi was the director of the 1978 animated “Lord of the Rings” that was both an introduction to many of us into the realm of Middle-earth and was seemingly influential into Peter Jackson’s film trilogy.
Lord of the Rings Capri 1
Bakshi did a number of other projects in film, but “Lord of the Rings” remains as one of the works he will always be remembered for.
And now you can wear his storyboards for the film on your own body, a unique clothing item in pop-culture and LOTR history.
They are described like this on the order page:
“We are so friggin excited about thes LOTR capris. Designed from the Bakshi approved original storyboards used in the creation of Bakshi’s animated classic Lord of the Rings. These are the ONLY capris like this in the world – AND the only place to ever get them. This is a first printing and will change storyboards when the time comes!”
Geekery can be fun and it can also be educational. In the case of the two-day Wizarding Dayz near Salt Lake City, it hopes to be both while helping with literacy and charity as well.
TheOneRing.net will be join what promises to be a magical event Friday and Saturday Feb. 24 and 25, presenting panels and representing Tolkien in the realm of the wizard-themed gathering. It takes place in the South Towne Expo Center in Sandy, Utah.
“We threw it out to the community to nominate the charities. We came up with these three charities because they are all based on kids, kids’ needs and kids that don’t belong. That is Harry Potter,” she said.
Walker, heading up Wizarding-Dayz with Carrie Rogers-Whitehead, hopes the first-year event brings out those who love Potter, Tolkien and fantasy in general, and especially those who enjoy reading.
“This event is made definitely for book lovers, people who love reading, people who want to go to a place where there are the things they love. It is good for all ages but for adults you are going to get to go and have good discussions,” Walker said.
TheOneRing will be included in those good discussions with three official TORn presentations:
* How To Travel to Middle-earth
* J.R.R. Tolkien vs. George R.R. Martin
* Tolkien and the Great War
There is other Tolkien content as well, including an over-the-internet panel for Tolkienites (or TORnadoes) to ask expert Michael Martinez ANY Tolkien Question. In fact, if there is interest, perhaps TORn will do a Facebook Live for portions of some of these panels.
Wizarding Days has no shortage of educational material, including from sponsors Utah Humanities and the STEM Action Center of Utah.
For those not aware, STEM is a science-based curriculum based on Science, Technology, Engineering and Mathematics taught all together in an applied approach. In the wizarding world that means discussions and interactive panels rather than just lectures.
Water at Hobbiton Movie set
“We are not calling them panels. We want people to come and have discussions about these things they like or dislike. We have great topics that dive deep,” Walker said. “We aren’t skipping a rock across the surface.”
There are also a lot of hands-on items patrons can make and take home including wants, wizard pouches, rune pouches and of course, spell books.
Walker said she took extra care creating a space that isn’t mundane, including the vendor areas, which including roaming performers, but is all planned with a pleasing, welcoming, fantasy theme.
Elijah Wood’s film “I don’t feel at home in this world anymore,” won the Sundance Grand Jury prize in the U.S. Dramatic competition at the just concluded 2017 festival.
It was one of 16 films in the category that included “Crown Hights” that won the Audience Award.
The film is summarized like this:
Ruth, a depressed nursing assistant, returns from work to find dog shit on her lawn and her house burglarized, the thief having made off with her silverware and laptop. Losing faith in the police (and possibly humanity as a whole), Ruth starts her own investigation, joining forces with her erratic neighbor–and dog shit culprit–Tony. Upon locating the laptop, they trace it back to a consignment store, leading them to a gang of degenerate criminals and a dangerous, bizarre underworld where they’re way out of their depth.
Macon Blair’s outstanding debut feature has an exuberant storytelling style that’s full of personality, visual inventiveness, idiosyncratic characters, and wildly unpredictable turns. Its dark tone, deadpan humor, and increasingly blood-soaked foray into a twisted moral universe evoke the Coen brothers, but most captivating is the deeply unsettling journey it takes Ruth on, through human vulnerability and escalating violence. Once brought to tears by the notion of an infinite universe, her quest isn’t for her laptop, but for a way of processing a world that no longer makes sense to her.
On the same night, last year’s big Middle-earth alumni film of Sundance 2016, “Captain Fantastic” featured Viggo Mortensen and the cast appeared at the screen actor’s guild where it was nominated but didn’t win. For that film TheOneRing was able to talk with Mortensen about the film, but despite repeated efforts, had no luck speaking with Wood for his film.
