The drama between Frodo, Sam and Gollum lies at the heart of Peter Jacksons ‘The Return of the King’. The dynamics between the three travellers change as they slowly make their way from the Emyn Muil to Mt. Doom. Not only is there a growing strain between Frodo and Sam, but as they get closer to Mordor the Ring wears down what remains of good in the tormented mind of Smeagol.[More]

The drama between Frodo, Sam and Gollum lies at the heart of Peter Jacksons ‘The Return of the King’. The dynamics between the three travellers change as they slowly make their way from the Emyn Muil to Mt. Doom. Not only is there a growing strain between Frodo and Sam, but as they get closer to Mordor the Ring wears down what remains of good in the tormented mind of Smeagol.[More]

The drama between Frodo, Sam and Gollum lies at the heart of Peter Jacksons ‘The Return of the King’. The dynamics between the three travellers change as they slowly make their way from the Emyn Muil to Mt. Doom. Not only is there a growing strain between Frodo and Sam, but as they get closer to Mordor the Ring wears down what remains of good in the tormented mind of Smeagol.

What kind of understanding exists between Smeagol and Frodo? Why does Frodo turn on Sam the way that he does? What do you think about the way Sam treats Smeagol? We will look at all these personal relationships and how they evolve. Also we will discuss how the balance of power shifts between Gollum and Smeagol. What finally decides the struggle in Gollums favour do you think? Join us in #thehalloffire as the take a look at this strange guerilla group.

Times:
Saturday Chat:
5:30pm ET (17:30)
[also 11:30pm (23:30) CET and 9:30am Sunday (09:30) AET]

Sunday Chat:
7:00 pm (19:00) CET
[also 1:00pm (13:00) ET and 5:00am (05:00) Monday morning AET]

ET = Eastern Time, USA’s East Coast
CET = Central European Time, Central Europe
AET = Australian East Coast

Do you have a possible topic for Hall of Fire? Drop us a line at
halloffire@theonering.net

Although composer Howard Shore has worked closely with other risk-taking directors, he seems in Peter Jackson to have found his ultimate muse. Howard Shore is unquestionably one of the great modern film composers. With over sixty scores to his credit, among them collaborations with Tim Burton (Ed Wood), Martin Scorsese (the upcoming The Aviator), David Cronenberg (Crash, Dead Ringers, et al) and David Fincher (Se7en), few of Shore’s industry peers can match his versatile and prolific career stemming from his days as a musical director on Saturday Night Live. [More]

John Noble writes: Little did I realise on that February morning in 1999 that a call from my agent would be the start of a life-changing adventure. Could I go to Mullinars Casting on Wednesday to audition for a film called The Lord of the Rings? “Sure, why not? Fax me a script.” I was to read for the part of a character called Denethor. Rapid research was needed because I had not read the book. [More]

Dominic Monaghan has been in England for a few days and he’s fighting a cold, which makes a change from fighting the monstrous orcs, ringwraiths, uruk-hai and other creatures that have been part of his life for three years. Although Los Angeles is now home for the 27-year-old actor from Stockport, he’s back home to take a break from the whirlwind of premieres and promotional tours that come with the territory of being part of a film phenomenon. [More]