But, Wood wasn’t the only Middle-earth actor to show up in a film at this year’s Sundance. Actor Stephen Hunter, who played Bombur in the three films based on “The Hobbit,” appeared in Australian thriller “The Killing Ground.” The film received a warm reception and has a good chance to be seen in theaters. I saw it and think it’s a gripping thriller that handles its violence well. It deserves to be seen but will disturb some because of its violence.
Hunter plays a key supporting role that the Sundance festival described like this:
When young couple Sam and Ian escape the confines of urban living for a weekend getaway at a remote campsite, they arrive to find a neighboring tent set up with its inhabitants nowhere in sight. As day turns to night and then to day again, the young couple becomes increasingly concerned about the whereabouts of their unknown fellow campers. When they discover a toddler wandering alone on the campground, things go from bad to worse, thrusting them into a harrowing fight for survival in a place miles from civilization, where no one can hear them scream.
Teeming with dread and unnerving tension, the debut feature of writer/director Damien Power draws heavy inspiration from Michael Haneke’s Funny Games and Sam Peckinpah’s Straw Dogs, utilizing the film’s sparse locations to considerable effect. As jagged pieces of the puzzle are carefully revealed one by one, Killing Ground evolves into a brutally violent thriller that will force you to think twice the next time you dare venture beyond the city’s bright lights
Wood also appears in another film, this one a documentary about the classic Alfred Hitchcock “Psycho.” The film, called “78/52,” breaks down the historic and absolutely groundbreaking shower scene in the film that is credited with launching the horror genre of film in a new way. He is seated with other actors sharing his perspective, especially insightful when examining the performance of Anthony Perkins. Guillermo del Toro also is featured and is a delight.
The film has been purchased and will likely get a new or extended title and will be released in major film markets. The festival title refers to the number of set ups and film cuts the master of suspense used in the scene. For anybody interested in film, I absolutely recommend it. Actually, I recommend it for anybody who has ever watched a film.
The festival describes it:
“In 78 setups and 52 cuts, the deliriously choreographed two-minute shower sequence in Psycho ripped apart cinema’s definition of horror. With a shocking combination of exploitation and high art, Alfred Hitchcock upended his own acclaimed narrative structure by violently killing off a heroine a third of the way through his film, without explanation, justification, or higher purpose. Psycho played out like a horrific prank, forcing audiences to recognize that even the most banal domestic spaces were now fair game for unspeakable mayhem.
With black-and-white film-geek reverence, director Alexandre O. Philippe breaks down this most notorious and essential scene shot for shot, enlisting the help of film buffs and filmmakers alike—including Guillermo del Toro, Bret Easton Ellis, Karyn Kusama, Eli Roth, and Peter Bogdanovich. 78/52 examines Janet Leigh’s terrified facial expressions and the blink-and-you-miss-it camera work, not just within the context of the film but also with an eye toward America’s changing social mores—revealing how one bloody, chaotic on-screen death killed off chaste cinema and eerily predicted a decade of unprecedented violence and upheaval.”
John Hurt, famous for a number of roles but unforgettable as the voice of Aragorn in Ralph Bakshi’s “The Lord of the Rings,” has died. He was 77.
For many who love Tolkien’s works, the animated LOTR was the serious animated treatment of the masterpiece of J.R.R. Tolkien that was also frustrating because it was meant to have a sequel and was never properly finished. Hurt played Strider turned Aragorn as perhaps the most recognizable voice in the cast. Director Ralph Bakshi was left telling only part of the story but Hurt’s Aragorn, was majestic and powerful.
Hurt shines in the voice role, playing a confident Aragorn, that before the live action LOTR films were announced, was for a generation, the embodiment of the hero who would return as King.
Hurt’s career was long and plentiful with over 200 film credits to his name. He is best known for his outstanding turn as John Merrick, the title character in “The Elephant Man.” Audiences not familiar with that Oscar-nominated performance as well as his also nominated work in “Midnight Express,” will remember him for his work in the first two Harry Potter films as wandsman Garrick Ollivander. He also has an all-time iconic performance in “Alien,” where he was the first to have his chest burst, unleashing space horror on popular culture. He later did a parody of himself in “Spaceballs.”
Very sad to hear of John Hurt's passing. It was such an honor to have watched you work, sir.
It looks like audiences will get to see a film about the origins of Middle-earth in a new film called “Middle Earth.” More on the name in a moment.
The Hollywood Reporter announced this morning the film will chart “the tumultuous events” that inspired J.R.R. Tolkien to write “The Hobbit,” and “The Lord of the Rings,” trilogy. (Actually the article said “trilogies,” but there is only one trilogy, as you know.) It is to be directed by James Strong who might be most easily recognizable as the director of two episodes of “Downton Abbey,” with the films “United,” with episodes of “Dr. Who,” as well.
The film also pairs two of the men who played a big role in Peter Jackson’s LOTR trilogy with New Line Cinema Bob Shaye and Michael Lynne. They were the gentlemen who helped get those movies made when most of Hollywood wouldn’t touch them. Later they had a falling out with Jackson and eventually New Line collapsed and was swallowed by Warner Bros.
Shaye and Lynee will produce the new film through their Unique Features with Rachael Horovitz. Strong is currently directing the AMC/ITV miniseries “Liar,” according to the article.
Now, about that name. J.R.R. Tolkien distinctly named his created world “Middle-earth” not “Middle Earth.” If you think that isn’t a big deal, remember he was a professor of languages and literature who worked on the dictionary and created the whole thing in the first place because he was a linguist who was inventing languages.
So while it is easy to forgive a fan using Middle-earth as two words with capital letters, not so much in movie titles. Warner Bros., for example, while taking creative license with “The Hobbit,” got it right virtually every, single, time. To Tolkien, the subject of the biography, language matters.
And, to reverse things, nobody would excuse a title about the place “San-francisco” and not find it odd.
Making a biography about Tolkien, supposedly telling the story of his life, and getting that detail wrong in the title could be a bad sign.
On the other hand, this could be just a simple oversight by The Hollywood Reporter writer, but hey, the story also included a picture of Elijah Wood as Frodo Baggins instead a picture of, you know, The Professor, so a mistake sounds pretty reasonable. That and stating that Tolkien had two trilogies makes it seem as least possible as a writer’s error. However, most of the info sounds like it was taken from a press release, which would prominently feature a title.
In any case, fans have more Tolkien and more about the creation of Middle-earth to look forward to.
If you haven’t read “J.R.R. Tolkien: A Biography,” by Humpfrey Carpenter, it is essential. And, “Tolkien and the Great War,” by John Garth, is also excellent and covers the ground the film will attempt to cover.
There is a lot more to come on the new Middle-earth film collection from us here at TheOneRing.net. To be honest, the greatest discussions of Tolkien happen behind the scenes with the staff via email from staffers with recognizable names and ones that get less attention but who are still wicked smart. It is all pretty interesting. There is lots of great commentary and info to come from that staff.
PARK CITY, UTAH — Viggo Mortensen is back to his ranging ways, living off the land and keeping an eye on trouble in his new film “Captain Fantastic.” TORn spoke with him on the red carpet at the film’s world premiere at the Sundance Film Festival.
Mortensen plays a father who, along with his wife, decided to raise his children off the grid — way off. He wants to raise his six children to be self reliant in a way that LOTR character Aragorn would be proud of. His offspring can stalk and kill deer with knives, they climb mountains, harvest edible food, learn to make their own clothes and are self reliant in every way. And along the way read the best books.
They are, in short, philosopher kings.
So the actor did look back at that character and filming experience on “Lord of the Rings,” with Peter Jackson?
“I thought of it,” he said. “But I also thought of my time as a father in Idaho.”
He spent time with his son there and in the film he has more, but in both he said he was teaching to be aware of nature.
Viggo Mortensen in new film Captain Fantastic
“You are only as good as the team you are working with,” said Mortensen. “It is about a family. And made by a family.”
He said the cast spent time before filming getting to know each other and learning the skills needed to be authentic on screen. They camped and learned how to grow food and skin a deer and learned to play music together, all of which were important to the film.
The children’s performances are all excellent, as is Mortensen’s. The film captivated Sundance audiences and good news for Mortensen and film fans, it was also picked up for distribution by Bleeker Street. It specializing in specialty cinema and has this year’s “Trumbo” (Bryan Cranston of “Breaking Bad” fame as lead actor) and should hit audiences in July. UPDATE: The film is slowly rolling out in theaters across the U.S. in July.
The audience at its premiere at the Eccles Theater, the largest venue Sundance offers with over 1,300 seats, responded mightily the film’s opening night. Director and writer Matt Ross, who you might know as Alby Grant from HBO’s “Big Love,” received a standing ovation, as did the children. But it was Moretensen who received the hottest reception. He is a pillar of the film. His character is sympathetic and yet outside societal norms.
Mortensen is perfect for the part and it is difficult to imagine the film working as well without him.
“Good movies ask a lot of questions but don’t necessarily answer them,” Ross told TORn just before the premiere.
In “Captain Fantastic,” Mortensen’s family must leave its forest paradise and journey into the highly-populated world with all its social expectations and demands. They all must face traditional society and family bonds and the children’s unconventional education are tested — to the limit.
“I am a dad and there is no such thing as a perfect father and mother. This character is doing the best he can,” Mortensen said.
The film wasn’t rated at Sundance but the unconventional cast isn’t afraid to use unconventional language that may earn it an R rating. And, Mortensen having a cup of coffee in his birthday suit probably erases any chance of it being anything else. Yes, Mortensen gives the film everything he has to offer.
“Captain Fantastic” is full of ideas, exploring family and fatherhood. Some parents will leaving feeling horribly inadequate but audiences will be fulfilled by the intelligent ideas and questions the film asks.
Fans of Mortensen will not want to miss yet another fascinating role in a fascinating film.
The long-rumored movie museum for Wellington took a step toward realization after the team behind the dream presented its vision to the Wellington City Council.
Fans of the cinematic versions of Middle-earth will rejoice that the team behind the proposal is led by none other than Sir Peter Jackson and Sir Richard Taylor. The company, The Movie Museum Limited, or TMML, hopes to bring together material from the duo’s many film projects as well as their own “world-renowned movie collections,” according to a release after the meeting this week.
“There is a vast collection of incredible material from the world-famous movies that have been worked on by the companies in Miramar,” said project director George Hickton. “What is less well-known is that Peter and Fran (Walsh), Richard and Tania (Rodger) also have their own personal collections of film and television memorabilia which is one of the best in the world.”
Richard Taylor and Peter with team on King Kong.
It is expected that the museum will offer both permanent and temporary exhibition spaces, a cafe, offices and a retail shop.
The presentation, according to the release, was part of considering a new site proposed for the museum that will also include a space for gatherings, such as conventions.
Hickton said Wellington has been known for world-class film making for two decades.
“For much of that time, the driving force behind Wellington’s success has been Peter Jackson and Richard Taylor and their partners Fran Walsh and Tania Rodger as well as the Weta Group of companies they established on the Miramar Peninsula.
“From small beginnings, Wellington is today a thriving centre of film-making creativity and excellence, creating thousands of jobs for New Zealanders and attracting major film and television productions and some of the best directors, producers, actors, artists and technicians from around the world.”
Peter Jackson, Richard Taylor and their team on Heavenly Creatures
The concept means the Wellington City Council will provide TMML with a long-term lease of a building built with a museum in mind, constructed and owned by the council. The movie museum organization, if the proposal is accepted, would be responsible for setting up the museum, day-to-day operation and maintenance of the facility.
The hope would be to give Wellington a tourism draw, both to New Zealand and internationally. Readers of of TORn can probably imagine the appeal.
A three-story building is expected, with top floor dedicated to a meeting space for 1100 with the bottom two floors to house the museum with 10,000 square meters of space. The museum is near Te Papa, Wellington’s world-class museum and sit between Wakefield and Cable Streets.
More details, the release said, would be released once the council decides on the proposal and planning and construction begins.
TORn will update this story with more details as they are available. Click on any of the photos for a larger version. (Cinema fans, this is highly recommended.)
Peter Jackson’s Chitty Chitty Bang Bang car
Richard Taylor and Peter Jackson on Heavenly Creatures
Wellington may soon announce the often speculated-about film museum that has been in the media rumor mill for well more than a decade. Stuff.co.nz is reporting that construction will start next year on a combination museum and convention center space.
A three-story building is expected, with top floor dedicated to a meeting space for 1100 with the bottom two floors to house the museum with 10,000 square meters of space. Approval of a land purchase is expected as soon as Tuesday for the space to build the museum. It is expected to house permanent collections as well as temporary ones.
The article says the museum will be run by The Movie Museum Limited, a company formed by Sirs Peter Jackson and Richard Taylor. The two men are cinema fans and each owns a considerable film collection that will be featured in the museum.
The story also detailed that it would be across from Te Papa, Wellington’s world-class museum and sit between Wakefield and Cable Streets, the site it was rumored to be a possibility at before, at the end of Tory Street in Wellington. Construction is expected to see completion in 2018.
The article also said, “Mayor Celia Wade-Brown said it would be “extremely unlikely” for council to not to go ahead with the complex.”
Fans of Jackson and Taylor know the duo has a knack for presentation on screen and off with previous film exhibitions at Te Papa and even at media events for films. Taylor’s Weta Workshop has the Weta Cave in Wellington to showcase props and collectibles out of his Weta Workshop.
TORn will have the latest details as this story develops.
It is always a good day when Warner Bros. wants to share a little extra content with fans and of course we at TheOneRing are happy to pass it along.
This exclusive clip features a little bonus dialog from Dain Ironfoot and about 90 seconds of enhanced content on the Blu-ray disc of “The Hobbit: The Battle of the Five Armies.” It features cinema but behind the scenes content as well. Consider it a fun tease.
Peter Jackson delivered the images and Howard Shore’s delivered the unforgettable musical score for “The Lord of the Rings.” Music and film lovers haven’t forgotten, voting in the favorite film score fro the sixth consecutive year at Classic FM.
The site, that calls itself the world’s biggest classical music radio station in the world, plays such music including film and video game scores. It is said to be the UK’s only 100 percent classical music radio station that includes radio on all platforms including streaming world wide on the web.
After thousands of votes, Shore’s score edged John Williams’ effort for Steven Spielberg’s “Schindler’s List,” and Hans Zimmer’s music for Ridley Scott’s “Gladiator.”
Those who have been with TORn from the early days will remember that a Burger King tie-in commercial was the first time Shore’s score was heard by the masses, as the “Fellowship” theme showed off flame-broiled goodness along with the miracle of in-scale Men, Hobbits, with a pony, a Dwarf and Wizard.
The score carried themes from “Fellowship” into the following movies, earning an Academy Award for “Return of the King,” after a snub of even an nomination for “The Two Towers.”
There are many highlights, and different fans would have different favorite moments.
You can read Classic FM’s story here and find more links to more of the top 100.
Doug Adams’ book, “The Music of the Lord of the Rings Films,” stands as the definitive word on the score but is also one of the finest books written on musical scores anywhere. You can read our review of it here.
An important, and frankly amazing Tolkien document has emerged, recently discovered loose in a copy of The Lord of the Rings once owned by illustrator Pauline Baynes.
The Guardian reports that Baynes removed the map from a previous version of the novel as she was working on a then new color map for a new edition that was published in 1970.
The map then had “copious” notes made by J.R.R. Tolkien in green ink and pencil. Baynes then made her own notes on the map. It is essentially a map annotated by Tolkien himself.
Blackwell’s, which is currently exhibiting the map in Oxford and selling it for £60,000, called it “an important document, and perhaps the finest piece of Tolkien ephemera to emerge in the last 20 years at least”.
Corner of Blackwell’s Tolkien map
According to Blackwell’s, it displays “the exacting nature” of the author and his creative process. He fixes names, gives additional names and reveals details such as Hobbiton “is assumed to be approx at latitude of Oxford,” where Tolkien was, of course, a professor.
Blackwell’s also claims that Tolkien wrote “the city of Ravenna is the inspiration behind Minas Tirith – a key location in the third book of the Lord of The Rings trilogy.” There are other real-world references as well.
“Before going on display in the shop this week, this had only ever been in private hands (Pauline Baynes’s for the majority of its existence). One of the points of interest is how much of a hand Tolkien had in the poster map; all of his suggestions, and there are many (the majority of the annotation on the map is his), are reflected in Baynes’s version,” said Henry Gott, a rare books expert at Blackwell’s.
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